Keria, who has Indigenous Penan heritage on her mother’s side, lives in Borneo with her father, who works on a palm oil plantation. News that the family home is under threat from deforestation only makes her more passionate about her environment, especially when she meets Oshi, an orphaned orangutan with whom she uncovers the joys and dangers of this threatened world.

Screened in the English dubbed version, no subtitles

What do you do when you’re in your 50s, lose all your worldly possessions and receive a devastating medical diagnosis? Potentially, you decide to walk the South West Coast Path – stretching from Minehead in Somerset through north Devon, Cornwall and south Devon to Poole in Dorset – a 630-mile trek equivalent to climbing Mount Everest four times.

Gillian Anderson and Jason Isaacs star in Tony Award-winning theatre director Marianne Elliott’s film debut as Raynor and Moth Winn, the couple who decided to travel the south west’s famously gorgeous rugged coastline in search of solace after a combination of crises in their lives, as captured in Raynor’s prize-winning memoir of the same name. Though emotionally and physically challenging, the journey also proves exhilarating and liberating, giving Raynor and Moth a renewed vitality and a deeper connection to both the natural world and each other. Featuring understated performances from Anderson and Isaacs and immersive cinematography and sound design, The Salt Path is an affecting, rewarding portrait of mid-life loss and rebirth.

Who’s badder than The Bad Guys? The Bad Girls.

In the new chapter from DreamWorks Animation’s acclaimed 2022 action-comedy hit about a crackerjack criminal crew of animal outlaws, The Bad Guys are struggling to find trust and acceptance in their newly minted lives as Good Guys, when they are pulled out of retirement and forced to do “one last job” by an all-female squad of criminals.

Based on the New York Times best-selling book series by Aaron Blabey, The Bad Guys 2 reunites the film’s all-star cast and filmmakers.

Only one man has the particular set of skills... to lead Police Squad and save the world!

Lt. Frank Drebin Jr. (Liam Neeson) follows in his father's footsteps in THE NAKED GUN, directed by Akiva Schaffer (Saturday Night Live, Popstar: Never Stop Never Stopping) and from producer Seth MacFarlane (Ted, Family Guy).

Tickets on sale from 11th July

"Last night at 2:17 AM, every child from Mrs. Gandy's class woke up, got out of bed, went downstairs, opened the front door, walked into the dark ...and they never came back."

When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.

The Ladykillers (1955), directed by Alexander Mackendrick, starring Alec Guinness, Cecil Parker, Herbert Lom, Peter Sellers and Danny Green as the oddball robbery gang, and Katie Johnson as their nemesis, Mrs. Wilberforce.

The Ladykillers is the last of the great Ealing comedies. Alec Guinness (channelling Alistair Sim or Kenneth Tynan – or both!) leads a group of crooks who, pretending to be classical musicians, rent a room from an old lady, played by Katie Johnson, in order to plan their heist. Johnson, 76 at the time, had had a lengthy career on stage and screen without being recognised. As a result of her role, she earned a British Film Academy award for best British actress. This was the summit of her career – she died two years later after making one more film. At the other end of the scale, this was Peter Sellers’s first leading role – the start of a long career in English and later Hollywood comedy films.

Screening as part of our Around the World in Technicolor Season

41st ANNIVERSARY RESTORATION!

In 1982, the legendary English heavy metal band Spinal Tap attempt an American comeback tour accompanied by a fan who is also a film-maker. The resulting documentary, interspersed with powerful performances of Tap's pivotal music and profound lyrics, candidly follows a rock group heading towards crisis, culminating in the infamous affair of the eighteen-inch-high Stonehenge stage prop.

Directed by Rob Reiner and starring Christopher Guest, Michael McKean, Harry Shearer and Bruno Kirby, THIS IS SPINAL TAP is regarded as one of the greatest 'mockumentaries' of all time.

Get ready for the sequel SPINAL TAP II: THE END CONTINUES coming to The Riverside very soon.

Oscar-nominated Rosamund Pike (Gone Girl, Saltburn) is Jessica in the much-anticipated next play from the team behind Prima Facie.

Jessica Parks is a smart Crown Court Judge at the top of her career. Behind the robe, she is a karaoke fiend, a loving wife and a supportive parent. When an event threatens to throw her life completely off balance, can she hold her family upright?

Writer Suzie Miller and director Justin Martin reunite following their global phenomenon Prima Facie, with this searing examination of modern motherhood and masculinity.

We are delighted to have been given permission to screen this film as it has taken some time to arrange so apologies for short notice in making the announcement.

A richly textured essay film on landscape, art, history, life and loss, Patience (After Sebald) offers a unique exploration of the work of internationally acclaimed writer W.G. Sebald, tracking his most influential book, The Rings of Saturn. Grierson award winning filmmaker Grant Gee directs the first film about Sebald, with contributions from major writers, artists and film-makers including Tacita Dean, Robert Macfarlane, Sir Andrew Motion, Rick Moody, Iain Sinclair and Marina Warner, with a haunting soundtrack by acclaimed composer and sound artist The Caretaker, and narration by Jonathan Pryce.

Sebald, who was born in 1944, taught for much of his adult life in this country, mainly at the University of East Anglia, and was killed in a motor accident in 2001. The Rings of Saturn was first published in German in 1995, translated into English three years later and is an account of a walking tour of Suffolk, the people he meets, the places he visits, and the historical and literary reflections prompted by what he sees and senses, taking his mind around the world. Suffolk becomes a sort of palimpsest for his eloquent, precise, lugubrious, often drily witty meditations about war, death, destruction and decay, about memories and continuities and the feeling that nothing entirely disappears.

The Caretaker’s music in the film is deeply atmospheric, creating a haunting and introspective soundscape. It skillfully captures the contemplative and melancholic themes found in Sebald’s writing. The album’s unique approach to sound design immerses listeners in a dreamlike and introspective experience, making ‘Patience (After Sebald)’ a poignant journey into themes of memory, time, and the intricacies of the human psyche.

Drawing inspiration from Franz Schubert’s 1827 composition ‘Winterreise’, The Caretaker employs his signature perplexing processes. He transforms the source material, smudging and rubbing isolated fragments into a dust-caked haze of plangent keys, strangely resolved loops, and de-pitched vocals. The result is a haunting and atmospheric soundscape that mirrors the ethereal nature of Sebald’s literary world, with elements fading in and out, much like memories.

Screening as part of Woodbridge's Ambient Music Festival - more details about the festival here

If you have an Ambient Music Festival pass then you can purchase the cheaper ticket and show your pass at the cinema when arriving.

In July 1969, the space race ended when Apollo 11 fulfilled President John F. Kennedy’s challenge of “landing a man on the moon and returning him safely to the earth.” No one who witnessed the lunar landing will ever forget it. Twenty years later, Al Reinert constructed a documentary that imparts the unforgettable story of the twenty-four astronauts who traveled to the moon as part of NASA’s Apollo program—told in their words and in their voices, using the images they captured. With its awe-inspiring, otherworldly footage and a haunting atmospheric soundtrack by Woodbridge's very own Brian Eno, For All Mankind stirs us with a profound sense of compassion for the “pale blue dot” that is our home, and it remains the most radical, visually dazzling work of cinema that has been made about this earthshaking event.

Screening as part of Woodbridge's Ambient Music Festival - more details about the festival here

If you have an Ambient Music Festival pass then you can purchase the cheaper ticket and show your pass at the cinema when arriving.