GOAT follows Will, a small goat with big dreams who gets a once-in-a-lifetime shot to join the pros and play roarball–a high-intensity, co-ed, full-contact sport dominated by the fastest, fiercest animals in the world.

Will’s new teammates aren’t thrilled about having a little goat on their roster, but Will is determined to revolutionize the sport and prove once and for all that “smalls can ball!”

CONTAINS A SEQUENCE OF FLASHING LIGHTS WHICH MIGHT AFFECT CUSTOMERS WHO ARE SUSCEPTIBLE TO PHOTOSENSITIVE EPILEPSY

A lonely Frankenstein (Bale) travels to 1930s Chicago to ask groundbreaking scientist Dr. Euphronious (five-time Oscar nominee Annette Bening) to create a companion for him. The two revive a murdered young woman and The Bride (Buckley) is born. What ensues is beyond what either of them imagined: Murder! Possession! A wild and radical cultural movement! And outlaw lovers in a wild and combustible romance!

Also starring Penélope Cruz and Peter Sarsgaard.

Baz Luhrmann’s extraordinary documentary may be the most poignant account of Elvis Presley’s life and career to date, featuring long-lost footage from his epochal 1970s residency in Las Vegas.

Baz Luhrmann returns to the subject of his most audacious film — 2022’s Elvis — with the extraordinary EPiC: Elvis Presley in Concert. Free of contemporary interviews with experts, critics or other stakeholders, the film is propelled by recently discovered archival footage shot at the beginning of the famed performer’s Las Vegas residency. Originally intended to last a few weeks at the International Hotel, the 1969 engagement was shockingly lucrative, and stretched on for over seven years.

Brilliantly compiled with an aficionado’s enthusiasm and sensitivity, the film shifts skilfully between rehearsals, where Presley is cheerful, hard-working, even goofy, and live performances that vary from powerful and grandiose to rushed. There are moments where he can’t keep up with the breakneck arrangements and loses his breath. (He was booked to do at least two shows most days.) Among the standouts are “Polk Salad Annie” and “Burning Love,” a chart-topper he cut in early 1972. There are also cutaways to an army of excited celebrities attending the shows and a nod to Presley’s journey from scandalous hip-shaker to showbiz icon.

Luhrmann’s previous feature stressed Presley manager Colonel Tom Parker’s disastrous impact on his client’s artistic growth and ability to tour internationally. Here, the focus lands on Presley’s musicianship and his interactions with band members and singers. What’s revealed is his deep knowledge of gospel, blues, and country traditions, and his instinctive feel for finding the best arrangements and pace for his songs. This is perhaps the most poignant account of Presley to date.

In Disney and Pixar’s all-new animated comedy adventure HOPPERS, animal lover Mabel (voice of Piper Curda) seizes an opportunity to use a new technology to ‘hop’ her consciousness into a life-like robotic beaver and communicate directly with animals. As she uncovers mysteries in the animal world beyond anything she could have imagined, Mabel befriends charismatic beaver, King George (voice of Bobby Moynihan), and must rally the entire animal kingdom to face a major, imminent human-threat: smooth-talking local mayor Jerry Generazzo (voice of Jon Hamm). The all-star voice ensemble also features Kathy Najimy, Dave Franco and Meryl Streep. HOPPERS is directed by Daniel Chong and produced by Nicole Paradis Grindle, with an original score by Mark Mothersbaugh.

Finely calibrated performances from Oscar nominees Lesley Manville and Ciarán Hinds anchor this adaptation of Glasgow-based Bernard MacLaverty’s novel of the same name, which follows retirees Stella and Gerry on a trip to Amsterdam at a crunch point in their marriage. Their city break has the potential to become something much more life-changing as the pair reflect on the past, their problems in the present, and consider their future together. Established theatre director Polly Findlay makes an impressive directorial debut with this carefully weighted drama that muses on the enduring power of love and was partly shot on location in Scotland.

Stephen Graham and Andrea Riseborough excel in Jan Komasa’s dark, gripping and twisted thriller, where breaking the rules results in severe consequences.

Nineteen-year-old Tommy lives an unruly life of criminality until he is kidnapped by a stranger. He soon finds himself trapped in a dysfunctional family dynamic, where he is forced to change his behaviour to become a ‘good boy’. Naqqash Khalid’s (In Camera) unsettling screenplay intentionally clouds characters’ motives, accentuating the unbearable suspense as events unfold.