A new British comedy-drama from the team behind Finding Your Feet and Fisherman’s Friends.

Directed by Nick Moorcroft, the film is set in a struggling local pub at the heart of a divided community that starts brewing its own beer and enters the Great British Beer Awards.

The cast includes Martin Clunes, Mark Addy, James Buckley, Miles Jupp, Josie Lawrence, Emily Lloyd-Saini, Jonno Davies, Gabriella Wilde, Luke Treadaway, Stephen Leask  and Karl Collins.

In this twisty, stylish crime thriller, Davis (Chris Hemsworth) is an elusive thief whose high-stakes heists have mystified police. He’s planning his biggest ever score — hoping it’ll be his last — when his path collides with Sharon (Halle Berry), a disillusioned insurance executive whom he’s forced to work with, and Orman (Barry Keoghan), a rival thief with far more disturbing methods than Davis's.

As the multi-million dollar heist approaches, relentless detective Lt. Lubesnik (Mark Ruffalo) closes in on the operation, raising the stakes even higher, and the line between hunter and hunted starts to blur. Each of them is soon forced to confront the cost of their respective choices — and the realisation that there's no turning back.

A lonely Frankenstein (Bale) travels to 1930s Chicago to ask groundbreaking scientist Dr. Euphronious (five-time Oscar nominee Annette Bening) to create a companion for him. The two revive a murdered young woman and The Bride (Buckley) is born. What ensues is beyond what either of them imagined: Murder! Possession! A wild and radical cultural movement! And outlaw lovers in a wild and combustible romance!

Also starring Penélope Cruz and Peter Sarsgaard.

GOAT follows Will, a small goat with big dreams who gets a once-in-a-lifetime shot to join the pros and play roarball–a high-intensity, co-ed, full-contact sport dominated by the fastest, fiercest animals in the world.

Will’s new teammates aren’t thrilled about having a little goat on their roster, but Will is determined to revolutionize the sport and prove once and for all that “smalls can ball!”

CONTAINS A SEQUENCE OF FLASHING LIGHTS WHICH MIGHT AFFECT CUSTOMERS WHO ARE SUSCEPTIBLE TO PHOTOSENSITIVE EPILEPSY

Baz Luhrmann’s extraordinary documentary may be the most poignant account of Elvis Presley’s life and career to date, featuring long-lost footage from his epochal 1970s residency in Las Vegas.

Baz Luhrmann returns to the subject of his most audacious film — 2022’s Elvis — with the extraordinary EPiC: Elvis Presley in Concert. Free of contemporary interviews with experts, critics or other stakeholders, the film is propelled by recently discovered archival footage shot at the beginning of the famed performer’s Las Vegas residency. Originally intended to last a few weeks at the International Hotel, the 1969 engagement was shockingly lucrative, and stretched on for over seven years.

Brilliantly compiled with an aficionado’s enthusiasm and sensitivity, the film shifts skilfully between rehearsals, where Presley is cheerful, hard-working, even goofy, and live performances that vary from powerful and grandiose to rushed. There are moments where he can’t keep up with the breakneck arrangements and loses his breath. (He was booked to do at least two shows most days.) Among the standouts are “Polk Salad Annie” and “Burning Love,” a chart-topper he cut in early 1972. There are also cutaways to an army of excited celebrities attending the shows and a nod to Presley’s journey from scandalous hip-shaker to showbiz icon.

Luhrmann’s previous feature stressed Presley manager Colonel Tom Parker’s disastrous impact on his client’s artistic growth and ability to tour internationally. Here, the focus lands on Presley’s musicianship and his interactions with band members and singers. What’s revealed is his deep knowledge of gospel, blues, and country traditions, and his instinctive feel for finding the best arrangements and pace for his songs. This is perhaps the most poignant account of Presley to date.

Kleber Mendonça Filho delivers a stinging portrait of life for an academic on the run in 1970s dictator-ruled Brazil.

Kleber Mendonça Filho navigates Brazil’s painful past to paint a loving portrayal of a place and its people, in this slow burning and hugely entertaining political thriller. It’s Carnival week, 1977, in dictatorship-ruled Brazil. Marcelo, a widower on the run arrives in Recife, hoping to reunite with his young son and flee the country. He finds refuge in a resistance commune run by a charismatic 70-year-old woman, but chaos soon catches up with him. Corrupt forces from his previous life are on his tail and he faces further duplicity in the city – his escape trickier with each turn. Combining political statement with light-hearted sentiment, Bacurau and Aquarius writer-director Kleber Mendonça Filho’s novelistic feature revels in playful genre-bending detours – including a gleefully deranged B-movie inspired sequence – and soulful emotions to deliver a sweaty, sun-drenched and masterfully acted ride that is always grounded in love: for Brazil and for cinema.