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Michael

Michael (12A)

Friday 8 May 20261:30pm4:30pm7:30pm
Saturday 9 May 20261:30pm4:30pm7:30pm
Sunday 10 May 20263:00pm

The life and legacy of one of the most influential artists the world has ever known is brought thrillingly to the screen.


The director of Training Day, Olympus Has Fallen and the The Equalizer films adopts a very different tack with his biographical portrait of the King of Pop. Written by John Logan (Gladiator, The Last Samurai, Hugo), the film delves into the early years of Michael Jackson, portraying his home life and success with the Jackson 5, through to his ascension as arguably the greatest star of the pop firmament. The singer is played by his real-life nephew, with an all-star cast filling out the remaining ensemble of family members, friends and witnesses.

John & Yoko Power to the People

John & Yoko Power to the People (12A)

Sunday 10 May 20266:00pm

The 2026 multiscreen concert film of two massive live shows by John Lennon and Yoko Ono at Madison Square Garden, New York.


The film is newly restored, re-edited and remixed by the Lennons' seven-time GRAMMY®-Award winning team. John & Yoko/Plastic Ono Band with Elephant's Memory and Special Guests performed these now-legendary sold-out One To One concerts to a combined audience of 40,000 people, raising over $1.5M (equivalent to $11.5M in 2026) for children with intellectual and developmental disabilities. They were the only full-length concerts John Lennon (with Yoko Ono) performed after leaving The Beatles.


Hits performed include John Lennon's 'New York City', 'Instant Karma! (We All Shine On)', 'Imagine' and 'Mother', plus Yoko Ono's 'Don't Worry Kyoko' and 'Open Your Box', as well as rousing renditions of 'Come Together' and 'Hound Dog' and an incredible stage-filled encore of 'Give Peace a Chance’, featuring special guests Stevie Wonder, Sha Na Na, Melanie Safka-Schekeryk and many others


Originally filmed by multi-camera director Steve Gebhardt in 1972, this 2026 version of the concert film is directed by Simon Hilton, edited by Ben Wainwright-Pearce and produced by Peter Worsley and Sean Ono Lennon.