In the seedy underbelly of 18th-century Paris, money is king. Nothing is sacred – even love itself can be bought for the right price. A native of this hedonistic underworld, Manon is caught between twin desires when she falls in love with the student Des Grieux. Steadfast and devoted, he offers the possibility of an honourable life. Yet, the riches promised by the world of Parisian society remain tempting...

Manon’s inner turmoil and struggle for survival lie at the devastating heart of Kenneth MacMillan’s 1974 adaptation of Abbé Prévost’s novel. In this signature work of The Royal Ballet, MacMillan’s nuanced understanding of human psychology makes for an unflinching look into the moral degradation of Manon’s Paris, while all its decadence and decay are brought to life through Jules Massenet’s score and Nicholas Georgiadis’s designs.

Sparkling, dizzying, and deliciously potent, Fallen Angels, Noël Coward’s champagne-fresh comedy of bad manners, shocked and delighted audiences at its 1925 premiere. Two upper-class wives, their husbands away for the day, share a few toasts to their pre-marital dalliances—with the same man, who just may be en route from France to visit. Old rivalries and past scandals bubble to the surface in this intoxicating romp from one of theatre’s comedy masters.

Starring Golden Globe-winner Rose Byrne (If I Had Legs I’d Kick You) and Tony Award winner Kelli O’Hara (The King and I), with Tracee Chimo, Mark Consuelos (making his Broadway debut), Christopher Fitzgerald and Aasif Mandvi, this new Roundabout Theatre and Tony Award-winning production of ‘pure escapist fun’ (The New York Times) was filmed live on stage at Broadway’s Todd Haimes Theatre and now comes to the big screen.

Horrifying and darkly comic, Rosemary’s Baby was Roman Polanski’s Hollywood debut. This wildly entertaining nightmare, faithfully adapted from Ira Levin’s best seller, stars a revelatory Mia Farrow as a young mother-to-be who grows increasingly suspicious that her overfriendly elderly neighbors (played by Sidney Blackmer and an Oscar-winning Ruth Gordon) and self-involved husband (John Cassavetes) are hatching a satanic plot against her and her baby. In the decades of occult cinema that Polanski’s ungodly masterpiece has spawned, it has never been outdone for sheer psychological terror.