For the first time in almost a decade, comedy icon Jack Black returns to his role as Po, the world’s most unlikely kung fu master, with a hilarious, butt-kicking new chapter in DreamWorks Animation’s beloved action-comedy franchise: Kung Fu Panda 4.

After three death-defying adventures, Po is called upon by destiny to relax a little: he's tapped to become the Spiritual Leader of the Valley of Peace. But Po's no spiritual leader (and he's got to find a replacement, Dragon Warrior too), so an unlikely team-up with quick-witted thief Zhen (Awkwafina) puts him on the road for another fun-filled quest.

Dev Patel shines in his directorial debut with 'Monkey Man,' alongside producer Jordan Peele (Get Out, Us).

Kid (Dev Patel), a young man ekes out a meager living in an underground fight club. Night after night, wearing a gorilla mask, he's beaten bloody by more popular fighters for cash.

After years of childhood trauma and suppressed rage, Kid (Patel) is inspired by the legend of Hanuman, an icon embodying strength and courage. He discovers a way to infiltrate the enclave of the city's sinister elite, and sets out on a journey to hunt down a group of corrupt leaders who took everything from him and continue to systematically victimize the poor and powerless. His quest for vengeance and attempt of exacting revenge soon makes him become the savior of the poor and powerless people, who are tormented by the corrupt leaders.

In a wily and charismatic star turn, Glen Powell plays straight-laced philosophy professor Gary Johnson, who moonlights as an undercover hit man for the New Orleans Police Department. Preternaturally gifted at inhabiting different guises and personalities to catch hapless people hoping to bump off their enemies, Gary begins to descend into morally dubious territory when he finds himself attracted to one of those potential criminals, a young woman named Madison (Adria Arjona)—setting off a chain reaction of play-acting and false selves.

Richard Linklater’s peppy sunlit neo-noir is a continually surprising delight: co-written by Linklater and Powell, it’s a cleverly existential comedy about identity that deepens in meaning as it escalates in absurdity