An incredibly strong anti-war film, Warfare couldn’t come soon enough to the screen given the global issues we face today.

Written and directed by Iraq War veteran Ray Mendoza and Alex Garland (Civil War, 28 Days Later), Warfare embeds audiences with a platoon of American Navy SEALs in the home of an Iraqi family, overwatching the movement of US forces through insurgent territory. It’s a visceral, boots-on-the-ground story of modern warfare, told like never before: in real time and based on the memory of the people who lived it. Memory can be distorted and confused, timelines can be changed and key points forgotten, especially when dealing with war trauma and PTSD. 20 years later the lessons pieced together from these brave young people should be a warning for our turbulent times and a call to act now to avoid any further warfare.

How can there be music in the worst place in the world?

Told through the words of victims of Auschwitz who played and created music during the terrors of the Holocaust, this film shows how, in the most brutal and dehumanizing situations, music could be a lifeline, a way to give testimony, and even a way to resist. Woven throughout are new interpretations of musical works written by victims of the camp, mainly filmed at resonant locations in the environs of Auschwitz. Between them, they touch on themes of loss, longing, and cultural memory, and address head-on the barbaric and murderous regime at Auschwitz.