Five-time Olivier Award winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw’s incendiary moral classic.

Vivie Warren is a woman ahead of her time. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune – but at what cost?

Filmed live from the West End, this new production reunites Staunton with director Dominic Cooke (Follies, Good), exploring the clash between morality and independence, traditions and progress.

SPECIAL EVENT !

We are delighted that highly acclaimed British filmmaker Gerard Johnson, director of tonight's film, will be joining us this evening for our screening of ODYSSEY, along with his brother, Matt Johnson, who has scored this film and Gerard's previous films. Matt Johnson is perhaps better known to many as The The.

Fiery, sharp-tongued, and ambitious real estate agent Natasha Flynn lives every day on the verge of total success – or ruin. Her luxurious lifestyle is an unaffordable mask for the lonely void she’s tried to fill with the hustle for success. Then, when a shady lender forces her complicity in a criminal scheme to settle a debt, Natasha seeks out a dangerous old friend for help. As pressure from colleagues, collectors and criminals escalates, so begins a wild, neon-soaked ride through London’s dark underbelly.

This stylish, gritty, and darkly comedic thriller fearlessly confronting the contemporary housing crisis and corporate greed is led by a powerhouse performance from Polly Maberly (Muscle) who stars alongside Mikael Persbrandt (Sex Education, The Salvation, The Hobbit). The cast is rounded out by incredible British talent including Guy Burnet (Oppenheimer, Ray Donovan), Jasmine Blackborow (The Gentlemen, Marie Antoinette), Daniel De Bourg (MobLand, Fountain of Youth) and Peter Ferdinando (Ghost in the Shell, High-Rise).

A critical hit following its World Premiere at SXSW 2025, Odyssey is the latest feature from acclaimed director, Gerard Johnson, known for previous adrenaline-fuelled thrillers Tony, Hyena and Muscle.

“Heart-pounding” ★★★★ DREAD CENTRAL

“Riveting” ★★★★ THE HOLLYWOOD NEWS

“Wildly entertaining” ★★★★ THE MOVIE WAFFLER

“A new breed of antihero” DEADLINE

“Refreshingly dark” COLLIDER

“A masterclass” SCREEN ANARCHY

6:00pm Intro from Gerard and Matt Johnson

6:10pm Film

8pm - short break

8:10pm Q&A with Matt and Gerard

9:00pm End

The cinematic return of the global phenomenon, follows the Crawley family and their staff as they enter the 1930s. When Mary finds herself at the center of a public scandal and the family faces financial trouble, the entire household grapples with the threat of social disgrace.

The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future in this final film in the series.

A cultural sensation from its inception in the early 2000s, Dateline NBC’s candid-camera investigative series To Catch a Predator ensnared sex offenders and lured them to a film set, where they would be interviewed and arrested while cameras rolled. The show was a hit and transformed its host Chris Hansen into a moral crusader and TV star, while spawning a worldwide industry of imitators and vigilantes. But why did we watch so voraciously — and why do we continue to devour its web-based, clickbait-driven offshoots?

Looking back on the show and the countless franchises it spawned, filmmaker David Osit turns his camera on journalists, actors, law enforcers, academics, and ultimately himself, to trace America's obsession with watching people at their lowest.

PREDATORS is a chilling, edge-of-your-seat film that delves into the murk of human nature to observe hunter, predator, subject and spectator alike, all ensnared in a complicated web of entertainment as far as the eye can see.