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Rebuilding

Rebuilding (15)

Friday 1 May 20262:00pm

Prolific shapeshifter Josh O’Connor (La Chimera, Challengers, The Mastermind, Wake Up Dead Man) plays a reserved father searching for a way back after catastrophe in Max Walker-Silverman’s (A Love Song) soulful story of the American West.


Rebuilding follows Dusty (O’Connor), a stoic cowboy whose ranch was destroyed in a devastating wildfire. Now based in a trailer community on a government-run campsite, Dusty finds solace with his new neighbours, quietly reassembles his life, and strengthens his bonds with his ex-wife Ruby (The White Lotus’s Meghann Fahy) and their young daughter Callie-Rose (Lily LaTorre). Shot against the majestic landscapes of southern Colorado, Rebuilding is a sensitive portrait of resilience, the increasing precarity of the natural world and the struggle to regain hope and trust after traumatic loss.

Elvis Presley In Concert

Elvis Presley In Concert (12A)

Friday 1 May 20264:30pm7:00pm
Saturday 2 May 20267:30pm

Baz Luhrmann’s extraordinary documentary may be the most poignant account of Elvis Presley’s life and career to date, featuring long-lost footage from his epochal 1970s residency in Las Vegas.


Baz Luhrmann returns to the subject of his most audacious film — 2022’s Elvis — with the extraordinary EPiC: Elvis Presley in Concert. Free of contemporary interviews with experts, critics or other stakeholders, the film is propelled by recently discovered archival footage shot at the beginning of the famed performer’s Las Vegas residency. Originally intended to last a few weeks at the International Hotel, the 1969 engagement was shockingly lucrative, and stretched on for over seven years.


Brilliantly compiled with an aficionado’s enthusiasm and sensitivity, the film shifts skilfully between rehearsals, where Presley is cheerful, hard-working, even goofy, and live performances that vary from powerful and grandiose to rushed. There are moments where he can’t keep up with the breakneck arrangements and loses his breath. (He was booked to do at least two shows most days.) Among the standouts are “Polk Salad Annie” and “Burning Love,” a chart-topper he cut in early 1972. There are also cutaways to an army of excited celebrities attending the shows and a nod to Presley’s journey from scandalous hip-shaker to showbiz icon.


Luhrmann’s previous feature stressed Presley manager Colonel Tom Parker’s disastrous impact on his client’s artistic growth and ability to tour internationally. Here, the focus lands on Presley’s musicianship and his interactions with band members and singers. What’s revealed is his deep knowledge of gospel, blues, and country traditions, and his instinctive feel for finding the best arrangements and pace for his songs. This is perhaps the most poignant account of Presley to date.

The Magic Faraway Tree

The Magic Faraway Tree (U)

Saturday 2 May 20262:00pm4:45pm

Soon after the Thompson family’s arrival in the countryside, the three children – Joe, Beth, and Fran – discover a magical tree and its extraordinary and eccentric residents, including Moonface, Silky, Dame Washalot, and Saucepan Man. At the top of the tree, they’re transported to spectacular and fantastical lands and, through the joys and challenges of their adventures, the Thompsons learn to reconnect and value each other for the first time in years.


Based on the Enid Blyton classic children’s story, the cast also includes British stars Lenny Henry, Jennifer Saunders, Michael Palin, Rebecca Ferguson, Mark Heap and Simon Russell-Beale.

Vertigo

Vertigo (PG)

Sunday 3 May 20263:00pm

Retired detective Scottie Ferguson (James Stewart), who quit the force after developing a fear of heights, thinks he's pursuing a regular lead when he is hired to follow Madeline (Kim Novak), the beautiful wife of a friend. As he begins to fall in love with her, his whole world is shattered when his vertigo prevents him from saving her from an apparent suicide. Devastated, Scottie begins to shut himself off entirely but when he later glimpses Madeline's perfect double in the sun-soaked San Francisco streets, his feelings of obsession and paranoia begin to spiral out of control.


This tense thriller from director Alfred Hitchcock - often spoken of as one of the greatest films of all time - is a fascinating marriage of psychology and cinema.


Screening in conjunction with the new documentary film, KIM NOVAK'S VERTIGO, which is on later this day at 6pm

Kim Novak's Vertigo

Kim Novak's Vertigo (12A)

Sunday 3 May 20266:00pm

Alexandre O. Philippe’s latest film essay is a conversation with cinema icon and mental health activist Kim Novak about Hollywood, ghosts and finding herself as an artist.


It’s in her painting studio that Novak, 92, welcomes Philippe (78/52, Lynch/Oz) for an intimate conversation. Generously illustrated with film clips, Hitchcock’s Vertigo unsurprisingly takes centre-stage, but it is also a film whose troubling themes cast a powerful shadow over her career. Novak is an excellent conversationalist and the film is a welcome portrait of one of Hollywood’s most enigmatic stars.


Screening earlier this afternoon at 3pm is Hitchcock's VERTIGO