Take It Or Leave It, originally released in 1981, is the highly entertaining and brilliantly nostalgic story of how Madness, one of the most successful and enduring British bands of all time, originally got together.

Filmed after Madness enjoyed a bunch of Top 10 singles, endearing themselves to the British public with the humour of their iconic music videos, the film travels back in time, chronicling how seven mates living in 1970s Camden Town formed a band. It details the jobs they left behind, the line-up changes, the rows, the laughs, and how their distinctive ska-pop ‘Nutty Sound’ evolved.

Featuring classic songs including One Step Beyond, Night Boat to Cairo and Embarrassment, the release will be supported by the band, alongside a brand-new trailer, a new quad poster and paid-for campaign.

The international hit musical comes to the big screen!

Winner of eight Tony Awards in 2019 including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, HADESTOWN: THE MUSICAL is the genre-defying musical blending modern American folk music with New Orleans-inspired jazz to reimagine a sweeping ancient tale of two intertwining love stories, that of young dreamers Orpheus and Eurydice, and King Hades and his wife Persephone. Filmed live on stage in London’s West End and featuring the original Broadway stars, HADESTOWN: THE MUSICAL invites audiences on a hell-raising journey to the underworld and back.

Far out on the open sea, an expedition vessel travels toward one of the most remote regions on Earth, the Clarion–Clipperton Zone, twelve days from the nearest land.

 

Here, darkness, silence, and immense depths conceal an unexplored universe.

 

How Deep Is Your Love follows a group of marine biologists trying to understand life in this unknown world, while grappling with the question of whether their presence risks harming what they seek to protect. A visually hypnotic and deeply absorbing journey in which every discovery reshapes our understanding of the planet.

 

Eleanor Mortimer has created a nature documentary like no other. How Deep Is Your Love weaves awe-inspiring footage of this breathtaking realm with a looming sense of urgency as mankind’s progress threatens to upend these delicate eco-systems.

Two of opera’s most extraordinary artists return to The Met: Live in HD for Verdi’s thrilling take on the immortal Shakespearean tale of the scheming couple determined to seize power at any cost. Following past triumphs in many of Verdi’s signature baritone roles, Quinn Kelsey is the Scottish king haunted by the ghosts of his murderous ascent to the throne, opposite Lise Davidsen—the world’s reigning dramatic soprano—as the power-mad Lady Macbeth, whose ruinous ambition damns them both. Met Music Director Yannick Nézet-Séguin takes the podium for a penetrating production by Louisa Proske, a brilliant young director making waves around the world. Rounding out the all-star cast are tenor Freddie De Tommaso as the heroic Macduff and bass-baritone Ryan Speedo Green as Macbeth’s friend-turned-victim Banquo. This production is part of the Met’s award-winning Live in HD series, bringing opera to cinemas across the globe.

In the seedy underbelly of 18th-century Paris, money is king. Nothing is sacred – even love itself can be bought for the right price. A native of this hedonistic underworld, Manon is caught between twin desires when she falls in love with the student Des Grieux. Steadfast and devoted, he offers the possibility of an honourable life. Yet, the riches promised by the world of Parisian society remain tempting...

Manon’s inner turmoil and struggle for survival lie at the devastating heart of Kenneth MacMillan’s 1974 adaptation of Abbé Prévost’s novel. In this signature work of The Royal Ballet, MacMillan’s nuanced understanding of human psychology makes for an unflinching look into the moral degradation of Manon’s Paris, while all its decadence and decay are brought to life through Jules Massenet’s score and Nicholas Georgiadis’s designs.

Sparkling, dizzying, and deliciously potent, Fallen Angels, Noël Coward’s champagne-fresh comedy of bad manners, shocked and delighted audiences at its 1925 premiere. Two upper-class wives, their husbands away for the day, share a few toasts to their pre-marital dalliances—with the same man, who just may be en route from France to visit. Old rivalries and past scandals bubble to the surface in this intoxicating romp from one of theatre’s comedy masters.

 

Starring Golden Globe-winner Rose Byrne (If I Had Legs I’d Kick You) and Tony Award winner Kelli O’Hara (The King and I), with Tracee Chimo, Mark Consuelos (making his Broadway debut), Christopher Fitzgerald and Aasif Mandvi, this new Roundabout Theatre and Tony Award-winning production of ‘pure escapist fun’ (The New York Times) was filmed live on stage at Broadway’s Todd Haimes Theatre and now comes to the big screen.

Horrifying and darkly comic, Rosemary’s Baby was Roman Polanski’s Hollywood debut. This wildly entertaining nightmare, faithfully adapted from Ira Levin’s best seller, stars a revelatory Mia Farrow as a young mother-to-be who grows increasingly suspicious that her overfriendly elderly neighbors (played by Sidney Blackmer and an Oscar-winning Ruth Gordon) and self-involved husband (John Cassavetes) are hatching a satanic plot against her and her baby. In the decades of occult cinema that Polanski’s ungodly masterpiece has spawned, it has never been outdone for sheer psychological terror.

Fola (a magnetic ??p?´ Dìrísù) is an enigmatic figure in his sons’ lives. As they traverse Lagos, Remi and Akin (real-life brothers Chibuike Marvellous and Godwin Egbo) begin to understand him as a person, and the sacrifices he has made for them. But as Nigeria’s presidential election results loom, events transpire that will dramatically change their relationship with him.

Josh O’Connor (The Crown; Challengers) leads the cast in this searing revival of Clifford Odets’ knockout American classic.

 

1930s New York, at the height of the Depression. Joe Bonaparte is a gifted young violinist with a future in music, until a chance at fame and fortune lures him into the brutal world of professional boxing. He must confront what he’s willing to sacrifice, who he’s willing to become and how to find his place in a world that demands he choose a side.

 

Brought to life with a live string quartet and filmed live from the Almeida Theatre, Olivier Award-winner Sam Yates (Vanya) directs this propulsive drama exploring ambition, identity, and the high price of success.  

 

A biting satire on modern society that actually makes more sense today than it did at its time of release, John Carpenter’s They Live is a cleverly envisioned, intricately layered & rivetingly told sci-fi horror that was far ahead of its time, and its critical take on the power of commercialism & influence of advertising on the masses is only growing more relevant with time.

The story follows a drifter who arrives in Los Angeles looking for work and stumbles upon a pair of sunglasses that allows him to see everything around him for what they really are. As he learns that the subliminal messages in mass media are part of a hidden agenda by aliens masquerading as human beings to keep the human civilization subdued, he tries to reveal the truth to the world.

Written & directed by John Carpenter (best known for Halloween & The Thing), They Live takes its time to establish its bleak atmosphere, and only escalates once all the pieces on the board are set. Keeping a firm grip on the pacing & build up, the director paints a grim portrait of what mankind is reduced to but it is the film’s close proximity with our current scenario that makes it compelling on so many levels.

Carpenter doesn’t hold back in illustrating the corrupting power of mass media and captures the omnipresent subliminal commands behind every advertising banner for what they are. Greyscale photography is utilized to illustrate the truth while colored segments represent the world that’s completely oblivious to the reality it’s living in. Carpenter’s score here may not rank amongst his finest compositions but it still works.

Coming to the performances, the cast is led by noted WWF icon “Rowdy” Roddy Piper and features Keith David & Meg Foster in supporting roles. Piper is surprisingly low-key here, compared to his volatile in-ring persona, and chips in with a measured input that aptly articulates his character’s emotions & confusion. David delivers a sturdy performance that stands neck to neck with Piper’s, while Foster’s work has an enigmatic quality to it.

On an overall scale, They Live is a brilliantly directed, deftly scripted, exquisitely witted, skilfully photographed, expertly edited, splendidly performed & finely scored example of its genre(s) that paints an unsettling portrait of the world we live in, and is another underrated gem from Carpenter that’s well deserving of its cult following. Smart, subversive & stimulating, this political satire has aged like wine and will continue to resonate strongly & more deeply as the years roll on.

Under the oppressive heat of the Spanish sun, the fiercely independent Carmen attracts the attention of Don José. She warns him not to fall in love with her, but his obsession knows no bounds. Damiano Michieletto’s searing production returns, casting scorching light on the lust, violence and destructive desire of Bizet’s ever-popular opera.

An all-star cast brings this white-hot drama to life, with Ginger Costa-Jackson in the fiery title role, alongside Russell Thomas as the jealous and despairing Don José. Following his 2023 Royal Opera debut, Sesto Quatrini returns to conduct Bizet’s electrifying and sensual score.