Wicked is the highly anticipated prequel to The Wizard of Oz, based on the hit Broadway musical by Stephen Schwartz and Winnie Holzman. This epic fantasy tells the untold story of two iconic figures—Elphaba (Cynthia Erivo), a misunderstood young woman born with green skin, and Glinda (Ariana Grande), a popular, ambitious student. Set at Shiz University, the film follows their unlikely friendship as they navigate prejudice, power, and the dark political forces in the Land of Oz. While Glinda basks in privilege, Elphaba’s defiance of the Wizard (Jeff Goldblum) leads her down a path that transforms her into the Wicked Witch of the West. As their lives take opposing directions, their choices ripple across Oz, forever altering its future. Featuring stunning performances and iconic music, Wicked delivers a reimagined origin story of the witches of Oz, challenging what it truly means to be “Wicked.”

Please note this screening is part of Woodbridge Film Society's 2024/2025 Season and therefore not open to the public. You can read more about the Film Society and how to join here

Two childhood friends meet after years apart and rekindle a deep bond, in Celine Song’s remarkably assured feature debut.

This outstanding first feature by Celine Song is a beautiful, deeply romantic modern love story that embraces destiny, nostalgia and the immigrant experience. Na Young’s family emigrated from Seoul to Canada when she was 12. She left behind and lost contact with her childhood best friend Hae Sung. A decade later, Na Young is now ‘Nora’, an aspiring New York playwright. She becomes curious as to the whereabouts of her playground sweetheart, so searches for him online, only to find him looking for her.

Song’s profound romantic drama is an astonishing debut. Greta Lee and Teo Yoo bring nuance and sensitivity to their portrayal of Na Young and Hae Sung at different points in their lives, drawing out the subtleties of their internal selves. The relationship unfolds against a gorgeously shot backdrop, which is complemented by Daniel Rossen and Christopher Bear’s (Grizzly Bear) elegant score. A divine cinematic experience, this is what we go to the movies for.

"a must-see story of lost loves, childhood crushes and changing identities" - Peter Bradshaw, The Guardian - 5 Stars

The film is partly in English and in Korean with English subtitles

The third instalment brings Paddington's story to Peru as he returns to visit his beloved Aunt Lucy, who now resides at the Home for Retired Bears. With the Brown Family in tow, a thrilling adventure ensues when a mystery plunges them into an unexpected journey through the Amazon rainforest and up to the mountain peaks of Peru.

The incredible ensemble cast includes Hugh Bonneville, Emily Mortimer, Antonio Banderas, Olivia Colman, Julie Walters, Madeleine Harris, Samuel Joslin, Carla Tous and Jim Broadbent. Ben Whishaw and Imelda Staunton both return as the voices of Paddington and Aunt Lucy.

Wind, Tide & Oar is a compelling exploration of engineless sailing, shot on 16mm film over three years. The film delves into the experiences of those who travel solely by harnessing the natural elements alone, following a diverse array of traditional boats and uncovering the unique rhythms and motivations of engineless navigation.

Journeying through rivers, coastlines, and open seas, spanning the UK, the Netherlands, and France, Wind, Tide & Oar creates a contemplative space, addressing themes of ecology, heritage, traditional skills, and maritime history. Using a 1960s hand-wound camera, Wahl offers a poetic and intimate perspective on a millennia-old craft, upended by the invention of mechanised power.

Through the film’s reveries, sailing becomes a means to explore our interaction with and responsibility to the environment. It invites deep reflection on our relationship with nature, our understanding of and commitment to sustainability, and our care for the world around us.

The film is shot around Suffolk, Cornwall and Essex.

PREVIEW SCREENING AS THIS WILL NOT BE OFFICIALLY RELEASED UNTIL APRIL 2025

The latest film from John Crowley is a poignant British romantic drama, strikingly led by Florence Pugh and Andrew Garfield.

Rather than a meet-cute, restaurateur Almut and recent divorcee Tobias’s first encounter is quite literally a car crash. After such a memorable meeting, an instant spark forms between the pair, overpowering any disagreements they may have about matrimony and children in their future. However, this romance is far from a fairytale when the cruel realities of mortality creep into Tobias and Almut’s lives, leaving them to reassess what they want from their careers and the life they are building together. Spanning the highs and lows of a decades-long relationship, Crowley’s (Brooklyn) drama is a fresh, funny and deeply moving romance that, thanks to Pugh and Garfield’s incredible chemistry, feels authentic and alive.

Inspired by Chris Marker’s La Jetée and with overtones of Andrei Tarkovsky’s Stalker, Asif Kapadia delivers an unsettling commentary on the state of the world today… and tomorrow.

Director’s Statement: 2073 is about a feeling of dread at what is happening and being normalised around the world. The film started after seeing Brexit happen through lies and corruption in the UK, I felt I had to make a film to understand why the world seemed to be moving towards lies, authoritarianism, violence. I interviewed journalists around the world, was I going crazy, or was something happening? The journalists agreed, there was a global trend, a democratic recession, technology played a huge part and this was also helping the destruction of the planet's ecosystem. 2073 has come out of those interviews and research. My aim was to connect the dots between many complex issues and countries in a single cinematic film.

Asif Kapadia is an Academy Award, BAFTA, Grierson and Grammy Award winning film director, writer and producer and one of the most influential filmmakers of our generation. Perhaps best known for his acclaimed trilogy of films AMY, SENNA and DIEGO MARADONA, he also directed eps of the MINDHUNTER series for Netflix, series directed and exec produced the critical hit music series 1971: The Year Music Changed Everything (AppleTV+) and he also co directed and exec produced the mental health series THE ME YOU CAN’T SEE (AppleTV+). We are delighted to welcome him back to The RIverside stage to present his new work.