Anya Taylor-Joy and Chris Hemsworth star in Academy Award-winning mastermind George Miller’s “Furiosa: A Mad Max Saga,” the much-anticipated return to the iconic dystopian world he created more than 30 years ago with the seminal “Mad Max” films.  

Miller now turns the page again with an all-new original, standalone action adventure that will reveal the origins of the powerhouse character from the multiple Oscar-winning global smash “Mad Max: Fury Road.”  

As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus.  Sweeping through the Wasteland, they come across the Citadel presided over by The Immortan Joe.  While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.

Jorge has been devoted to his job at the Cinemateca in Montevideo for 25 years, and his cosy rut is neatly documented in the first half of this concise film. He wanders through the film library, tests and repairs broken seats, introduces tardy guest filmmakers, and struggles to drum up scant business on a local radio show.

When drastic funding cuts threaten the closure of the institution, this professional crisis precipitates a charmingly mild personal revolution for Jorge. We observe him awkwardly negotiating life in the outside world with the subtle assistance of the many movie lives he’s experienced while effacing his own.

This wry, melancholic film is slyly observed by second-time director Federico Veiroj, and graced with superb black-and-white chiaroscuro and an inventive soundtrack that juxtaposes old movie music with the raucous clatter of projectors and the monastic silence of libraries and archives.

Screening as part of our year-long season - CINEMA ON SCREEN

Please note this film is being screened as part of the Woodbridge Film Society's 2023/2024 season and is therefore not open to the general public. You can read more about becoming a member here.

An epic journey of friendship and self-discovery, The Eight Mountains is a landmark cinematic experience as intimate as it is monumental, as deep as it is expansive. Adapting the award-winning novel by Paolo Cognetti, directors Felix van Groeningen and Charlotte Vandermeersch (The Broken Circle Breakdown) portray through observant detail and stunning landscape photography the profound, complex relationship between Pietro (Luca Marinelli) and Bruno (Alessandro Borghi), who first meet as children when Pietro’s Milan family vacations in an isolated village at the base of the Alpine slopes. As they mature, Pietro becomes estranged from his business-minded father (Filippo Timi) even as Bruno—emotionally abandoned by his own father—takes up the role of surrogate son. Pietro’s father’s death reunites the two in realizing his dream of constructing a cabin on the Alps, and the project and subsequent explorations of the awe-inspiring mountain range bond Pietro and Bruno in a shared purpose. Yet despite their connection, the purity of nature and the demands of society both threaten to drive the men to pursue different, possibly irrevocably divergent paths on the vertiginous terrain of life.