Ralph Fiennes and Stanley Tucci revel in the ritual and intrigue surrounding the process of choosing a new pontiff, in this tantalisingly tense Vatican-set drama.

The Pope has died. Cardinal Lawrence must lead the Conclave to select the new leader of the Catholic world. But as high-ranking cardinals gather, he discovers sides have been drawn and secrets that might destroy a future pope, perhaps even the Church itself, threaten to be revealed. Following his Oscar-winning success with All Quiet on the Western Front, Edward Berger presents us with another tale of conflict, albeit one where battles are waged in hushed tones in hallowed hallways. Fiennes, Tucci and John Lithgow make the most of Peter Straughan’s (Tinker Tailor Soldier Spy) screenplay, based on Robert Harris’ 2016 novel, albeit with Isabella Rossellini almost stealing the film as the formidable Sister Agnes.

Rita is a smart, undervalued lawyer dreaming of the day she’ll stop working for a firm more interested in profiting from criminals than bringing them to justice. One day, she is unceremoniously hired by a cartel boss, who enlists her help in undergoing gender affirming surgery in order to live as their true self. Years later, a deep friendship blossoms between them when Rita helps Emilia reunite with her family. Audiard brings his fearless directorial flair to this musical fantasy, which is operatic in both scope and emotion. Terrific central performances by Zoe Saldaña, Karla Sofía Gascón, Adriana Paz and Selena Gomez help make it a touching story of redemption and love.

Desperate to secure her fading celebrity status, Elisabeth Sparkle (Demi Moore), undergoes a black-market medical procedure that promises self-actualization, but culminates in the spawning of Sue (Margaret Qualley), a bold and brash clone of her younger self that perpetuates its existence via weekly spinal taps. The pair are warned to respect their new symbiotic relationship or risk corrosive consequences. But as Sue starts reserving more time in the limelight at the behest of a slimeball executive (Dennis Quaid) and her own growing ambition, Sparkle is soon faced with an existential threat, one that engenders a wicked feud with her tulpa and a knock-down, drag-out battle to reclaim her autonomy.

Sean Baker won the Palme d’Or at Cannes with this enthralling drama, featuring a star-making performance from Mikey Madison.

Baker (Florida Project, Red Rocket) presents a modern-day Cinderella story about Ani, a young sex worker from Brooklyn, meeting Vanya, a spoiled son of a Russian oligarch, who offers her a glamorous new life of possibility and incredible wealth. Ani’s wild ride and fairytale is soon threatened when news of their whirlwind marriage gets back to Russia, resulting in Vanya’s parents flying to New York to manage the situation. Both wildly entertaining and heartbreaking, Anora takes audiences on a freewheeling, rambunctious adventure that escalates to dizzying levels. Drawing comparisons to Pretty Woman, it constantly plays with genre and audience expectations. But what shines through most, as it does in all of his films, is Baker’s love for and unwillingness to judge his characters.

Anora has received six Oscar nominations and seven BAFTA nominations

Hale County This Morning, This Evening director RaMell Ross vividly brings Colson Whitehead’s Pulitzer Prize-winner to life with this masterclass in adaptation.

1960s, Tallahassee. Elwood Curtis is sent to the reformatory Nickel Academy for a crime he didn’t commit. Present day, New York. A revelation about the abuses suffered by the Academy’s students leads Curtis to remember his life-changing friendship with Jack Turner. Ross’s film is a dazzling achievement – a bold and beguiling exploration of trauma and buried American history.

The film has received 2 Oscar nominations and 1 BAFTA nomination

"Frida" chronicles the life Frida Kahlo shared unflinchingly and openly with Diego Rivera, as the young couple took the art world by storm. From her complex and enduring relationship with her mentor and husband to her illicit and controversial affair with Leon Trotsky, to her provocative and romantic entanglements with women, Frida Kahlo lived a bold and uncompromising life as a political, artistic, and sexual revolutionary.

Magdalena Carmen Frida Kahlo y Calderón was a Mexican painter known for her many portraits, self-portraits, and works inspired by the nature and artifacts of Mexico. Inspired by the country's popular culture, she employed a naïve folk art style to explore questions of identity, postcolonialism, gender, class, and race in Mexican society. Her paintings often had strong autobiographical elements and mixed realism with fantasy. In addition to belonging to the post-revolutionary Mexicayotl movement, which sought to define a Mexican identity, Kahlo has been described as a surrealist or magical realist. She is also known for painting about her experience of chronic pain.