Adapted from Colleen Hoover's best-selling novel, this seductive, psychological thriller follows renowned author Verity Crawford (Anne Hathaway) and Lowen Ashleigh (Dakota Johnson), a struggling writer who relocates to the remote Crawford estate to ghostwrite for Verity.

After Lowen uncovers what appears to be Verity's chilling autobiographical notes, she wrestles with the disturbing and twisted confessions about Verity’s husband Jeremy (Josh Hartnett), and finds it hard to separate fiction from reality, manipulation from attraction, and opportunity from obsession.

The Weight is a tense thriller set in the Depression-era with great performances from Ethan Hawke and Russell Crowe. When Samuel (Ethan Hawke) is torn from his daughter and sent to a brutal prison, Warden Clancy (Russell Crowe) offers a high-stakes proposition: smuggle gold out of a remote mine with a dangerous crew of prisoners and he’ll win his freedom in time to save his daughter from adoption.

But as the group journeys into the unforgiving wilderness, the real threat isn’t the terrain — it’s the betrayal and violence festering within their own ranks. Surrounded by greed, suspicion, and danger, Samuel must risk everything to reunite with his child

RMTC are back this autumn with “Stepping Out”

Written by Richard Harris in 1984, “Stepping Out” was produced in the West End, London, where it received the Evening Standard Comedy of the Year Award, and on Broadway, New York.

A warm and extremely funny play, it follows the lives, laughs and loves of a group of women (and one man) from disparate backgrounds who attend a weekly tap-dance class in a dingy North London church hall.

Ex-professional dancer Mavis who runs the class is joined by cheerfully overweight Sylvia; Andy, a plain do-gooder with no confidence; snobby but well-meaning Vera; timid Dorothy who works in Social Security; Maxine who is attractive, sharp and very shrewd; fat, plain Lynne; Rose, who is just here for a good time, and Geoffrey, the lone male of the group. Watch as these once complex characters, navigate the challenges and triumphs of their journey, as they head towards a grand public, charity show performance, transformed into triumphant tappers, worthy of any chorus line.

Tap your troubles away with this fabulous story that is testament to the power of community, friendship, and the transformative experience of dance and has been praised for its witty dialogue, memorable characters, and the uplifting message it conveys about the courage and resilience of ordinary people.

20th & 21st November

7.30pm

All Tickets £20.00

This amateur production of “Stepping Out” is presented by arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd. www.concordtheatricals.co.uk

GIANT, filmed live at London’s Harold Pinter Theatre !

The play is currently playing on Broadway and has been nominated for 4 Tony Awards including Best Play and Leading Actor for John Lithgow.

A world-famous children’s author under threat, a battle of wills in the wake of scandal and one chance to make amends, GIANT tells the story of Roald Dahl and the true scandal that shook his legacy. GIANT stars Tony, Golden Globe, and Olivier Award-winner John Lithgow (Conclave, The Crown) as author Roald Dahl; Aya Cash (The Boys, The Franchise, You’re the Worst) as US Publisher Jessie Stone; Olivier Award-winner Elliot Levey (Cold War, Patriots, Good) as Tom Maschler, Dahl’s British Jewish Publisher; Olivier Award-nominee Rachael Stirling (The Divine Mrs S) as Felicity Crosland, Roald Dahl’s fiancée; Tessa Bonham Jones (Dune: Prophecy, The Young Woman and the Sea) as Hallie; and Richard Hope (Hijack) as Wally Saunders, Dahl’s handyman.

It’s the summer of 1983, The Witches is about to hit the shelves and Roald Dahl is making last-minute edits. But the outcry at his recent, explicitly antisemitic article won’t die down. Across a single afternoon at his family home, and rocked by an unexpectedly explosive confrontation, Dahl is forced to choose: make a public apology or risk his name and reputation.

Inspired by real events, GIANT explores with dark humour the difference between considered opinion and dangerous rhetoric offering a complicated portrait of a fiendishly charismatic icon.

John Lithgow says: ‘I play the central character of Roald Dahl, a man of dizzying complexity, on a day of crisis in his life. The story takes place forty years ago, but it resonates powerfully with events of our present day. No play I’ve ever been in has had such an impact on audiences.'

 ★★★★★ 'John Lithgow is mesmerising as Roald Dahl' THE TELEGRAPH

★★★★★ 'GIANT is all that theatre should be' DAILY MAIL

★★★★★ 'The most thought-provoking play of the decade' THE TIMES

Critic’s Pick 'As Roald Dahl, John Lithgow is a study in monstrosity' THE NEW YORK TIMES

TICKETS ON SALE - 9TH JULY

“My most – Indeed my only – political film.” That was how visionary director Ken Russell described his incendiary 1971 masterpiece … Yet since opening to divisive reviews 55 years ago, Russell’s masterpiece has never been released as he intended … The story The Devils tells is an engrossing one, inspired by extraordinary real-life events that climaxed in the public burning of a priest, Urbain Grandier, in the French city of Loudun in 1634 … Despite their apparently fantastical nature, the historical facts behind The Devils are well documented … Most celebrated of the many accounts, however, is Aldous Huxley’s 1952 classic The Devils of Loudun, which is credited as the source of Russell’s movie, alongside John Whiting’s stage-play The Devils, which was first performed by the RSC in 1961. Russell was “knocked out” by Huxley’s book, and wanted his film to inspire a similarly powerful reaction in audiences. For him, this was “a story about brainwashing”. Despite having converted to Catholicism many years earlier, Russell was confident that the events at Loudun had nothing to do with demons or the supernatural and everything to do with political corruption and weaponised hysteria … Shot at Pinewood Studios on awe-inspiringly pristine sets designed by fledgling artist Derek Jarman, The Devils was a controversial project from the outset … Russell’s original vision proved to be ahead of its time, with key sequences deemed too intense for its contemporary viewers. Most notably, a sequence in which a very public display of alleged “demonic possession” climaxed in hysterical nuns tearing down and ravaging a giant crucifix was excised in its entirety, alongside other edits made for the UK release, with further cuts for American audiences. For Russell, these alterations were heartbreaking because, as he told me in 2002, the deleted material not only contained “some of my finest work”, but also encapsulated the thematic heart of the film – a pantomime spectacle of blasphemy that is paraded out for corrupt political purposes … This is the version of The Devils that Ken Russell hoped would one day be available to international audiences – a fearless masterpiece that is even more relevant in these “post-truth” times than it was when Russell first conjured its unforgettably fiery excesses.

TICKETS ON SALE 25TH SEPTEMBER

After a harrowing plane crash, Special Forces officer James Belmont (Brad Pitt) and his combat dog, Odin, find themselves stranded deep in the Alaskan wilderness.

Together, they are forced into a brutal fight for survival against the elements. From acclaimed filmmaker David Ayer, Heart of the Beast is an intense adventure thriller that explores the unbreakable bond between a man and his best friend as they face their greatest battle yet.

Robert Pattinson continues his run of astonishing 2026 performances as he portrays the To Catch a Predator presenter Chris Hansen in this vivid and propulsive drama.

It’s 2006 and despite its unconventional methods, To Catch a Predator is a US TV hit. When executives decide to move the show to a primetime slot, Hansen and his production team must up the ante to keep their audience, no matter the cost. Merritt Wever and Skyler Gisondo also impress in this absorbing narrative feature debut from documentary filmmaker Lance Oppenheim.

In a masterclass of control and precision, Paweł Pawlikowski explores the fragmented soul of postwar Germany through a father-daughter road trip dominated by personal ghosts.

In 1949, Erika (a superb Sandra Hüller) is accompanying her father, Nobel laureate author Thomas Mann, on a literary tour through West and East Germany. As family tragedy strikes, it becomes apparent that the spiritual healing Mann deems essential for the divided country may be necessary for their own relationship. It’s an impeccably shot and evocative drama that meditates on the healing process for a fractured national identity.