But this isn't the playroom we remember. This time, our favorite toys are facing their most formidable foe yet: The Screen. As Bonnie grows older, her attention is captured by a sleek, addictive new tablet named Lilypad (voiced by Greta Lee). It’s a battle of plastic vs. pixels, exploring the "existential problem" of what it means to be a traditional toy in a high-tech world.

It’s a story that leans into the unsettling reality of the modern playroom. This isn't just a rescue mission; it’s a high-stakes heist against the digital age. Stanton crafts a narrative that asks the heavy questions: in a world of endless upgrades and glowing screens, is there still a place for something that doesn't need a charging cable? Expect the kind of bruised emotion and cinematic scale that reminds us why these characters have endured for over thirty years.

Based on Gary Owen's much lauded and widely performed monodrama, Iphigenia in Splott, Effi o Blaenau is director Marc Evans' cinematic interpretation set against the wide open landscapes of North Wales.

The film follows Effi, a young woman who learns firsthand the personal costs of our societal shortcomings.

Grappling with her weekly loop of unemployment, clubbing and hangovers, Effi has a chance encounter in a Llandudno nightclub with injured soldier Lee, briefly opening a door to something better.

Baz Luhrmann’s gloriously over the top modern day adaptation of Shakespeare’s greatest romantic tragedy, reimagined the feuding Montague and Capulets as rival street gangs in Veracruz. With Leonardo DiCaprio and Claire Danes as the star-crossed lovers and a soundtrack featuring Garbage and The Cardigans, it remains one of the liveliest takes on the classic ever made.

There was far more to the 1990s than Kurt Cobain, Brit Pop and Oasis. Indie cinema boomed and smart movie makers took on the classics, the decade seeing a run of original, outrageous and brilliantly subversive adaptations of William Shakespeare’s plays, and films inspired by his works. Think Romeo at a rave, Miranda in Ibiza, Ophelia on prozac, Hamlet hanging loose, Barditry in a beanie hats, and Shakespeare as a slacker in a plaid shirt and converse and the action coming out of Silverlake rather than Stratford Upon Avon...

Grimonprez’s Academy Award-nominated film reveals the connections between post-war jazz, US imperialism and the Pan-African decolonisation movement.

Set during the final months of Patrice Lumumba’s life, Grimonprez’s documentary, anchored by the rhythm of American jazz, forensically investigates the incendiary politics of the nascent Democratic Republic of Congo in 1960. In doing so, it reveals disturbing truths about the decolonial struggle between global political powers.

Staccato beats and syncopation are the guiding principles of this hypnotic and harrowing film essay, which received an Academy Award nomination for Best Documentary Feature.