But this isn't the playroom we remember. This time, our favorite toys are facing their most formidable foe yet: The Screen. As Bonnie grows older, her attention is captured by a sleek, addictive new tablet named Lilypad (voiced by Greta Lee). It’s a battle of plastic vs. pixels, exploring the "existential problem" of what it means to be a traditional toy in a high-tech world.

It’s a story that leans into the unsettling reality of the modern playroom. This isn't just a rescue mission; it’s a high-stakes heist against the digital age. Stanton crafts a narrative that asks the heavy questions: in a world of endless upgrades and glowing screens, is there still a place for something that doesn't need a charging cable? Expect the kind of bruised emotion and cinematic scale that reminds us why these characters have endured for over thirty years.

Baz Luhrmann’s gloriously over the top modern day adaptation of Shakespeare’s greatest romantic tragedy, reimagined the feuding Montague and Capulets as rival street gangs in Veracruz. With Leonardo DiCaprio and Claire Danes as the star-crossed lovers and a soundtrack featuring Garbage and The Cardigans, it remains one of the liveliest takes on the classic ever made.

There was far more to the 1990s than Kurt Cobain, Brit Pop and Oasis. Indie cinema boomed and smart movie makers took on the classics, the decade seeing a run of original, outrageous and brilliantly subversive adaptations of William Shakespeare’s plays, and films inspired by his works. Think Romeo at a rave, Miranda in Ibiza, Ophelia on prozac, Hamlet hanging loose, Barditry in a beanie hats, and Shakespeare as a slacker in a plaid shirt and converse and the action coming out of Silverlake rather than Stratford Upon Avon...

When an unexpected and ruthless adversary strikes too close to home, Kara Zor-El, aka Supergirl, reluctantly joins forces with an unlikely companion on an epic, interstellar journey of vengeance and justice.

Grimonprez’s Academy Award-nominated film reveals the connections between post-war jazz, US imperialism and the Pan-African decolonisation movement.

Set during the final months of Patrice Lumumba’s life, Grimonprez’s documentary, anchored by the rhythm of American jazz, forensically investigates the incendiary politics of the nascent Democratic Republic of Congo in 1960. In doing so, it reveals disturbing truths about the decolonial struggle between global political powers.

Staccato beats and syncopation are the guiding principles of this hypnotic and harrowing film essay, which received an Academy Award nomination for Best Documentary Feature.

Fresh off the worldwide blockbuster success of summer 2024’s funniest comedy, Despicable Me 4, Illumination expands its joyful animated universe with a riotous new chapter, featuring all-new characters, in the biggest global animated franchise in history: Minions & Monsters.

This is the rambunctious, ridiculous and totally true story of how the Minions conquered Hollywood, became movie stars, lost everything, unleashed monsters onto the world and then banded together to try and save the planet from the mayhem they had just created.

After graduating from college, Andy lands the dream job that "a million girls would kill for": assistant to Miranda - the chief editor of Runway, the top-selling fashion magazine in the industry. It is a job set to fast track her career in journalism if she can survive a year working for Miranda. From here, Andy, with no sense of fashion at all, begins a fish-out-of-water drama as she is thrown into a lifestyle full of the fast-paced, three-inch-minimum heel height, diet Coke and coffee substance abuse. Andy works really hard to deal with Miranda's endless unimaginable demands. She even becomes trendy and classy. However, she gradually finds she is working 24/7, and soon her life with boyfriend, Nate, and best friend, Lily, is slipping away from her. Then, she realizes that she is losing what really matters. She does not want to lose herself no matter how many pairs of Monolos and Jimmy Choos she can score along the way.

Miranda Priestly (Meryl Streep) struggles against Emily Charlton (Emily Blunt), her former assistant turned rival executive, as they compete for advertising revenue amidst declining print media while Miranda nears retirement.

Twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel- Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in 20th Century Studios’ “The Devil Wears Prada 2,” the eagerly awaited sequel to the 2006 phenomenon that defined a generation.

The film reunites the original main cast with director David Frankel and writer Aline Brosh McKenna, and introduces an all-new runway of characters including Kenneth Branagh, Simone Ashley, Justin Theroux, Lucy Liu, Patrick Brammall, Caleb Hearon, Helen J. Shen, Pauline Chalamet, B.J. Novak and Conrad Ricamora. Tracie Thoms and Tibor Feldman also reprise their roles as “Lily” and “Irv” from the first film.

Either choose to watch the film on its own or select seats for both this film and for Devil Wears Prada, that precedes this screening, for the Double Bill Price of just �15

England, 18th Century. The Savages are at their lowest: they despise each other, their house is falling apart, and they are disliked in polite society — sleeping with their servants, and selling off jewellery to keep their gambling and drinking going. Oh, and Chauncey Savage’s foot might be rotting off. This is until they are set to be visited by higher ranking nobleman. The honour gives them a renewed energy to get new outfits, polish their silver, and hire new help to make sure the House of Savage is looking as impressive as possible. Anchored by two outrageously hilarious performances by British legends Claire Foy and Richard E. Grant as you’ve never seen them before, the sights and smells of Savage House will stick to your skin long after you’ve exited the cinema.

42nd Street, the legendary Broadway musical theatre classic, is a ‘glorious’ (Express) and ‘utterly moreish extravaganza of glitz’ (Times).

Telling the story of Peggy Sawyer, a talented young performer with stars in her eyes who gets her big break on Broadway, this is the largest ever staging of the Tony Award-winning musical and it was filmed live at the magnificent Theatre Royal in the heart of London’s West End.

Starring national treasure Bonnie Langford as Dorothy Brock and featuring iconic songs 42nd Street, We’re In The Money and Lullaby of Broadway, this is pure magic on the big screen.

“Is it safe?” It’s the screech of the dentist’s drill, the frantic dash of a man trying to forget the death of his father, a victim of McCarthyism and who is confronted head-on with the death of his brother, murdered before his eyes. It’s a significant part of 20th century history, the ghosts of the Holocaust that continue to haunt subsequent generations. It’s Paris, it’s New York, dirty, violent, hostile. Seven years after Midnight Cowboy, Schlesinger reunites with Dustin Hoffman, the embodiment of the youthful, humanist, and anguished student. Opposite him, the great Laurence Olivier as a former  Auschwitz executioner, a cheap Mengele who comes to rekindle the embers of Nazism (Golden Globe for his performance), and in solid supporting roles, the wonderful Roy Scheider and William Devane. Adapted from William Goldman's eponymous novel, a paranoid thriller steeped in its time, and a pinnacle of the genre.

William Goldman's novel Marathon Man was published in 1975. He himself wrote the screenplay adaptation just a year later, commissioned by Robert Evans for Paramount. Evans hired British filmmaker John Schlesinger to direct, who had already directed Dustin Hoffman in Midnight Cowboy in 1969. A typical paranoid thriller of the 1970s, Marathon Man is distinguished by its edgy and realistic style, its chaotic atmosphere reflecting the violence and moral decay of the era, and its geopolitical ramifications where the traumas of 20th century American and European history, particularly the ghosts of Nazism, loom large. Dr. Szell, played by Laurence Olivier, is inspired by Dr. Mengele, the SS chief physician of the Auschwitz extermination camp, who went into hiding in South America after the war. While Conrad L. Hall handled the film's cinematography, Marathon Man also marks one of the very first uses of the Steadicam in a feature film by its creator, Garrett Brown. The use of the technique is particularly striking in the sequences where Dustin Hoffman runs around the Central Park Reservoir (notably the opening scene, which encapsulates all the film's central themes). And in the scene where Szell wanders through a teeming Manhattan, recognised by an elderly Jewish woman who accosts him and tries to have him arrested. Here, the Steadicam contributes to creating an ethereal, ghostly atmosphere within the gritty New York and polluted Paris of the 1970s.

Spike Lee documents the wildly popular Broadway show from legend David Byrne, blending music, dance and spoken word alongside classics from Talking Heads.

In his Broadway show American Utopia, former Talking Heads lead and beloved renaissance man David Byrne uses contemporary dance, spoken reflections, works by James Baldwin and Janelle Monáe, alongside Talking Heads classics (expect Once in a Lifetime, Burning Down the House and Road to Nowhere) to reflect on human nature. It asks how we can work together to make our time on this planet more just, equitable, and righteous.  

Byrne is joined by an ensemble of musicians in constant motion on a minimalist stage, and director Spike Lee shifts perspectives between performers and audience – transforming American Utopia from a typical concert documentary to an immersive, dynamic experience. As the show unfolds with intimacy and urgency, it calls for anti-fascism and anti-racism, and ultimately a hopeful vision for unity and civic engagement.

This year, André Rieu celebrates a spectacular milestone — the 20th anniversary of his iconic summer concerts on the magnificent Vrijthof square. Captured live in his beloved hometown, this brand-new cinema event marks two decades of music and unforgettable magical summer nights.

Viva Maastricht! is a joyful tribute to the city where it all began. Joined by his world-renowned Johann Strauss Orchestra and a vibrant ensemble of artists, André brings the spirit, culture, and warmth of his hometown to life in a dazzling new concert filled with emotion and wonder.

From timeless waltzes to soul-stirring classics, this landmark anniversary concert promises an evening of passion, joy, and togetherness. Be part of this historic celebration as the Vrijthof once again transforms into a breathtaking open-air ballroom — only in cinemas this summer.

This breathtakingly beautiful Tony® Award-winning Broadway musical, inspired by the Oscar® winning MGM film, tells the impassioned story of discovering love in the ‘City of Light’.

Featuring the gorgeous music and lyrics of George and Ira Gershwin (including the classic hits ‘S Wonderful and I Got Rhythm), stunning designs, and show-stopping choreography. The musical has a record-setting 28 five-star reviews from critics.  

Jerry Mulligan is an American GI striving to make it as a painter in a city suddenly bursting with hope and possibility. Following a chance encounter with a beautiful young dancer named Lise, the streets of Paris become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war.