KANGAROO is a heart-warming family comedy about ex-tv personality, Chris Masterson, who becomes stranded in an Outback town after a car accident on his way to Broome. There, he teams up with 11-year-old Indigenous girl Charlie. The pair form an unlikely friendship and work together to rescue and rehabilitate orphaned joeys in the remote but stunning Outback community. An endeavour that proves to be life-changing for them both.

Claire Foy stars alongside Brendan Gleeson in Philippa Lowthorpe’s beautifully realised and emotionally charged adaptation of Helen MacDonald’s award-winning memoir.

When Cambridge academic Helen’s father dies, the grief sends her spiralling into an abyss. In an effort to process her loss, she retreats from the human world to train a fearsome Northern goshawk. Foy gives an exceptional, career-best performance as Helen, while Charlotte Bruus Christensen’s cinematography and Sarah Finlay’s production design help Lowthorpe access the gravity and emotion of this story.

Will Arnett and Laura Dern lead a star-studded ensemble in this richly drawn and charming comedy-drama about navigating the endless possibilities of mid-life.

Bradley Cooper once again proves himself to be an expert at crafting smart, adult-orientated dramas that mine the human heart to deliver big screen magic. After decades together, Alex and Tess decide it’s time to split. With their lives deeply entwined, they embark on a new normal while unearthing the complexities and opportunities that lie ahead.

Frederick Wiseman’s gastronomic dream of a film captures daily life in one of the world’s most prestigious restaurants.

A joyous portrait of the day-to-day life of one of the world’s finest restaurants. Frederick Wiseman’s most recent documentary offers an absorbing portrait of the esteemed French culinary family Troisgros and their restaurants, including Le Bois sans feuilles, holder of three Michelin stars for 55 years. As third generation restauranteur Michel Troisgros hands over responsibility for the cuisine to his son César, we step inside day-to-day life at one of the world’s best restaurants. From early morning market selection and menu planning, through preparation and service, we stand alongside chefs, suppliers and customers, witnessing in close detail the creation and presentation of food and drink of the highest quality. This process is paralleled by Wiseman’s own artistry and technique, employed here in the service of a subject he clearly relishes.

PLEASE NOTE THERE WILL BE NO ADS OR TRAILERS BEFORE THIS SCREENING DUE TO THE FILM'S LENGTH

A bank heist turns into a life-or-death race-against-time in Vernon Sewell’s gripping British ‘B’ thriller, which has been hailed by Tarantino, Scorsese and Edgar Wright.

Taut as a drum, Vernon Sewell’s suspense thriller is an outstanding example of the lean British ‘B’ film. A carefully-planned bank heist goes awry when the robbers are interrupted by the unexpected arrival of two nattering cleaners. The gang lock the manager and his secretary in the airtight vault and make off with the cash, but soon realise that the pair will suffocate and they will face a murder rap if they can’t free them. With only 12 hours’ worth of air in the vault, the clock is ticking. Gripping to the end, the film is a real rediscovery.

Richard Linklater recreates the making of Jean-Luc Godard’s seminal feature debut, Au Bout de Souffle (screening on Wednesday 25th February at 7:30pm), penning a nostalgic love letter to the rebellious spirit of the French New Wave.

Cinephilia exudes from every frame of this delightful black-and-white homage, regaling how Au Bout de Souffle came to be. From Godard’s collaboration with Truffaut and Chabrol on the script to the chaotic shoot that drew exasperation from Jean Seberg and producer Georges de Beauregard, an impeccable cast and Linklater’s mastery over the medium capture the revolutionary alchemy that forever changed cinema.

There was before Breathless, and there was after Breathless.

Jean-Luc Godard burst onto the film scene in 1960 with this jazzy, free-form, and sexy homage to the American film genres that inspired him as a writer for Cahiers du cinéma. With its lack of polish, surplus of attitude, anything-goes crime narrative, and effervescent young stars Jean-Paul Belmondo and Jean Seberg, he helped change the face of cinema.

Jean-Luc Godard, died on the 13th September at the age of 91, he was the filmmaker who changed everything. He directed “Breathless,” the 1960 landmark that helped to launch the French New Wave, employing a new, fast, leaping-ahead technique and style — the jump cut — that altered the DNA of how movies were made. In the ’60s, he took his camera out into the streets and into cafés, stores, offices, and apartments, so that a Godard film often seemed like a documentary about fictional characters. He drew many of those characters from Old Hollywood, a world he’d grown up on and remained obsessed with, but one that he always made seem a million miles away, like some black-and-white Garden of Eden the world had fallen from.

"In the wake of 'Breathless,' New Waves that sprang up across the planet, from Brazil to Czechoslovakia to Japan, owed a major debt to him, as did generations of American directors, including Scorsese, De Palma and Tarantino."

Returning to cinemas for the first time in over a decade, Helen Mirren plays Queen Elizabeth II in the  Olivier and Tony Award® -winning hit production, directed by Stephen Daldry.

For 60 years, Queen Elizabeth II met with each of her 12 prime ministers in a private weekly meeting. This meeting is known as The Audience. From Winston Churchill to Margaret Thatcher and David Cameron, the Queen advised her prime ministers on matters both public and personal. Through these private audiences, we see glimpses of the woman behind the crown and witness the moments that shaped a monarch.

Peter Morgan’s Netflix phenomenon The Crown was based on this hit play that was captured live from London’s West End in 2013 and went on to become one of the most-watched NT Live productions.

One of the most anticipated films of 2026 - Emerald Fennell, the Oscar-winning creator of Saltburn and Promising Young Woman, now takes on her biggest project yet: an adaptation of Emily Brontë’s classic novel, with Margot Robbie as Catherine Earnshaw and Jacob Elordi as the smouldering, saturnine alpha hero himself, Heathcliff.