In the immediate aftermath of the Second World War, as the world grapples with the unveiled horrors of the Holocaust, U.S. Army psychiatrist Lt. Col. Douglas Kelley (Rami Malek) is assigned the extraordinary task of assessing the mental state of Hermann Göring (Russell Crowe), the notorious former Reichsmarschall and Hitler’s second in command, along with other high ranking Nazi officials. As the Allies – led by the unyielding chief U.S. prosecutor, Supreme Court Justice Robert H. Jackson (Michael Shannon) alongside Sgt. Howie Triest (Leo Woodall), David Maxwell-Fyfe (Richard E. Grant), Gustave Gilbert (Colin Hanks), Col. John Amen (Mark O’Brien) and Burton C. Andrus (John Slattery) – navigate the monumental task of creating an unprecedented international tribunal to ensure the Nazi regime answers for its atrocities, Kelley gets to know his ‘patients’. But he soon finds himself locked in a psychological duel with Göring, whose charisma and cunning reveal a sobering truth: that ordinary men can commit extraordinary evil.

It looks like she's lived a charmed life - a loving upbringing, marrying a superstar rock singer, children, strong friendships, and lately a successful career in television.

But in her new book ‘Someone Like Me’, Penny Lancaster reveals how she was bullied at school, struggled with her studies because of undiagnosed dyslexia and, as she made her way for herself as a model, experienced a harrowing sexual assault.

Determined, though, always to see the positive in life, Penny cultivated skills and talents to enable her to achieve and maintain her independence, training as a fitness instructor and then a photographer, and she’s used her struggles to inform and help others.

What’s more, since marrying and making a family with Rod Stewart, Penny has embraced every opportunity offered to her. She's competed on 'Strictly Come Dancing', 'Celebrity MasterChef', 'Who Wants to be a Millionaire'. And she is a guest panellist on 'Loose Women'.

Using this profile she is a campaigner and ambassador for a multitude of charities, speaks widely and passionately about menopause issues and volunteers as a Special Constable with the City of London Police.

She is a warm, engaging and inspiring speaker and we're thrilled that she's joining us at The Riverside in Woodbridge for this special evening event. She will be in conversation with Catherine Larner and signing copies of her book.

Tickets are £20 to include a signed copy of her book 'Someone Like Me' (RRP £20). One further ticket can be purchased for £12 (without the book).

Please book at The Riverside in person or on the website www.theriverside.co.uk and be sure to include your name with your booking so that we can allocate your book on the night.

Photography credit to Robert Wilson.

The lyricist Lorenz Hart’s collaborations with composer Richard Rodgers are the stuff of legend. Yet, in 1943, only months before he died from pneumonia, Hart’s partnership with Rodgers was on the rocks. Rodgers had first paired up with Oscar Hammerstein II, and their musical Oklahoma! had reinvigorated and reinvented narrative musical theatre.

Richard Linklater’s luminous, erudite drama imagines a loquacious Hart (an astonishing tour de force by Ethan Hawke) on the night of Oklahoma!’s premiere, holed up at Sardi’s and moving through various stages of grief and acceptance when faced with Broadway’s new world order. Also featuring stellar supporting work from Andrew Scott, Margaret Qualley and Bobby Cannavale, Blue Moon is a surprising yet entirely fitting addition to the Linklater canon: a film about the inevitable passage of time and the feeling of being left behind by those stuck in its folds.

osh O’Connor is superb as a rudderless everyman out of step with his immediate environs and the country at large, in Kelly Reichardt’s funny, shaggy heist film.

1970s America has witnessed a generational chasm and a society torn apart by Vietnam. But JB is oblivious to these cultural changes as he bumbles towards a major art heist. Reichardt’s (First Cow, Wendy and Lucy) smartly crafted drama offers a sensitive political critique of our times, and a quietly thoughtful examination of what we owe ourselves, as well as our familial and social tribes. With its jazzy score, period detailing and nuanced performances, it’s a cinematic joy from the get-go.