This warm and whimsical British satire is like a window on a bygone era. The first colour comedy from the famous Ealing Studios, it finds residents of a remote English village up in arms when they're told their train line is being shut down. In an attempt to save the service, the local vicar and squire devise a scheme for the villagers to run it themselves. The trouble is, the area bus company supports the closure and decides to sabotage their efforts - prompting the community to resurrect a vintage engine from the local museum.

Screening to celebrate the 200th Anniversary of the British Railways.

Join us for this rare screening and opportunity to delve into Douglas Sirk's masterful melodrama There's Always Tomorrow that explores the suffocating confines of middle-class domesticity.

Centered on Fred MacMurray’s deeply poignant portrayal of a husband and father who reconnects with an old flame (Barbara Stanwyck), the film examines the fleeting allure of escape and the crushing pull of societal expectations. This film’s richly detailed mise-en-scène as Sirk’s films elevate everyday objects—lamps, teacups, and furniture—to silent witnesses of emotional turmoil, amplifying the tension between characters and their environments.

The domestic items in There’s Always Tomorrow become more than mere set dressing; it serves as a narrative agent, embodying the constraints of suburban life and the unspoken desires simmering beneath its surface.

Screening as part of our short Melodrama season in collaboration with the British Film Institute