The latest film from John Crowley is a poignant British romantic drama, strikingly led by Florence Pugh and Andrew Garfield.

Rather than a meet-cute, restaurateur Almut and recent divorcee Tobias’s first encounter is quite literally a car crash. After such a memorable meeting, an instant spark forms between the pair, overpowering any disagreements they may have about matrimony and children in their future. However, this romance is far from a fairytale when the cruel realities of mortality creep into Tobias and Almut’s lives, leaving them to reassess what they want from their careers and the life they are building together. Spanning the highs and lows of a decades-long relationship, Crowley’s (Brooklyn) drama is a fresh, funny and deeply moving romance that, thanks to Pugh and Garfield’s incredible chemistry, feels authentic and alive.

Helsinki, 1945. The end of the war brings a new sense of artistic and social freedom for painter Tove Jansson. Modern art, dizzying parties and an open relationship with a married politician: Her unconventional life puts her at odds with her sculptor father's strict ideals.

Tove's desire for liberty is put to the test when she meets theatre director Vivica Bandler. Her love for Vivica is electric and all-consuming but Tove begins to realise that the love she truly yearns has to be reciprocated. As she struggles with her personal life, her creative endeavours take her in an unexpected direction. While focusing her artistic dreams on her painting, the work that started as a side project, the melancholic, haunting tales she told scared children in bomb shelters, rapidly takes on a life of its own.

The exploits of the Moomins, infused with inspiration from her own life, bring Tove international fame and financial freedom. There's a daily comic strip, a stage play and stories that continue to delight people around the world. But as she begins to find her artistic identity she has to learn to find herself. Her unrequited love for Vivica is preventing her true liberty and only by learning to break away from her can she truly be free.

TOVE is a captivating drama about the creative energy of an iconic talent and her turbulent search for identity, desire and freedom.

In poor health, Maria Callas wanders around a picturesque Paris as she recounts to an adoring journalist the highs of her career and litany of past loves. Angelina Jolie gives a transforming performance, capturing the myriad layers and masks of this legendary singer’s personality, from pithy to heartbreakingly vulnerable, while showing flashes of the personality that saw her idolised as an opera star. Featuring a stellar cast that includes Valeria Golino, Pierfrancesco Favino and Alba Rohrwacher, Maria is a stunning addition to Larraín’s portrait of iconic women subjected to an alarming degree of scrutiny, while the world looked on.

The third instalment brings Paddington's story to Peru as he returns to visit his beloved Aunt Lucy, who now resides at the Home for Retired Bears. With the Brown Family in tow, a thrilling adventure ensues when a mystery plunges them into an unexpected journey through the Amazon rainforest and up to the mountain peaks of Peru.

The incredible ensemble cast includes Hugh Bonneville, Emily Mortimer, Antonio Banderas, Olivia Colman, Julie Walters, Madeleine Harris, Samuel Joslin, Carla Tous and Jim Broadbent. Ben Whishaw and Imelda Staunton both return as the voices of Paddington and Aunt Lucy.

“How do you film the life of an artist as protean, elusive, egomaniacal, imaginative, surprising, and heavily mythologized as Bob Dylan? Haynes’s playful, gutsy biopic, in which six actors take turns embodying one of America’s most legendary musicians, considers that question and swallows it whole. It was in Haynes’s movie that Heath Ledger gave one of his best performances, but the star of the show is Cate Blanchett, who turns Dylan’s rock-star persona into a heroic, electrifying showcase for her own remarkable gifts.”

Screening in preparation for the forthcoming new Dylan biopic, A Complete Unknown, which screens at The Riverside in early February.

Luca Guadagnino and Challengers writer Justin Kuritzkes transport us to Mexico City in the 1940s with their adaptation of William S. Burroughs’ semi-autobiographical novel. Daniel Craig dazzles as William Lee, an outcast American expat who becomes infatuated with an elusive younger man while living in Mexico City. He also revels in the city’s nightlife and its colourful, larger-than-life characters. Jason Schwartzman, Lesley Manville and impressive newcomer Drew Starkey populate Guadagnino’s richly evocative and sensual film, which features a typically immersive score by Trent Reznor and Atticus Ross.