Some doors bring you to your past. Some doors lead you to your future. And some doors change everything. Sarah (Margot Robbie) and David (Colin Farrell) are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on A Big Bold Beautiful Journey – a funny, fantastical, sweeping adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present…and possibly getting a chance to alter their futures.

The latest spellbinding wonder from introspective filmmaking great Koganada (Columbus, After Yang), this mind-expanding romantic journey is a cinematic odyssey not to miss.

With a screenplay written by Horace Ové and fellow Trinidadian author Sam Selvon, Pressure follows a Black family in west London; from the parents who came from Trinidad as part of the Windrush generation with their first son, now part of the Black Power Movement, to their younger British-born son Tony (Herbert Norville), who is trying to find his place between the two cultures. As he leaves school and encounters prejudice on individual and institutional levels, Tony struggles to find acceptance in the country he grew up in yet has no Caribbean home he can dream of returning to. Unemployed and caught between an aspirational mother and a radical older brother, he drifts away from school friends and towards Black Power politics.

A groundbreaking and authentic exploration of the anxieties of an emerging second-generation of West Indians in Britain, Pressure (1975) is a significant title in the history of British Cinema, and remains as relevant now, 50 years on, as it ever was — with its themes of police corruption, discrimination and employment on an individual and institutional level.

Screening for Black History Month

This warm and whimsical British satire is like a window on a bygone era. The first colour comedy from the famous Ealing Studios, it finds residents of a remote English village up in arms when they're told their train line is being shut down. In an attempt to save the service, the local vicar and squire devise a scheme for the villagers to run it themselves. The trouble is, the area bus company supports the closure and decides to sabotage their efforts - prompting the community to resurrect a vintage engine from the local museum.

Screening to celebrate the 200th Anniversary of the British Railways.

Join us for this rare screening and opportunity to delve into Douglas Sirk's masterful melodrama There's Always Tomorrow that explores the suffocating confines of middle-class domesticity.

Centered on Fred MacMurray’s deeply poignant portrayal of a husband and father who reconnects with an old flame (Barbara Stanwyck), the film examines the fleeting allure of escape and the crushing pull of societal expectations. This film’s richly detailed mise-en-scène as Sirk’s films elevate everyday objects—lamps, teacups, and furniture—to silent witnesses of emotional turmoil, amplifying the tension between characters and their environments.

The domestic items in There’s Always Tomorrow become more than mere set dressing; it serves as a narrative agent, embodying the constraints of suburban life and the unspoken desires simmering beneath its surface.

Screening as part of our short Melodrama season in collaboration with the British Film Institute

Following triumphant Met turns in Roméo et Juliette, La Traviata, and Lucia di Lammermoor, Nadine Sierra summits another peak of the soprano repertoire as Amina, who sleepwalks her way into audiences’ hearts in Bellini’s poignant tale of love lost and found. In his new production, Rolando Villazón—the tenor who has embarked on a brilliant second career as a director—retains the opera’s original setting in the Swiss Alps but uses its somnambulant plot to explore the emotional and psychological valleys of the mind. Tenor Xabier Anduaga returns after his acclaimed 2023 Met debut in L’Elisir d’Amore, co-starring as Amina’s fiancé Elvino, alongside soprano Sydney Mancasola as her rival, Lisa, and bass Alexander Vinogradov as Count Rodolfo. Riccardo Frizza takes the podium for one of opera’s most ravishing works.

Cast: 

Amina NADINE SIERRA

Lisa SYDNEY MANCASOLA

Elvino XABIER ANDUAGA

Rodolfo ALEXANDER VINOGRADOV

Creatives:

Music VINCENZO BELLINI

Conductor RICCARDO FRIZZA

Director ROLANDO VILLAZÓN

Set Designer JOHANNES LEIACKER

Costumer Designer BRIGITTE REIFFENSTUEL

Lighting Designer DONALD HOLDER

Projection Designer RENAUD RUBIANO

Choreographer LEAH HAUSMAN