A family moves into a suburban house and, upon arriving at their new home, they start to suspect that they aren't alone, as a strange presence begins to manifest itself. Steven Soderbergh's first incursion into the supernatural horror genre, supported by a surprising script written by David Koepp (Stir of Echoes, Panic Room, Jurassic Park), which had its world premiere at the past edition of the Sundance Film Festival.

September 5 unveils the decisive moment that forever changed media coverage and continues to impact live news today.

Set during the 1972 Munich Olympics, the film follows an American Sports broadcasting team that quickly adapted from sports reporting to live coverage of the Israeli athletes taken hostage. Through this lens, September 5 provides a powerful new perspective on the live broadcast seen globally by an estimated one billion people at the time.

At the heart of the story is Geoff, a young and ambitious producer striving to prove himself to his boss, the legendary TV executive Roone Arledge. Together with Marianne, a German interpreter, Geoff unexpectedly takes the helm of the live coverage.

As narratives shift, time ticks away, and conflicting rumors spread, with the hostages’ lives hanging in the balance, Geoff grapples with tough decisions while confronting his own moral compass. How do you cover a situation like this if what the perpetrators want is the spotlight you give?

Shakespeare’s great love story is brilliantly retold through this modern ballet classic celebrating its 60th anniversary in 2025. The fervent longing of the star-crossed lovers is perfectly captured by Kenneth MacMillan’s impassioned choreography. The flourishing of young love is just as present in Romeo and Juliet's meeting on the balcony as in their final moments when they desperately cling to life in the tomb.

Because of his father’s failing health, Michael is forced to take more responsibility for the family’s farm. It draws him into a long history of conflict with a rival shepherding family, sparking a devastating chain of events. Andrews’ film is a gripping portrait of two men unable to break a generations-old cycle of harm.

Christopher Abbott and Barry Keoghan are outstanding in Christopher Andrews’ impressive debut, about two feuding farming families in rural Ireland.

A seasoned performer must plan for her future when her show abruptly closes after a 30-year run. Starring Pamela Anderson, Jamie Lee Curtis, and Dave Bautista.

Most films set in Las Vegas centre on the high-wattage neon glow of The Strip. But the latest from Gia Coppola turns that tradition around, showing us a story from behind the lights, with a captivating and affecting lead performance by Pamela Anderson.

Shelley (Anderson) has been a Las Vegas showgirl for over 30 years, the feather and crystal–adorned centrepiece of Sin City’s last remaining traditional floor show. The stage and the women she shares it with are her loving, bickering, sequin-clad family. When the stage manager Eddie (Dave Bautista, an island of masculinity in a sea of women) announces the show will close permanently in two weeks, Shelley and her co-workers must make decisions for their future. But the future looks different when you are 50 rather than 20, and your sole job skill is dancing.

Emotionally floundering, Shelley tries to reconnect with a daughter she hardly knows, which proves just as difficult as losing the only job she has ever had. Bolstered by her best friend Annette (Jamie Lee Curtis), a brash cocktail waitress who laughs a little too loud and too often, Shelley must find her place in a world that she shut the (stage) door on years before.

Coppola’s camera slyly but gently goes everywhere with her characters, capturing the childlike bewilderment on Shelley’s face as she absorbs news, and the heartbreaking compassion emanating from Eddie’s eyes as he delivers it. The director’s capable hand with a superb company of actors highlights the all-too-human sensitivities behind the harsh glare of those famous neon signs and stage lights.