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Monet

Monet (TBC)

Sunday 16 May 20273:00pm

To celebrate Tate Britain’s blockbuster Monet and Time exhibition, Exhibition on Screen is delighted to bring the iconic story of Claude Monet to cinema screens in May 2027.


Undeniably one of the world’s favourite artists and the figurehead of the Impressionist movement prepare to be dazzled by his spectacular and revolutionary use of light and colour and step into one the most famous gardens in art history.


Immerse yourself in iconic masterpieces and discover the incredible story of passion and rebellion in this exciting documentary on the man who named the world’s favourite art movement.


Further details to come.

Romeo and Juliet (2027)

Romeo and Juliet (2027) (12A Live)

Tuesday 25 May 20277:15pm

The Capulets and Montagues are sworn enemies. Yet it is love at first sight for Romeo Montague and Juliet Capulet when they meet each other at the Capulet ball, into which Romeo has snuck. The two fall in love and they profess their devotion to each other at Juliet’s balcony. They secretly get married.

The stakes are raised for the young couple when Romeo avenges the death of his friend Mercutio who has been killed by Tybalt, Juliet’s cousin. For this, Romeo is exiled from Verona. Meanwhile, Juliet’s parents are forcing her to marry another suitor. In order to be together, Romeo and Juliet must risk it all.

Urchin

Urchin (15)

Monday 7 Jun 20277:45pm (Closed)
Please note that this film is for members of Woodbridge Film Society only. If you wish to become a member then please visit their page here and contact them at the email address provided.

Premiering at Cannes and winning Un Certain Regard's Best Actor award for Frank Dilane, Harris Dickison’s debut feature is a lyrical and unflinching portrait of youth lived on the margins of London. At its centre is a career-defining performance from Dillane as a young rough sleeper, whose fragile resilience is revealed in fleeting encounters and fragile connections across the city.

Moving between moments of quiet intimacy and stark isolation, Urchin traces a drifting existence shaped by loss, endurance and the search for tenderness in hostile spaces. Dickison’s film resists easy narratives of redemption, instead unfolding as a poetic study of survival—of the fragile bonds and small gestures that make life possible in the shadows.

Rooted in a contemporary London that feels both familiar and estranged, the film resonates as a strikingly humane debut, announcing Dickison as a filmmaker of rare sensitivity and vision.