But this isn't the playroom we remember. This time, our favorite toys are facing their most formidable foe yet: The Screen. As Bonnie grows older, her attention is captured by a sleek, addictive new tablet named Lilypad (voiced by Greta Lee). It’s a battle of plastic vs. pixels, exploring the "existential problem" of what it means to be a traditional toy in a high-tech world.

It’s a story that leans into the unsettling reality of the modern playroom. This isn't just a rescue mission; it’s a high-stakes heist against the digital age. Stanton crafts a narrative that asks the heavy questions: in a world of endless upgrades and glowing screens, is there still a place for something that doesn't need a charging cable? Expect the kind of bruised emotion and cinematic scale that reminds us why these characters have endured for over thirty years.

Based on Gary Owen's much lauded and widely performed monodrama, Iphigenia in Splott, Effi o Blaenau is director Marc Evans' cinematic interpretation set against the wide open landscapes of North Wales.

The film follows Effi, a young woman who learns firsthand the personal costs of our societal shortcomings.

Grappling with her weekly loop of unemployment, clubbing and hangovers, Effi has a chance encounter in a Llandudno nightclub with injured soldier Lee, briefly opening a door to something better.

Baz Luhrmann’s gloriously over the top modern day adaptation of Shakespeare’s greatest romantic tragedy, reimagined the feuding Montague and Capulets as rival street gangs in Veracruz. With Leonardo DiCaprio and Claire Danes as the star-crossed lovers and a soundtrack featuring Garbage and The Cardigans, it remains one of the liveliest takes on the classic ever made.

There was far more to the 1990s than Kurt Cobain, Brit Pop and Oasis. Indie cinema boomed and smart movie makers took on the classics, the decade seeing a run of original, outrageous and brilliantly subversive adaptations of William Shakespeare’s plays, and films inspired by his works. Think Romeo at a rave, Miranda in Ibiza, Ophelia on prozac, Hamlet hanging loose, Barditry in a beanie hats, and Shakespeare as a slacker in a plaid shirt and converse and the action coming out of Silverlake rather than Stratford Upon Avon...

When an unexpected and ruthless adversary strikes too close to home, Kara Zor-El, aka Supergirl, reluctantly joins forces with an unlikely companion on an epic, interstellar journey of vengeance and justice.

Grimonprez’s Academy Award-nominated film reveals the connections between post-war jazz, US imperialism and the Pan-African decolonisation movement.

Set during the final months of Patrice Lumumba’s life, Grimonprez’s documentary, anchored by the rhythm of American jazz, forensically investigates the incendiary politics of the nascent Democratic Republic of Congo in 1960. In doing so, it reveals disturbing truths about the decolonial struggle between global political powers.

Staccato beats and syncopation are the guiding principles of this hypnotic and harrowing film essay, which received an Academy Award nomination for Best Documentary Feature.

Fresh off the worldwide blockbuster success of summer 2024’s funniest comedy, Despicable Me 4, Illumination expands its joyful animated universe with a riotous new chapter, featuring all-new characters, in the biggest global animated franchise in history: Minions & Monsters.

This is the rambunctious, ridiculous and totally true story of how the Minions conquered Hollywood, became movie stars, lost everything, unleashed monsters onto the world and then banded together to try and save the planet from the mayhem they had just created.

After graduating from college, Andy lands the dream job that "a million girls would kill for": assistant to Miranda - the chief editor of Runway, the top-selling fashion magazine in the industry. It is a job set to fast track her career in journalism if she can survive a year working for Miranda. From here, Andy, with no sense of fashion at all, begins a fish-out-of-water drama as she is thrown into a lifestyle full of the fast-paced, three-inch-minimum heel height, diet Coke and coffee substance abuse. Andy works really hard to deal with Miranda's endless unimaginable demands. She even becomes trendy and classy. However, she gradually finds she is working 24/7, and soon her life with boyfriend, Nate, and best friend, Lily, is slipping away from her. Then, she realizes that she is losing what really matters. She does not want to lose herself no matter how many pairs of Monolos and Jimmy Choos she can score along the way.

Miranda Priestly (Meryl Streep) struggles against Emily Charlton (Emily Blunt), her former assistant turned rival executive, as they compete for advertising revenue amidst declining print media while Miranda nears retirement.

Twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel- Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in 20th Century Studios’ “The Devil Wears Prada 2,” the eagerly awaited sequel to the 2006 phenomenon that defined a generation.

The film reunites the original main cast with director David Frankel and writer Aline Brosh McKenna, and introduces an all-new runway of characters including Kenneth Branagh, Simone Ashley, Justin Theroux, Lucy Liu, Patrick Brammall, Caleb Hearon, Helen J. Shen, Pauline Chalamet, B.J. Novak and Conrad Ricamora. Tracie Thoms and Tibor Feldman also reprise their roles as “Lily” and “Irv” from the first film.

Either choose to watch the film on its own or select seats for both this film and for Devil Wears Prada, that precedes this screening, for the Double Bill Price of just �15