Sixteen years after The Social Network told Facebook’s start-up story, Mark Zuckerberg probably thought he was safe to set foot back in the cinema. No such luck, The Social Reckoning pokes the digital bear all over again, this time drilling into 2021’s internal document leak that laid bare the firm’s secrets, with a typically rat-a-tat script from The West Wing’s Aaron Sorkin.

Frances Haugen, a young Facebook engineer, enlists the help of Jeff Horwitz, a Wall Street Journal reporter, to go on a dangerous journey that ends up blowing the whistle on the social network’s most guarded secrets

In this chilling adaptation of Stephen King's horror novel, withdrawn and sensitive teen Carrie White (Sissy Spacek) faces taunting from classmates at school and abuse from her fanatically pious mother (Piper Laurie) at home. When strange occurrences start happening around Carrie, she begins to suspect that she has supernatural powers. Invited to the prom by the empathetic Tommy Ross (William Katt), Carrie tries to let her guard down, but things eventually take a dark and violent turn. 

It�s almost Halloween and things start to go wrong when the farmer accidentally destroys the prized pumpkin patch. With a mysterious beast on the loose in the local woods and the farmer missing, Shaun and his friends have little time to try and save the day. Shaun�s third big screen adventure also marks the 50th Anniversary of Aardman Animation.

Winner of the Silver Bear for Best Director at the 2026 Berlin Film Festival, Everybody Digs Bill Evans is a biographical drama film about the famous jazz pianist and composer Bill Evans.

1961. Bill Evans is playing with what he considers the perfect musical trio until tragedy strikes in the premature death of his bass player, Scott LaFaro - his musical soulmate. Traumatised by grief, Evans stops playing for the first time since his childhood. A tug-of-war between personal torment and the seemingly safer haven of familial love will see Evans oscillate between New York and suburbia, his genius always bubbling beneath the surface.

Directed by Grant Gee (Patience After Sebald) and written by Mark O’Halloran, based on Owen Martell’s novel Intermission

In the seedy underbelly of 18th-century Paris, money is king. Nothing is sacred – even love itself can be bought for the right price. A native of this hedonistic underworld, Manon is caught between twin desires when she falls in love with the student Des Grieux. Steadfast and devoted, he offers the possibility of an honourable life. Yet, the riches promised by the world of Parisian society remain tempting...

Manon’s inner turmoil and struggle for survival lie at the devastating heart of Kenneth MacMillan’s 1974 adaptation of Abbé Prévost’s novel. In this signature work of The Royal Ballet, MacMillan’s nuanced understanding of human psychology makes for an unflinching look into the moral degradation of Manon’s Paris, while all its decadence and decay are brought to life through Jules Massenet’s score and Nicholas Georgiadis’s designs.