If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you?

This summer, the truth belongs to seven billion people.

We are coming close to … Disclosure Day.

Based on a story by Spielberg, the screenplay is by David Koepp, whose previous work with Spielberg includes the scripts for Jurassic Park, The Lost World: Jurassic Park, War of the Worlds and Indiana Jones and the Kingdom of the Crystal Skull.

TICKETS ON SALE FROM 9:00AM ON 27TH MAY

Be careful what you wish for.

A cynical and twisted love story that dives head deep into the horror of what being with someone by any means necessary could do to you.

After breaking the mysterious "One Wish Willow" to win his crush Nikki's (Inde Navarrette) heart, Bear (Michael Johnston) a young hopeless romantic finds himself getting exactly what he asked for.

When Nikki quickly becomes increasingly obsessed with him to a frightening and violent degree, Bear soon discovers that some desires come at a dark, sinister price.

With a standout, chaotic and unnerving lead performance from Navarette and an ingenious skewering of relationship dynamics, OBSESSION is a sharp, unnerving, and surprisingly funny descent into the dangers of wanting to be loved a little too much.

Jordan Peele's debut film is a brilliantly inventive horror that skewers the insecurities and injustices of modern America.

Ever since the days of Night of the Living Dead and The Texas Chain Saw Massacre it’s been a critical truism that the horror genre offers its own running commentary on the distressed state of modern America. With levels of onscreen carnage escalating over the years, however, it’s heartening to see a filmmaker opt not to deliver even more of the same, but instead return to the fantasy-inflected unease that made TV’s The Twilight Zone a pop-cultural barometer for the anxieties of an earlier American generation. Writer-director Jordan Peele’s remarkable debut feature is very much a product of our own Black Lives Matter era – provocatively so indeed – but one that purposefully uses Serling-esque surrealism as a fantastical container for a whole array of hot-button issues.

Screening as part of our PARANOIA AT THE RIVERSIDE season of films

Set on Vancouver Island in the late 1990s, Blue Heron follows eight-year-old Sasha as her Hungarian family begins life anew in an unfamiliar home. What first appears to be a hopeful transition unfurls to reveal an older brother with increasingly volatile behaviour, casting tension over daily life. Through Sasha’s quiet observations, unspoken fears and strained relationships come into focus. Elegantly shot and structurally assured, Romvari draws from her own experiences to craft a sensitive and atmospheric drama. Through an articulate examination of childhood perception, emotional estrangement and the difficulty of understanding those closest to us, Blue Heron presents a poignant reflection on family bonds and instability, and the fragile nature of memory.

“Guaranteed to be one of the best films you’ll see this year” - our manager, Neil.

Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here

Etero, a 48-year-old woman living in a small village in Georgia, never wanted a husband. She cherishes her freedom as much as her cakes. But her choice to live alone is the cause of much gossip among her fellow villagers. Unexpectedly, she finds herself passionately falling for a man, and is suddenly faced with the decision to pursue a relationship or continue a life of independence. Etero must grapple with her feelings and decide how to find her own path to happiness.