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In May of 2020, a standoff between a small-town sheriff (Joaquin Phoenix) and mayor (Pedro Pascal) sparks a powder keg as neighbour is pitted against neighbour in Eddington, New Mexico.
The brilliant mind of Ari Aster brings us another dystopian farce, this time in the style of a modern Western about a world gone mad, a world which we will all remember during the Covid pandemic. Experience this satire about our broken brains on the big screen.
From our manager, Neil:
I saw this documentary in September 2024 when it screened at London Film Festival and I have been on the lookout ever since in the hope that we could screen it at The Riverside. It was not necessarily an easy watch, but it moved me and left me thinking about the film for days afterwards. I cannot personally recommend this film enough and would strongly advise you give the film a chance, and come and see it.
Six women return to the now abandoned Holloway Prison to take part in a women’s circle. Sharing some of the most intimate experiences of their lives, they each unravel what led them to prison, building an eye-opening portrait of failing systems and trauma, while discovering their extraordinary capacity to heal through sisterhood.
Directed by BAFTA Breakthrough Daisy-May Hudson and EMMY nominated Sophie Compton, this deeply moving and transformational documentary feature was made via a unique process of a trauma-informed co-creation with six contributors, a group of incredibly talented, high profile women who are running charities and using their lived-experience to call for change. They are Aliyah Ali, Mandy Ogunmokun, Sarah Cassidy, Lady Unchained, Gerrah, and Tamar Mujanay.
The film had its world premiere at the BFI London Film Festival, where it won the Audience Award for Best Documentary. Its international premiere was at Hot Docs Film Festival in Canada, in competition for the Academy Award Qualifying Best International Documentary.
HOLLOWAY is a profound, meditative, eye-opening and ultimately inspiring exploration of trauma and the immense human capacity for recovery.
⭐⭐⭐⭐⭐ Financial Times 'Hugely powerful..hard to shake'
⭐⭐⭐⭐ Guardian: ' Essential viewing for policy makers' and 'an astonishing new documentary'
⭐⭐⭐⭐ The Times ' Moving...the stakes rarely get higher'
From Celine Song, the Academy Award-nominated writer and director of Past Lives, comes Materialists: the story of a young, ambitious New York City matchmaker torn between the perfect match and her imperfect ex.
Lucy (Dakota Johnson) is the star matchmaker at a boutique New York agency, and believes love is a numbers game. Her beliefs are put to the test when two potential suitors for her come along at once.
One is Harry (Pedro Pascal), a suave, wealthy bachelor who's perfect on paper, and can offer her the lifestyle she covets. The other is her ex: John (Chris Evans), a struggling actor working as a cater-waiter, whose messy lifestyle is her biggest hindrance. But how do you choose between the life you want and the love you need?
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The forthcoming film of David Gilmour's 2024 return to Rome's historic Circus Maximus as part of the Luck and Strange tour, his first in nearly a decade, was directed by long-time Gilmour collaborator Gavin Elder.
The sublime spectacle, filmed against the backdrop of the ancient ruins of Rome, blends solo tracks from David’s most recent album Luck and Strange including a stirring rendition of Between Two Points with Romany Gilmour as well as classic Pink Floyd anthems such as Sorrow, High Hopes, Breathe, Time, Wish You Were Here, and Comfortably Numb.
The Luck and Strange tour spanned twenty-three dates in five cities and was instantly sold out. With no new shows on the horizon, David Gilmour Live at the Circus Maximus, Rome is the best and only way to experience the master of his art on stage.
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A richly textured essay film on landscape, art, history, life and loss, Patience (After Sebald) offers a unique exploration of the work of internationally acclaimed writer W.G. Sebald, tracking his most influential book, The Rings of Saturn. Grierson award winning filmmaker Grant Gee directs the first film about Sebald, with contributions from major writers, artists and film-makers including Tacita Dean, Robert Macfarlane, Sir Andrew Motion, Rick Moody, Iain Sinclair and Marina Warner, with a haunting soundtrack by acclaimed composer and sound artist The Caretaker, and narration by Jonathan Pryce.
Sebald, who was born in 1944, taught for much of his adult life in this country, mainly at the University of East Anglia, and was killed in a motor accident in 2001. The Rings of Saturn was first published in German in 1995, translated into English three years later and is an account of a walking tour of Suffolk, the people he meets, the places he visits, and the historical and literary reflections prompted by what he sees and senses, taking his mind around the world. Suffolk becomes a sort of palimpsest for his eloquent, precise, lugubrious, often drily witty meditations about war, death, destruction and decay, about memories and continuities and the feeling that nothing entirely disappears.
The Caretaker’s music in the film is deeply atmospheric, creating a haunting and introspective soundscape. It skillfully captures the contemplative and melancholic themes found in Sebald’s writing. The album’s unique approach to sound design immerses listeners in a dreamlike and introspective experience, making ‘Patience (After Sebald)’ a poignant journey into themes of memory, time, and the intricacies of the human psyche.
Drawing inspiration from Franz Schubert’s 1827 composition ‘Winterreise’, The Caretaker employs his signature perplexing processes. He transforms the source material, smudging and rubbing isolated fragments into a dust-caked haze of plangent keys, strangely resolved loops, and de-pitched vocals. The result is a haunting and atmospheric soundscape that mirrors the ethereal nature of Sebald’s literary world, with elements fading in and out, much like memories.
Screening as part of Woodbridge's Ambient Music Festival - more details about the festival here
If you have an Ambient Music Festival pass then you can purchase the cheaper ticket and show your pass at the cinema when arriving.
Life seems easy for picture-perfect couple Ivy (Olivia Colman) and Theo (Benedict Cumberbatch): successful careers, a loving marriage, great kids. But beneath the façade of their supposed ideal life, a storm is brewing – as Theo’s career nosedives while Ivy’s own ambitions take off, a tinderbox of fierce competition and hidden resentment ignites.
The Roses is a reimagining of the 1989 classic film The War of the Roses, based on the novel by Warren Adler
In Nobody 2, Hutch Mansell is still paying off a $30 million debt to the Russian mob with a steady stream of international hits. Burnt out and growing distant from his wife Becca (Connie Nielsen), Hutch agrees to a family trip to Plummerville, the site of his only childhood vacation with brother Harry (RZA).
But what begins as a wholesome getaway spirals into madness when the Mansells clash with a corrupt theme park owner (John Ortiz) and a crooked sheriff (Colin Hanks). Things escalate when the town’s unhinged crime boss—played by none other than Sharon Stone—makes Hutch her next target.
Bob Odenkirk reprises his role as the mild-mannered suburban dad turned lethal assassin in a sequel that cranks up the chaos, comedy, and carnage.
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In July 1969, the space race ended when Apollo 11 fulfilled President John F. Kennedy’s challenge of “landing a man on the moon and returning him safely to the earth.” No one who witnessed the lunar landing will ever forget it. Twenty years later, Al Reinert constructed a documentary that imparts the unforgettable story of the twenty-four astronauts who traveled to the moon as part of NASA’s Apollo program—told in their words and in their voices, using the images they captured. With its awe-inspiring, otherworldly footage and a haunting atmospheric soundtrack by Woodbridge's very own Brian Eno, For All Mankind stirs us with a profound sense of compassion for the “pale blue dot” that is our home, and it remains the most radical, visually dazzling work of cinema that has been made about this earthshaking event.
Screening as part of Woodbridge's Ambient Music Festival - more details about the festival here
If you have an Ambient Music Festival pass then you can purchase the cheaper ticket and show your pass at the cinema when arriving.
Meticulously restored and remastered in 4K for its 60th anniversary, the beloved classic is more brilliant than ever with pristine picture and sound.
In this true-life story, Julie Andrews lights up the screen as Maria, a spirited young woman who leaves the convent and becomes a governess to the seven unruly children of Captain von Trapp (Christopher Plummer). Her warmth, charm and songs soon win the hearts of the children and their father. But when the threat of war rises, Maria is forced to attempt a daring escape with her new family.
One of the most successful movie musicals of all time, “The Sound of Music” features unforgettable treasures like “Edelweiss,” “My Favorite Things,” “Climb Ev’ry Mountain” and “Do-Re-Mi.”
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Hitchcock’s audacious film sets out to prove there’s no such thing as getting away with murder, even if the central couple Brandon and Philip arrogantly believe they can. With the coded language and looks between the two men more than hinting at a love that was illicit in 1948, the tension rises as their perfect plan starts to unravel. Will it just be one murder before the night is through?
Screening as part of our Around the World in Technicolor Season
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Barry Lyndon is Stanley Kubrick's epic costume drama based on William Makepeace Thackeray's beautiful novel. It tells the story of a young rogue who wanders through life getting lost in various adventures, meeting his share of women and oddball characters. When Redmond Barry becomes jealous of Captain Quin's advances on his beloved cousin, he challenges the man to a duel. Winning the duel, young Barry is forced to leave his home and his mother. He meets thieves, lonely soldier brides, Prussian army leaders, and British widows, inventing new stories about himself at every turn of the road.
Barry Lyndon is more breathtaking than ever in this special 50th anniversary 4K restoration presented by Park Circus.
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The cinematic return of the global phenomenon, follows the Crawley family and their staff as they enter the 1930s. When Mary finds herself at the center of a public scandal and the family faces financial trouble, the entire household grapples with the threat of social disgrace.
The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future in this final film in the series.
Once-in-a-Lifetime Theatrical Screening Celebrating the 10th Anniversary of the Original Broadway Production
Winner of 11 Tony Awards including Best Musical, 7 Olivier Awards including Best New Musical, the 2016 Pulitzer Prize for Drama and the 2016 Grammy Award for Best Musical Theater Album.
To celebrate the 10th Anniversary of HAMILTON, the recording of the original Broadway cast is hitting the big screen for a limited engagement, including a cast reunion featuring all-new interviews with members of the original cast and creators.
An unforgettable cinematic stage performance, the filmed version of the original Broadway production of HAMILTON combines the best elements of live cinema and film to create a thrilling experience. HAMILTON is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B, and Broadway, HAMILTON has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre – a musical that has had a profound impact on culture, politics and education.
CAST INCLUDES:
Lin-Manuel Miranda - Alexander Hamilton
Phillipa Soo - Eliza Schuyler
Leslie Odom Jr. - Aaron Burr
Renée Elise Goldsberry - Angelica Schuyler
Christopher Jackson - George Washington
Jonathan Groff - King George III
Daveed Diggs - Thomas Jefferson / Marquis de Lafayette
TICKETS ON SALE FROM 26TH AUGUST
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On September 25th the Riverside will be 110 years old and we would like you to join us on the evening of Saturday 27th to celebrate with a look back at film from the Riverside archive along with a few recently filmed interviews with Pat Betts, Stuart Saunders and Tina Wiseman.
Our current manager, Neil, and Technical assistant, Will, have for the past few years been working on researching the cinema’s history and collecting all the material together to make a book (available on the evening!), a documentary and a page on our website to record our history.
Tonight will be a special birthday celebration of our little cinema/theatre and we’d be delighted to share its past with you.
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In war-torn Rome, Floria Tosca and Mario Cavaradossi live for each other and for their art. But when Cavaradossi helps an escaped prisoner, the lovers make a deadly enemy in the form of Baron Scarpia, Chief of Police. At the mercy of Scarpia’s twisted desires, Tosca is forced to make a horrific bargain: sleeping with the man she hates in order to save the man she loves. Can she find a way out?
A star-studded cast includes soprano Anna Netrebko performing the role of Tosca, tenor Freddie De Tommaso as Cavaradossi, and bass-baritone Gerald Finley as Scarpia, with Music Director of The Royal Opera Jakub Hrůša conducting his first new production in the role. An alternative, modern-day Rome provides the backdrop for Oliver Mears’ unmissable, gripping new production of Puccini’s thriller.
Cast:
Floria Tosca ANNA NETREBKO
Mario Cavaradossi FREDDIE DE TOMMASO
Baron Scarpia GERALD FINLEY
Spoletta CARLO BOSI
Cesare Angelotti OSSIAN HUSKINSON
Sacristan ALESSANDRO CORBELLI
Sciarrone SIPHE KWANI
Creatives:
Music GIACOMO PUCCINI
Conductor JAKUB HRŮŠA
Director OLIVER MEARS
Set Designer SIMON LIMA HOLDSWORTH
Costume Designer ILONA KARAS
Lighting Designer FABIANA PICCIOLI
Movement Director ANNA MORRISSEY
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F.W. Murnau's Nosferatu: A Symphony of Horror (1922), the original (and an unauthorized) film adaptation of Bram Stoker's Dracula, inspired an entire genre with its blood-thirsty, undead protagonist.
The mysterious Count Orlok summons estate agent Thomas Hutter to his remote Transylvanian castle in the mountains, seeking to buy a house near Hutter and his young wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
This special presentation of Nosferatu: A Symphony of Horror (1922) pairs the original silent film with Radiohead’s “KID A (2000) / Amnesiac (2001) as its score, courtesy of Silents Synced. Silents Synced pairs classic silent movies with epic rock music, partnering with independent cinemas to create memorable, new silent film experiences. "Nosferatu x Radiohead: A Silents Synced Film" is directed and remixed by Josh Frank.
Hank Thompson (Austin Butler) was a high-school baseball phenom who can’t play anymore, but everything else is going okay. He’s got a great girl (Zoë Kravitz), tends bar at a New York dive, and his favorite team is making an underdog run at the pennant.
When his punk-rock neighbor Russ (Matt Smith) asks him to take care of his cat for a few days, Hank suddenly finds himself caught in the middle of a motley crew of threatening gangsters. They all want a piece of him; the problem is he has no idea why. As Hank attempts to evade their ever-tightening grip, he’s got to use all his hustle to stay alive long enough to find out…
Caught Stealing is directed by Academy Award® nominee Darren Aronofsky, screenplay by Charlie Huston, based on his book of the same name. The film stars Austin Butler, Regina King, Zoë Kravitz, Matt Smith, Liev Schreiber, Vincent D’Onofrio, Griffin Dunne, Benito A Martínez Ocasio, and Carol Kane.
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On the edge of Chinatown stands the only independent cinema left in Central London. Grey and black, dotted with poster frames, and lit by an overhanging readograph, its presence is tucked away from the other, brighter multiplexes of Leicester Square. There, within its small interior, a team of ushers push through the day.
Based on the real-life experiences and stories from those that work at the Prince Charles Cinema, Fil Freitas - a former usher turned manager himself - has put together a feature length comedy drama that follows a day in the life of its hapless employees. During their shift they watch movies, argue with customers, and above all, deal with each other.
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Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here
The film follows 70-year-old Mahin (Lily Farhadpour), who has been living alone in Tehran for decades since her husband died and her daughter left for Europe. One afternoon, tea with friends leads her to reassess her life and choices; she decides to break her solitary routine and revitalise her love life. On a chance outing, where she witnesses an encounter between a woman and the morality police and decides to intervene, she comes across a lonely taxi driver called Esmail (Esmail Mehrabi). A newfound determination and confidence propels her to approach him, and she invites him over to her house in a bid for connection. What follows is an unpredictable, unforgettable evening.
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We are delighted to be hosting a very special event around the subject of music in film. This event will feature three people from the film and music industry discussing the role of music in film, what it means to be a Music Supervisor, deal with clearing music so it can appear in a film and the role of a music representative who looks after artists and labels and how they get their music into film and television productions. The discussion will be followed by a screening of The Who’s Quadrophenia.
Kirsten Lane is a Music Supervisor. She is founder of Right Music Ltd which has been supervising music for films and TV for over 25 years. She started out at PolyGram Records, then worked for PolyGram Films and started up the sync department at Sony/ATV Music Publishing before setting up Right Music Ltd in 2001. She loves working with Directors, Writers and Producers to get the right music to tell their story to its maximum effect. She's worked on over 100 films across all genres including the films of Edgar Wright (from Shaun of the Dead through Baby Driver to the soon to be released The Running Man), Yesterday, the Bridget Jones films, the upcoming I Swear, Apex and Blood On Snow, as well as classics such as Legend, About Time, This is England, Love Actually and Saltburn - Murder on the Dancefloor anyone?
Michelle Stoddart has worked in the music industry for over 30 years – from working in a record store in Canada at 15, heading up the synch team at Kobalt Music; to founding Stoddart Music in 2018. She always knew that music was her dream job! Michelle and her partner John run Stoddart Music, which represents recording artists, songwriters, labels and publishers - placing their work in adverts, film, television, trailers and games. Music from artists they represent has soundtracked Black Mirror, Slow Horses, Sweetpea, Gangs of London, Rivals, One Day, Destination X, Mobland, Long Way Home, The Crown and also used in adverts for brands such as Apple, Samsung, Amazon, Google, O2, Vodafone, John Lewis, Sky, and many more.
Ian Neil - Ian's extensive knowledge and experience of music in media travels over 30 years. His expertise in researching tracks and handling music clearances has meant working with many of the top UK film directors and producers. Before becoming an independent Film Music Supervisor Ian built his strong reputation through his work as Head of Film and TV for Polygram Records (aka Universal) followed by then Director of Synch at Warner/Chappell Music Ltd. Then ultimately at Sony Music as Director where he oversaw further success in the world of advertising, TV, films and computer games. Ian’s film & TV work includes Lock Stock & Two Smoking Barrels, Snatch, Kick Ass 1 & 2, Kingsman 1 & 2. Music biopics include Control, Nowhere Boy, Bob Marley, Rocketman, Sex & Drugs & Rock n Roll. TV shows include The Gentleman, Brassic, Pistol, Red Riding Trilogy, The Ipcress Files & Upcoming The Young Sherlock Holmes. Ian has exec'd and produced an Ian Dury Biopic and the documentaries Who Killed the KLF, One Hit Wonder (James Blunt) and currently completing Getting Away With It (James).
FILM
The Who’s classic rock opera Quadrophenia was the basis for this invigorating coming-of-age movie and depiction of the defiant, drug-fueled mod subculture of early 1960s London. Our antihero is Jimmy (Phil Daniels), a teenager dissatisfied with family, work, and love. He spends his time knocking around with his clothes-obsessed, pill-popping, scooter-driving fellow mods, a group whose antipathy for the motorcycle-riding rockers leads to a climactic riot in Brighton. Director Franc Roddam’s rough-edged film is a quintessential chronicle of youthful rebellion and turmoil, with Pete Townshend’s brilliant songs (including “I’ve Had Enough,” “5:15,” and “Love Reign O’er Me”) providing emotional support, and featuring Sting and Ray Winstone in early roles.
SPINAL TAP is back! After a 15-year hiatus, David St. Hubbins, Nigel Tufnel, and Derek Smalls are drawn back together for one last concert.
Documentary filmmaker Marty DiBergi returns to explore what the band members have been up to and immortalize the concert reunion.
The film blends the same musical mayhem and satire that made the original a cult classic and features some fantastic rock cameos in the process.
Will this concert be their triumphant return, or just another Stonehenge-sized catastrophe?
CONTAINS A SEQUENCE OF FLASHING LIGHTS WHICH MIGHT AFFECT CUSTOMERS WHO ARE SUSCEPTIBLE TO PHOTOSENSITIVE EPILEPSY
Some doors bring you to your past. Some doors lead you to your future. And some doors change everything. Sarah (Margot Robbie) and David (Colin Farrell) are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on A Big Bold Beautiful Journey – a funny, fantastical, sweeping adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present…and possibly getting a chance to alter their futures.
The latest spellbinding wonder from introspective filmmaking great Koganada (Columbus, After Yang), this mind-expanding romantic journey is a cinematic odyssey not to miss.
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Uncover a gripping tale of alien infiltration and Cold War paranoia in Hammer’s chilling follow-up to their sci-fi breakthrough.
Created by Nigel Kneale and directed by Val Guest, Quatermass 2 is presented for the first time ever in stunning 4K, newly restored from original film elements.
When a series of meteorite showers fall near a top-secret government facility, Professor Bernard Quatermass is drawn into a mystery with terrifying implications.
What begins as a scientific inquiry soon reveals a covert alien infiltration, spreading silently beneath the surface of official research. As the conspiracy unravels, Quatermass races against time to expose the truth—before an otherworldly force changes humanity forever.
Blending atmospheric suspense, science fiction, and Cold War-era unease, Quatermass 2 stands as a landmark in British genre cinema.
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The son of The Rocky Horror Picture Show creator Richard O’Brien charts the journey of the sing-along cultural phenomenon.
Much like its protagonists, Brad and Janet, The Rocky Horror Picture Show has had a fantastical and surreal journey into the spotlight. It started life in an 85-seat studio space at London’s Royal Court Theatre, before being adapted into a breakout cult movie that would become a midnight screening favourite, with a near-fanatical fanbase and a host of rituals, fanzines and spin-off events. Linus O’Brien’s hugely entertaining directorial debut traces Rocky Horror’s journey across the decades, highlighting why it has such staying power. Featuring interviews with creator Richard O’Brien, one of the film’s stars, Tim Curry, and a host of artists, critics and fans, including Jack Black and Trixie Mattell, Strange Journey is a joyous testament to this 50-year-old classic.