Timothée Chalamet stars and sings as Bob Dylan in James Mangold’s new film.

New York, early 1960s. Against the backdrop of a vibrant music scene and tumultuous cultural upheaval, an enigmatic 19-year-old from Minnesota arrives in the West Village with his guitar and revolutionary talent, destined to change the course of American music.  As he forms his most intimate relationships during his rise to fame, he grows restless with the folk movement and, refusing to be defined, makes a controversial choice that culturally reverberates worldwide.

Nominated for Three 2025 Golden Globes: Best Performance by a Male Actor in a Motion Picture—Drama (Timothée Chalamet), Best Actor for a Supporting Role in any Motion Picture (Edward Norton), and Best Motion Picture—Drama

"Like its subject has done so many times in his six-decade career, this one exceeds expectations... Mangold’s approach demands a great deal of Chalamet, and he nails it... It gives the film an electricity that biopics almost always lack, feeling urgent instead of merely like a jukebox that’s been played a hundred times." RogerEbert.com

"While we’ve seen that kind of portrait of an artist before—surely most of the greats have at least a dash of cruel vanity in them—Chalamet makes it fresh. To watch him is to feel what so many other characters in the film do: an affection and a curious sense of loss as he drifts away into the lonely mists of talent and fame."    Vanity Fair                                                            

 Advisory note: A Complete Unknown contains several sequences with flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.

The film has received 8 Oscar nominations and 6 BAFTA nominations.

Ralph Fiennes and Stanley Tucci revel in the ritual and intrigue surrounding the process of choosing a new pontiff, in this tantalisingly tense Vatican-set drama.

The Pope has died. Cardinal Lawrence must lead the Conclave to select the new leader of the Catholic world. But as high-ranking cardinals gather, he discovers sides have been drawn and secrets that might destroy a future pope, perhaps even the Church itself, threaten to be revealed. Following his Oscar-winning success with All Quiet on the Western Front, Edward Berger presents us with another tale of conflict, albeit one where battles are waged in hushed tones in hallowed hallways. Fiennes, Tucci and John Lithgow make the most of Peter Straughan’s (Tinker Tailor Soldier Spy) screenplay, based on Robert Harris’ 2016 novel, albeit with Isabella Rossellini almost stealing the film as the formidable Sister Agnes.

Hale County This Morning, This Evening director RaMell Ross vividly brings Colson Whitehead’s Pulitzer Prize-winner to life with this masterclass in adaptation.

1960s, Tallahassee. Elwood Curtis is sent to the reformatory Nickel Academy for a crime he didn’t commit. Present day, New York. A revelation about the abuses suffered by the Academy’s students leads Curtis to remember his life-changing friendship with Jack Turner. Ross’s film is a dazzling achievement – a bold and beguiling exploration of trauma and buried American history.

The film has received 2 Oscar nominations and 1 BAFTA nomination

Sean Baker won the Palme d’Or at Cannes with this enthralling drama, featuring a star-making performance from Mikey Madison.

Baker (Florida Project, Red Rocket) presents a modern-day Cinderella story about Ani, a young sex worker from Brooklyn, meeting Vanya, a spoiled son of a Russian oligarch, who offers her a glamorous new life of possibility and incredible wealth. Ani’s wild ride and fairytale is soon threatened when news of their whirlwind marriage gets back to Russia, resulting in Vanya’s parents flying to New York to manage the situation. Both wildly entertaining and heartbreaking, Anora takes audiences on a freewheeling, rambunctious adventure that escalates to dizzying levels. Drawing comparisons to Pretty Woman, it constantly plays with genre and audience expectations. But what shines through most, as it does in all of his films, is Baker’s love for and unwillingness to judge his characters.

Anora has received six Oscar nominations and seven BAFTA nominations

Rita is a smart, undervalued lawyer dreaming of the day she’ll stop working for a firm more interested in profiting from criminals than bringing them to justice. One day, she is unceremoniously hired by a cartel boss, who enlists her help in undergoing gender affirming surgery in order to live as their true self. Years later, a deep friendship blossoms between them when Rita helps Emilia reunite with her family. Audiard brings his fearless directorial flair to this musical fantasy, which is operatic in both scope and emotion. Terrific central performances by Zoe Saldaña, Karla Sofía Gascón, Adriana Paz and Selena Gomez help make it a touching story of redemption and love.

Desperate to secure her fading celebrity status, Elisabeth Sparkle (Demi Moore), undergoes a black-market medical procedure that promises self-actualization, but culminates in the spawning of Sue (Margaret Qualley), a bold and brash clone of her younger self that perpetuates its existence via weekly spinal taps. The pair are warned to respect their new symbiotic relationship or risk corrosive consequences. But as Sue starts reserving more time in the limelight at the behest of a slimeball executive (Dennis Quaid) and her own growing ambition, Sparkle is soon faced with an existential threat, one that engenders a wicked feud with her tulpa and a knock-down, drag-out battle to reclaim her autonomy.