Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here

Cléo (an exceptional performance by six-year-old Louise Mauroy-Panzani) loves her nanny Gloria (Ilça Moreno Zego) more than anything. When Gloria suddenly has to return home to Cape Verde to look after her own children, Gloria invites Cléo to visit her and the two have to make the most of their last summer together. Marie Amachoukeli’s outstanding feature was the opening film of Cannes Critics’ Week 2023 and has been an audience favourite at film festivals across Europe including London and Dublin. It is produced by Céline Sciamma’s regular producer Bénédicte Couvreur (Petite Maman, Portrait of a Lady on Fire, Girlhood).

The magician Herr Drosselmeyer needs to save his nephew. Hans-Peter has been transformed into a Nutcracker; the only way to save him is for the Nutcracker to defeat the Mouse King and find a girl to love and care for him. A flicker of hope comes in the form of the young Clara, whom Drosselmeyer meets at a Christmas party. With some magic, a cosy Christmas gathering turns into a marvellous adventure.

Peter Wright’s The Nutcracker has enchanted audiences since its 1984 premiere by the Company. Featuring Tchaikovsky’s most familiar melodies and brought to life by Julia Trevelyan Oman’s exquisite designs, The Nutcracker is sure to be a festive firecracker for all ages.

Cast:  

To be confirmed

Creatives:

Choreography PETER WRIGHT after LEV IVANOV

Music PYOTR IL’YICH TCHAIKOVSKY

Conductor KOEN KESSELS

Original Scenario MARIUS PETIPA after E.T.A. HOFFMANN

Production and Scenario PETER WRIGHT

Designer JULIA TREVELYAN OMAN

Lighting Designer MARK HENDERSON

Production Consultant ROLAND JOHN WILEY

Federico Fellini returned to the provincial landscape of his childhood with this carnivalesque reminiscence, recreating his hometown of Rimini in Cinecittà’s studios and rendering its daily life as a circus of social rituals, adolescent desires, male fantasies, and political subterfuge. Sketching a gallery of warmly observed comic caricatures, Fellini affectionately evokes a vanished world haloed with the glow of memory, even as he sends up authority figures representing church and state, satirizing a country stultified by Fascism. Winner of Fellini’s fourth Academy Award for best foreign-language film, Amarcord remains one of the director’s best-loved creations, beautifully weaving together Giuseppe Rottuno’s colourful Technicolor cinematography, Danilo Donati’s extravagant costumes and sets, and Nino Rota’s nostalgia-tinged score.

Screening as part of our Around the World in Technicolor Season