In “Moana,” Disney’s live-action reimagining of the beloved Oscar®-nominated animated adventure, Moana (Catherine Lagaʻaia) answers the Ocean’s call and, for the first time, voyages beyond the reef of her island of Motunui with the infamous demigod Maui (Dwayne Johnson) on an unforgettable journey to restore prosperity to her people.

The film is directed by Emmy® and Tony Award® winner Thomas Kail (“Hamilton”); produced by Dwayne Johnson, p.g.a., Beau  Flynn, p.g.a., Dany Garcia, Hiram Garcia, p.g.a. and Lin-Manuel Miranda; and executive produced by Scott Sheldon, Charles Newirth, Kail and Auliʻi Cravalho, who voiced Moana in the animated films “Moana” and “Moana 2.” “Moana” features original songs by Lin-Manuel Miranda, Opetaia Foaʻi and Mark Mancina, and an original score composed by Mancina. .

The latest film from Olivia Wilde is her finest work yet – a charged, hilarious chamber piece that reverberates with the simmering tension of Who’s Afraid of Virginia Woolf? and channels the queasy comedy of Abigail’s Party.

Joe, a weary music professor, arrives home one evening to find his highly strung wife Angela has decorated their apartment, laid out a platter of expensive cheeses, and invited their sexy, uninhibited neighbours to supper. This remake of Spanish comedy The People Upstairs treats us to four knockout performances from Wilde, Rogan, Cruz and Norton. They are assisted in no small part by a razor-sharp script from Rashida Jones and Will McCormack, the duo behind smart comedy-drama Celeste and Jesse Forever. It also features a vibrant score from Devonté Hynes (aka Blood Orange) that ups the tension, and is handsomely shot on 35mm by The Studio cinematographer Adam Newport-Berra – his nimble camera keenly exploring the shifting energy between the characters. It’s a perfect exercise in probing the insecurities that lie hidden beneath the surface of a seemingly happy relationship.