Propelled by the deliciously dry wit of Oscar nominee Steve Coogan, this poignant dramedy follows an Englishman’s personal and political awakening during a period of crisis in Argentina. Inspired by true events, The Penguin Lessons takes to heart the notion that saving someone’s life begins a new responsibility. In this case, that someone is a surprisingly wise, utterly adorable penguin.

The year is 1976. Tom (Coogan) lands in Buenos Aires to take up a teaching position at a prestigious English boarding school. The city is in the midst of political violence, but the headmaster (Oscar nominee Jonathan Pryce) insists his school simply keep calm and carry on. That suits Tom just fine. When a coup d’état shuts down the school, he hops next door to Uruguay to party. A romantic foray leads to a walk along the beach, which leads to the sight of a penguin drenched in oil from a spill. Against his better judgment, Tom rescues the bird, which unlocks its undying loyalty. He's forced to sneak the flightless beast back to Argentina, and thus begins a strange and beautiful friendship.

Against the backdrop of crackdowns from the new dictatorship and echoes from Tom’s long-repressed past, the penguin becomes a sounding board and an unwitting agent of change for him and, ultimately, the whole school.

Helmed by Peter Cattaneo (The Full Monty; Military Wives), The Penguin Lessons delivers this delightful true story with wit, warmth, and subtle insight into just how rewarding it can be to do the right thing

At the end of Ibsen’s classic, ground breaking 1879 play, A Doll’s House Nora walks out on her marriage, home and young children.  Playwright Lucas Hnath builds on Ibsen’s seminal work by imagining what happens when Nora returns years later with an urgent request.  Old School Theatre Company presents Hnath’s rich, stand alone sequel, eloquently exploring traditional gender roles and social class still inherent in today’s society.  A Doll’s House, Part 2 received its UK premiere at the Donmar Warehouse, London in 2022.

Ralph Fiennes and Stanley Tucci revel in the ritual and intrigue surrounding the process of choosing a new pontiff, in this tantalisingly tense Vatican-set drama.

The Pope has died. Cardinal Lawrence must lead the Conclave to select the new leader of the Catholic world. But as high-ranking cardinals gather, he discovers sides have been drawn and secrets that might destroy a future pope, perhaps even the Church itself, threaten to be revealed. Following his Oscar-winning success with All Quiet on the Western Front, Edward Berger presents us with another tale of conflict, albeit one where battles are waged in hushed tones in hallowed hallways. Fiennes, Tucci and John Lithgow make the most of Peter Straughan’s (Tinker Tailor Soldier Spy) screenplay, based on Robert Harris’ 2016 novel, albeit with Isabella Rossellini almost stealing the film as the formidable Sister Agnes.

Fire Over Shingle Street—Fact, Fiction, or Propaganda?

A new documentary by Suffolk-based filmmaker Tim Curtis (Life on the Deben, Stanley's War) delves into one of Britain’s most persistent Second World War mysteries, asking: Has this enduring enigma been fully accounted for, or are there still unanswered questions?

For decades the Shingle Street ‘Mystery’ has divided the views of locals, journalists and historians alike with incredible and unexplained stories of the sea being set on fire, dead soldiers bodies on the beach and strange happenings in the night.

Was this remote stretch of Suffolk’s coast the site of a German invasion attempt? Did British forces set fire to the sea with petroleum weapons to repel the enemy? Or could it have been part of an elaborate wartime deception, designed to maintain national morale?

The film examines how the Suffolk coast was a hub of military secrecy—home to radar development and experimental weapons testing. Did these classified operations (with some still under wraps) combined with wartime propaganda help create the perfect conditions for rumours to fuel a wartime mystery?

The Shingle Street ‘Mystery’ gained renewed attention in the 1990s when the East Anglian Daily Times was contacted by an ‘MOD Whistleblower’ claiming to have a file—soon to be destroyed—detailing a horrific accident in which British soldiers had been killed in a training exercise.

The ensuing media frenzy led to the early release of classified documents from the National Archives at Kew. However, the files revealed little, sparking claims of a cover-up.

This gripping documentary takes viewers deep into Suffolk’s wartime history, and attempts to unravel a mystery that refuses to fade.

The film is followed by a live discussion and Q&A with ‘Bodies on the Beach’ and ‘Burn the Sea’ author James Hayward, former East Anglian Daily Times Reporter, Henry Creagh and the film's director, Tim Curtis.

It promises to be a fascinating evening!

“Disney’s Snow White” is a live-action musical reimagining of the classic 1937 film. The magical music adventure journeys back to the timeless story with beloved characters Bashful, Doc, Dopey, Grumpy, Happy, Sleepy, and Sneezy. “Disney’s Snow White” is directed by Marc Webb and produced by Marc Platt and Jared LeBoff, with Callum McDougall serving as executive producer, and features all-new original songs from Benj Pasek and Justin Paul.

Winner of over 35 awards, experience the best of British Musical HER-story in a live capture of the must-see musical sensation, SIX the Musical. The Original West End cast reunite at London’s Vaudeville Theatre in front of a sold-out audience to strut their stuff and re-write their Tudor traumas in an unmissable cinematic recording of the show packed full of style, sass, and sensational songs.

Watched by audiences of over 3.5 million, SIX the Musical, has become a global theatre phenomenon since it’s 2017 debut at Edinburgh Festival Fringe, where it has redefined the boundaries of musical theatre. The show tells the extraordinary story of the six wives of King Henry VIII, who step out of the shadow of their infamous husband and reclaim their own narratives.

Written by Toby Marlow and Lucy Moss, the pop-inspired musical brings the queens - Catherine of Aragon (Jarnéia Richard-Noel), Anne Boleyn (Millie O'Connell), Jane Seymour (Natalie Paris), Anne of Cleves (Alexia McIntosh), Katherine Howard (Aimie Atkinson), and Catherine Parr (Maiya Quansah-Breed) — right into the 21st century with infectious, empowering performances, accompanied by the on-stage band, the Ladies in Waiting.

Simmering hostility and prejudices boil over in Mathieu Kassovitz’s provocative and compelling portrait of a Parisian housing project.

Set in the aftermath of a riot, three friends – Vinz (Vincent Cassell), Hubert (Hubert Koundè) and Saïd (Saïd Taghmaoui) – trapped by their economic, ethnic and community circumstances, navigate the escalating urban discontent. But, with tensions still high and the threat of violence ever-present, the trio drift towards an increasingly dangerous destiny.

30th Anniversary Screening

Two-time Academy Award® winner Renée Zellweger returns to the role that established a romantic-comedy heroine for the ages, a woman whose inimitable approach to life and love redefined an entire film genre.   

Bridget Jones first blasted onto bookshelves in Helen Fielding’s literary phenomenon Bridget Jones’s Diary, which became a global bestseller and a blockbuster film. As a single career woman living in London, Bridget Jones not only introduced the world to her romantic adventures, but added “Singletons,” “Smug-Marrieds” and “f---wittage” into the global lexicon. Bridget’s ability to triumph despite adversity led her to finally marry top lawyer Mark Darcy and to become the mother of their baby boy. Happiness at last.  

But in Bridget Jones: Mad About the Boy, Bridget is alone once again, widowed four years ago, when Mark (Oscar® winner Colin Firth) was killed on a humanitarian mission in the Sudan. She’s now a single mother to 9-year-old Billy and 4-year-old Mabel, and is stuck in a state of emotional limbo, raising her children with help from her loyal friends and even her former lover, Daniel Cleaver (Hugh Grant).  

Pressured by her Urban Family —Shazzer, Jude and Tom, her work colleague Miranda, her mother, and her gynecologist Dr. Rawlings (Oscar® winner Emma Thompson) — to forge a new path toward life and love, Bridget goes back to work and even tries out the dating apps, where she’s soon pursued by a dreamy and enthusiastic younger man (White Lotus’s Leo Woodall). Now juggling work, home and romance, Bridget grapples with the judgment of the perfect mums at school, worries about Billy as he struggles with the absence of his father, and engages in a series of awkward interactions with her son’s rational-to-a-fault science teacher (Oscar® nominee Chiwetel Ejiofor). The returning cast includes Oscar® winner Jim Broadbent and BAFTA winner Gemma Jones as Bridget’s parents and, as a new character, Isla Fisher (Now You See Me, The Great Gatsby) as Rebecca, Bridget’s neighbor.  

Bridget Jones: Mad About the Boy is directed by acclaimed filmmaker Michael Morris (To Leslie, Better Call Saul), from a screenplay by BAFTA nominee Helen Fielding, based on her novel, with contributions from Emmy winner Abi Morgan (The Iron Lady, Eric) and Oscar® nominee Dan Mazer (I Give it A Year, Bridget Jones’s Baby).  

Please note this screening is part of Woodbridge Film Society's 2024/2025 Season and therefore not open to the public. You can read more about the Film Society and how to join here

Robin Campillo, director of the acclaimed 120 BPM and Eastern Boys, mines the memories of his upbringing in post-colonial Madagascar to create a spellbinding, autobiographically inspired drama that mixes forms and textures to stunning and imaginative effect.

Inspired by his own childhood, the film is set in the early 1970s and follows eight-year-old Thomas growing up on a French Air Force base in recently independent Madagascar. From the innocent perspective of a child, the island is a paradise and a playground. But as adolescence grows near, he begins observing his parents and their circle of friends with new eyes, and childhood innocence slowly gives way to a more shadowy understanding of the hypocrisy and racism that defines France’s military involvement on the island.

As Peter Bradshaw from The Guardian beautifully summarised, ‘Robin Campillo has surrendered to the flow of memory to bring audiences a wonderfully personal film, created with tenderness, unsentimental artistry and visual flair.’

Becoming Led Zeppelin explores the origins of this iconic group and their meteoric rise in just one year against all the odds. Powered by awe-inspiring, psychedelic, never-before-seen footage, performances, and music, Bernard MacMahon’s experiential cinematic odyssey explores Led Zeppelin’s creative, musical, and personal origin story. The film is told in Led Zeppelin’s own words and is the first officially sanctioned film on the group.