Andrew Lloyd Webber’s The Phantom Of The Opera is a worldwide entertainment phenomenon. It has been staged in 145 cities across 27 countries and its box office sales eclipse Avatar, Titanic and Star Wars.

To celebrate its 25th Anniversary year, Cameron Mackintosh presented The Phantom Of The Opera in a fully-staged, lavish production set in the sumptuous Victorian splendour of the Royal Albert Hall.

Phantom Of The Opera At The Albert Hall stars Ramin Karimloo as ‘The Phantom’ and Sierra Boggess as ‘Christine’. They are joined by a supporting cast and orchestra of over 200, plus some very special guest appearances.

Delve deeper into the labyrinthine psyche of surrealist nightmare-weaver David Lynch with these unsettling, hallucinatory shorts that reflect the origins and evolution of his singular style. Spanning the early experimental and painterly works that laid the foundation for his cult sensation ERASERHEAD through his darkly absurdist web animation series DUMBLAND, these films are replete with the sinister, uncanny imagery that could have emerged only from an artist so deeply in tune with his subconscious.

Six Men Getting Sick (1967): 1 minutes film projected on sculptured screen. The Alphabet (1968): 16mm 4 minutes The Grandmother (1970): 16mm 34 minutes The Amputee (1973): Video - 2 versions 5 minutes / 4 minutes The Cowboy And The Frenchmam (1988): 35mm 26 minutes Lumiere (1995): 35mm 55 seconds using original Lumiere Brothere's camera, Weather Report (2020) - 1min

Screening as part of our year-long retrospective - Dreaming of Darkness: The Films of David Lynch

Please note this screening is part of Woodbridge Film Society's 2024/2025 Season and therefore not open to the public. You can read more about the Film Society and how to join here

Eliza Hittman inhabits a mode of low-key but relentlessly accumulating naturalism here that is familiar from the Dardenne brothers or contemporary Romanian cinema. Autumn is a teenager who needs to travel from Pennsylvania to New York in order to get an abortion without her parents' knowledge; her friend Skylar accompanies her. There are no explanatory flashbacks, just a few hints of backstory. Through the drag of several days and nights, through endless rides on bus and train, dealing with troublesome handicaps (like a lack of money), the girls push on, not saying much. Hélène Louvart's cinematography is crisp and understated. There is no overt melodrama, only a touch of suspense – Hittman avoids any sensationalism. There are passing characters in official positions (doctors, nurses, train station guards), but they are never demonized; they too are just ordinary people trying to do their jobs in conditions of daily difficulty. The film's dramatic center is deliberately displaced, hidden: it is the toxic masculine culture that expresses itself in offhand actions, words, exchanges, and pressures. At the heart of the film, a tell-tale, wordless gesture between the girls expresses everything left unspoken

A creative biography of the Scottish artist Wilhelmina Barns-Graham. One of the most important women in British modern art, the painter Wilhelmina Barns-Graham was a highly inspirational figure, whose work was deeply impacted by a pivotal event in her life.

In May 1949, this leading representative of the modernist St. Ives group of artists climbed to the top of the Grindelwald glacier in Switzerland, an experience which was to transform the way she saw the world. She spent the rest of her life capturing its shapes and colours, indeed its very essence.

In his essayistic portrait Mark Cousins delves into complex themes of gender, climate change and creativity, while laying bare the artist’s character and vast imagination so pervasively that he creates the impression we are seeing the world through her eyes.

Gallery East in Church Street are holding an exhibition of art by Wilhelmina Barns-Graham from 19th September to 2nd November

Folllowing our screening there will be an exclusive pre-recorded interview between our manager, Neil, and the director of the film, Mark Cousins