Oscar-nominated Rosamund Pike (Gone Girl, Saltburn) is Jessica in the much-anticipated next play from the team behind Prima Facie.

Jessica Parks is a smart Crown Court Judge at the top of her career. Behind the robe, she is a karaoke fiend, a loving wife and a supportive parent. When an event threatens to throw her life completely off balance, can she hold her family upright?

Writer Suzie Miller and director Justin Martin reunite following their global phenomenon Prima Facie, with this searing examination of modern motherhood and masculinity.

PLEASE NOTE THAT THIS IS A LIVE BROADCAST AND THE ACTUAL PERFORMANCE STARTS AT 7:03PM, SO PLEASE ENSURE YOU ARE SEATED FOR THE START

Luca Guadagnino’s gripping psychological drama features an all-star cast and a career-best performance from Julia Roberts, playing a college professor whose life begins to unravel.

Beloved by colleagues and students, Alma Olsson is caught in the middle of a scandal when a star pupil makes an accusation of sexual assault against another professor. Forced to confront dark secrets from her past, as well as where her loyalties lie, Alma wrestles with the gravity of the situation and the impact it will have on her world.

Set in a gorgeously photographed Technicolor England and a monochrome heaven, A Matter of Life and Death took the imaginative daring of jointly credited writer-producer-directors Michael Powell and Emeric Pressburger to new heights.

David Niven plays a British airman who survives a plane crash and falls in love with an American radio operator (Kim Hunter), only to be summoned to the afterlife by a heavenly ‘Conductor’ (Marius Goring). But is heaven just a hallucination brought on by brain injury?

Powell and Pressburger layer breathtaking visual tricks on top of this whimsical premise, such as a celebrated point-of-view shot in which our hero’s eyelid closes over the camera lens. The film also works as a sly satire on Anglo-American relations at the end of WWII.

“There are more stunning ideas in this one film, concerning a mistake made in heaven about a WWII pilot who should be dead but isn’t, than the whole of British cinema can usually muster in a decade.” Nick James

“A most peculiar and potent cocktail of romance, theology, global bridge-building and national tub-thumping, this thoughtful drama about one pilot’s deferred mortality remains, if nothing else, a definitive monument to the power of Technicolor. The vivid imagery and the cineliterate style(s) deployed by a creative team at the top of their game express the film’s intricate worldview. It searingly conveys a world grappling with uncharted new places, trying to pick up the pieces after unimaginable calamity.” James Healy

Screening as part of our Around the World in Technicolor Season

DEPECHE MODE: M is a cinematic journey into the heart of Mexican culture's relationship with death, framed by the iconic performances of Depeche Mode during their 2023 Memento Mori tour. Conceived and directed by award-winning Mexican filmmaker Fernando Frías, the film captures the band's three sold-out shows in Mexico City, attended by over 200,000 fans, blending concert footage with interpretive interstitials and archival material. DEPECHE MODE: M celebrates the band's global influence while delving into the profound connection between music, mortality, and Mexican tradition — a sacred meeting point where pain, memory, joy, and dance dissolve into one another, blurring into something profoundly and beautifully human

1 85-year-old Man, 5 Countries, 16 Cities, 23 shows, 6 weeks.

Will he make it home … or is this the end of the road?

One of the most recognisable figures in British comedy, John Cleese’s career spans six decades - from his early days with the Cambridge Footlights to co-founding Monty Python, co-creating Fawlty Towers, and writing and starring in the Oscar-nominated “A Fish Called Wanda”. His unique brand of black humour has made him a global icon and intergalactic treasure.

At the age of eighty five, John Cleese sets off on what might be his final European tour - five countries, sixteen cities, twenty-three shows, and retaining just two original body parts. “John Cleese Packs It In” is a wry, behind-the-scenes portrait of a comedy legend on the road, battling various ailments, chaotic travel, and his own stubborn refusal to stop.

Spanning six weeks on the road, the film captures Cleese unfiltered and on the move - riffing on life, fame, and the absurdity of getting old in front of thousands of fans. As he reflects on a stage career that began in 1963, the question lingers: is this the end of the road?

With unique and intimate access and showing unexpected tenderness, this is a documentary about legacy, laughter, and

the dignity of bowing out… however reluctantly.

Ralph Fiennes leads an excellent ensemble of new and established talent in this funny and moving First World War drama by beloved writer Alan Bennett.

A Yorkshire village’s choral society finds its ranks depleted as men head off to war. With the annual performance looming, the society is forced to change its entry rules to enlist some unlikely teens and the musically gifted but socially scandalous Dr. Guthrie. Brimming with humour and hope, Bennett and Nicholas Hytner’s (The Madness of King George, The Lady in the Van) latest triumph celebrates the power of community in the darkest of days.

Five years in production, this is the most extensive film ever made about one of the greatest artists of all time – Caravaggio. Featuring masterpiece after masterpiece and with first-hand testimony from the artist himself on the eve of his mysterious death, this beautiful new film reveals Caravaggio as never before.

Multi-award-winning film makers Phil Grabsky and David Bickerstaff delve into the hidden narratives of Caravaggio’s life, piecing together clues embedded within his incredible art. The intriguing self- depictions within his works – sometimes disguised, sometimes in plain sight – offer a rare window into his psyche and personal struggles.

Caravaggio’s masterpieces are some of art’s most instantly recognisable. No one else uses his signature blend of dramatic light, intense naturalism and bold, striking figures. His incredible paintings have captivated audiences for centuries. But there lies a deeper mystery – one that still beckons us to explore. What do these masterpieces reveal about the man behind the brush? Join us as we explore the many clues that help us to finally understand the life – and death – of this remarkable man.

Screening as part of our short Melodrama season.

With the idiosyncratic American fable Harold and Maude, countercultural director Hal Ashby fashioned what would become the cult classic of its era. Working from a script by Colin Higgins, Ashby tells the story of the emotional and romantic bond between a death-obsessed young man (Bud Cort) from a wealthy family and a devil-may-care, bohemian octogenarian (Ruth Gordon). Equal parts gallows humor and romantic innocence, Harold and Maude dissolves the line between darkness and light along with the ones that separate people by class, gender, and age, and it features indelible performances and a remarkable soundtrack by Cat Stevens.

Screening as part of our short Melodrama season and courtesy of funding by the National Lottery and BFI FAN.

Two artists in Walthamstow set out to take their street off the grid, kickstarting a solar-powered energy revolution.

Inspired by lockdown mutual aid initiatives, artist-activists Hilary Powell and Dan Edelstyn (Bank Job) decided to turn their street into an energy-generating powerhouse – a prototype for a new way of living, with the hope of galvanising a wider push towards sustainable alternatives.

Directed by the duo, Power Station charts their turbulent journey, from pitching the idea to their neighbours and sleeping on the roof of their home to raising finance and launching a bid for a Christmas number one single.

By turns funny and heartwarming, Powell and Edelstyn’s film is a vibrant portrait of their local neighbourhood, and a charming testament to the power of art in changing minds about what could be possible.

The filmmaker Dan Edelstyn will be joining us for a panel discussion after the film along with Deben Climate Centre chaired by Eamonn O'Nolan.

On September 25th 2025 the Riverside was 110 years old.

Our technical assistant, William Caley, has made a new film which looks back through the Riverside archive to when the cinema was built in 1915 and traces our 110 year history, and features a few recently newly filmed interviews with Pat Betts, Stuart Saunders and Tina Wiseman.

Our current manager, Neil, and Technical assistant, Will, have for the past few years been working on researching the cinema’s history and collecting all the material together to make a book (now available from the box office!), and this new documentary film.

Come along and celebrate our exciting and fascinating history for our 110th birthday.

Capel Green is a feature length documentary film which focuses on the life of Larry Warren, original witness and whistle-blower in the famous Rendlesham Forest Incidents. An insightful and human story about his fight for truth regarding what actually took place in the early hours of Sunday December 28th 1980 in a farmer's field which sits on the edge of the forest. Described as Britain's "Roswell", the mysterious lights and events witnessed by many US Air Force personnel, spanned three evenings; and the Capel Green incident on the third night of activity was by far the most intriguing.

A cold case from almost four decades ago, the film follows his life bringing forward new evidence and previously unseen original documents. Larry has fought for the justice and truth behind this matter since that night; battling the press, the military unit he served, as well as a few online detractors. The film talks to the many witnesses involved, some whom have never spoken on camera ever, and takes the time to analyse the facts, documents and evidence behind what really occurred, and questions why these incidents did not follow the standard investigation procedures by authorities.

Stuck at home and put to work by her spoiled Step-Sisters, Cinderella’s life is dreary and dull. Everything changes when she helps a mysterious woman out...With a little bit of magic, she is transported into an ethereal new world – one where fairies bring the gifts of the seasons, where pumpkins turn into carriages, and where true love awaits.

This enchanting ballet by The Royal Ballet’s Founding Choreographer Frederick Ashton is a theatrical experience for all the family and will transport you into an ethereal world where a sprinkling of fairy dust makes dreams come true.

Cast:  

Cinderella FUMI KANEKO

The Prince WILLIAM BRACEWELL

Cinderella’s Step-Sisters BENNET GARTSIDE, JAMES HAY

Cinderella’s Father THOMAS WHITEHEAD

The Fairy Godmother MAYARA MAGRI

The Fairy Spring ISABELLA GASPARINI

The Fairy Summer MARIKO SASAKI

The Fairy Autumn MEAGHAN GRACE HINKIS

The Fairy Winter CLAIRE CALVERT

The Jester DAICHI IKARASHI

Creatives:

Choreography FREDERICK ASHTON

Music SERGEY PROKOFIEV

Conductor JONATHAN LO

Set Designer TOM PYE

Costume Designer ALEXANDRA BYRNE

Lighting Designer DAVID FINN

Video Designer FINN ROSS

Illusions CHRIS FISHER

Conductor JONATHAN LO

Olivier Award-winner Jack Lowden (Slow Horses, Dunkirk) is joined by Emmy and BAFTA-winner Martin Freeman (The Hobbit, The Responder) in the critically acclaimed and subversively funny new play by David Ireland.

After years in the 12-step programme of Alcoholics Anonymous, James becomes a sponsor to newcomer Luka. The pair bond over black coffee, trade stories and build a fragile friendship out of their shared experiences. But as Luka approaches step five – the moment of confession – dangerous truths emerge, threatening the trust on which both of their recoveries depend.

Finn den Hertog directs the provocative and entertaining production filmed live from @sohoplace on London’s West End.

Screening in tribute to the late Robert Redford who sadly passed away on the 16th September 2025.

“Immensely enjoyable to watch – glowingly photographed, wittily scripted, and with superbly confident performances from Paul Newman and Robert Redford.” David Wilson, Monthly Film Bulletin, April 1970 “Most of what follows is true,” announces the opening caption, setting the playful tone for this tale of bank-robbing outlaws who find the Old West getting too hot for them, before heading for new pastures in Bolivia. As that caption suggests, writer William Goldman and director George Roy Hill are less interested in authentic historical atmosphere – or a conclusive answer to the mystery of the real Butch and Sundance’s ultimate fate – than in having fun, with Paul Newman and Robert Redford making a wonderfully relaxed double act. The laidback 1969 vibe is further enhanced by the hints of ménage à trois with moll Etta Place (Katharine Ross) and music by Burt Bacharach, including the hit song ‘Raindrops Keep Fallin’ on My Head’.

Screening in tribute to the late Robert Redford who sadly passed away on 16th September 2025.

Two green reporters and rivals working for the Washington Post, Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman), research the botched 1972 burglary of the Democratic Party Headquarters at the Watergate apartment complex. With the help of a mysterious source, code-named Deep Throat (Hal Holbrook), the two reporters make a connection between the burglars and a White House staffer. Despite dire warnings about their safety, the duo follows the money all the way to the top.

Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here

Cléo (an exceptional performance by six-year-old Louise Mauroy-Panzani) loves her nanny Gloria (Ilça Moreno Zego) more than anything. When Gloria suddenly has to return home to Cape Verde to look after her own children, Gloria invites Cléo to visit her and the two have to make the most of their last summer together. Marie Amachoukeli’s outstanding feature was the opening film of Cannes Critics’ Week 2023 and has been an audience favourite at film festivals across Europe including London and Dublin. It is produced by Céline Sciamma’s regular producer Bénédicte Couvreur (Petite Maman, Portrait of a Lady on Fire, Girlhood).