The cinematic return of the global phenomenon, follows the Crawley family and their staff as they enter the 1930s. When Mary finds herself at the center of a public scandal and the family faces financial trouble, the entire household grapples with the threat of social disgrace.

The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future in this final film in the series.

Jacob Elordi, Oscar Isaac, Mia Goth and Christoph Waltz shine in Guillermo del Toro’s imaginative and elemental retelling of Mary Shelley’s groundbreaking novel.

Few contemporary filmmakers are as adept at balancing attention to detail and technical prowess with genuine emotional heft as Academy Award-winning filmmaker Del Toro (Pan’s Labyrinth, The Shape of Water). His take on Shelley’s masterpiece movingly captures the sense of isolation and yearning, while creating a fugue of dread and elemental horror. Goth is outstanding as Elizabeth and Elordi delivers a heart-stealing performance as the monster.

Lise, the only daughter of Widow Simone, is in love with the young farmer Colas, but her mother has far more ambitious plans for her. Simone hopes to marry her off to Alain, the son of the wealthy proprietor Thomas. Desperate to marry Colas rather than Alain, Lise contrives to outwit her mother’s plans.  

65 years after its premiere, The Royal Ballet presents Frederick Ashton’s La Fille mal gardée. This affectionate portrayal of village life combines exuberant good humour and brilliantly inventive choreography in what is undoubtedly Ashton’s love letter to the English countryside. La Fille mal gardée whisks us away into pastoral bliss with Ferdinand Hérold’s cheerful score and Osbert Lancaster’s colourful designs.

Cast: 

To be confirmed

Creatives:

Choreography FREDERICK ASHTON

Music FERDINAND HÉROLD

Conductor JONATHAN LO

Arrangement and Orchestration JOHN LANCHBERY

Scenario JEAN DAUBERVAL

Designer OSBERT LANCASTER

Lighting Designer JOHN B. READ