For the first time in almost a decade, comedy icon Jack Black returns to his role as Po, the world’s most unlikely kung fu master, with a hilarious, butt-kicking new chapter in DreamWorks Animation’s beloved action-comedy franchise: Kung Fu Panda 4.

After three death-defying adventures, Po is called upon by destiny to relax a little: he's tapped to become the Spiritual Leader of the Valley of Peace. But Po's no spiritual leader (and he's got to find a replacement, Dragon Warrior too), so an unlikely team-up with quick-witted thief Zhen (Awkwafina) puts him on the road for another fun-filled quest.

Colt Seavers (Ryan Gosling) is a stuntman, and like everyone in the stunt community, he gets blown up, shot, crashed, thrown through windows and dropped from the highest of heights, all for our entertainment. And now, fresh off an almost career-ending accident, this working-class hero has to track down a missing movie star, solve a conspiracy and try to win back the love of his life while still doing his day job. What could possibly go right?

Having left the business a to focus on both his physical and mental health, Colt is drafted back into service when the star of a mega-budget studio movie, being directed by his ex Jody Moreno (Emily Blunt), goes missing.

While the film’s ruthless producer (Hannah Waddington) maneuvers to keep the disappearance of star Tom Ryder (Aaron Taylor-Johnson) a secret from the studio and the media, Colt performs the film’s most outrageous stunts while trying (with limited success) to charm his way back into Jody’s good graces. But as the mystery around the missing star deepens, Colt will find himself ensnared in a sinister, criminal plot that will push him to the edge of a fall more dangerous than any stunt.

Inspired by the hit 1980s TV series, The Fall Guy also stars Winston Duke (Black Panther franchise, Us) and Academy Award® nominee Stephanie Hsu (Everything Everywhere All at Once).

The peaceful village of Bebko is alive with joyous celebrations. Suddenly, under attack, everything changes forever. Three siblings, Leto, Mati and Tana, must embark on perilous journeys in order to survive.  

Message In A Bottle is a spectacular dance-theatre show from five-time Olivier Award nominee, Kate Prince, inspired by and set to the iconic hits of 17-time Grammy Award-winning artist Sting, including Every Breath You Take, Roxanne, Walking On The Moon and more. With a mix of exhilarating dance styles, high-energy footwork and breath-taking athleticism, Message In A Bottle tells a unifying and uplifting story of humanity and hope.

Message In A Bottle is the latest masterpiece from the ground-breaking creator behind West End hits Some Like it Hip Hop, Into the Hoods, Everybody’s Talking About Jamie (choreography) and SYLVIA (Old Vic), and features the astonishing talents of dance storytelling powerhouse, ZooNation: The Kate Prince Company.

Cast: TBC

Choreography: Kate Prince Music: based on the songs of Sting

Dev Patel shines in his directorial debut with 'Monkey Man,' alongside producer Jordan Peele (Get Out, Us).

Kid (Dev Patel), a young man ekes out a meager living in an underground fight club. Night after night, wearing a gorilla mask, he's beaten bloody by more popular fighters for cash.

After years of childhood trauma and suppressed rage, Kid (Patel) is inspired by the legend of Hanuman, an icon embodying strength and courage. He discovers a way to infiltrate the enclave of the city's sinister elite, and sets out on a journey to hunt down a group of corrupt leaders who took everything from him and continue to systematically victimize the poor and powerless. His quest for vengeance and attempt of exacting revenge soon makes him become the savior of the poor and powerless people, who are tormented by the corrupt leaders.

In a wily and charismatic star turn, Glen Powell plays straight-laced philosophy professor Gary Johnson, who moonlights as an undercover hit man for the New Orleans Police Department. Preternaturally gifted at inhabiting different guises and personalities to catch hapless people hoping to bump off their enemies, Gary begins to descend into morally dubious territory when he finds himself attracted to one of those potential criminals, a young woman named Madison (Adria Arjona)—setting off a chain reaction of play-acting and false selves.

Richard Linklater’s peppy sunlit neo-noir is a continually surprising delight: co-written by Linklater and Powell, it’s a cleverly existential comedy about identity that deepens in meaning as it escalates in absurdity

PLEASE NOTE THAT THIS EVENT TAKES PLACE AT WOODBRIDGE COMMUNITY CENTRE

SpongeBob SquarePants is the musical adaptation of Nickelodeon’s long-running animated children’s sitcom of the same name. We find ourselves in the undersea city of Bikini Bottom, inhabited by happy-go-lucky and ever-optimistic yellow sea sponge SpongeBob SquarePants and his equally quirky circle of friends and neighbors. SpongeBob’s pleasant existence is abruptly interrupted when it is discovered that Mt. Humongous, a nearby volcano, will erupt within the next 48 hours and completely obliterate Bikini Bottom. SpongeBob, trying to prove to himself and the world that he is not “just a simple sponge,” resolves to save the day when everybody else has given up all hope. SpongeBob SquarePants features an eclectic score of music, each song having been written by a different musical artist with the purposes of recreating the type of musical hodgepodge exhibited by the original television series.

 Nickelodeon™  

THE SPONGEBOB MUSICAL: YOUTH EDITION

Based on the series by Stephen Hillenburg  

Book by Kyle Jarrow

Original Songs by: Yolanda Adams, Steven Tyler and Joe Perry of Aerosmith, Sara Bareilles, Jonathan Coulton, Alex Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, Lady A, Cyndi Lauper, John Legend, Panic! At the Disco, Plain White T’s, They Might Be Giants, T.I.

And Songs by David Bowie, Tom Kenny & Andy Paley

Additional Lyrics by Jonathan Coulton

Additional Music by Tom Kitt

Musical Production Conceived by Tina Landau  

©2023 Viacom International Inc. All Rights Reserved. Nickelodeon, SpongeBob SquarePants and all related titles, logos and characters are trademarks of Viacom International Inc. Created by Stephen Hillenburg.  

This amateur production of THE SPONGEBOB MUSICAL: YOUTH EDITION is presented by arrangement with Concord Theatricals. www.concordtheatricals.co.uk

In the town of Twin Peaks, everybody has their secrets—but no one more than Laura Palmer. In this prequel to his groundbreaking 1990s television series, David Lynch resurrects the teenager found wrapped in plastic at the beginning of the show, following her through the last week of her life and teasing out the enigmas that surround her murder. Homecoming queen by day and drug-addicted thrill seeker by night, Laura leads a double life that pulls her deeper and deeper into horror as she pieces together the identity of the assailant who has been terrorizing her for years. Nightmarish in its vision of an innocent torn apart by unfathomable forces, Twin Peaks: Fire Walk with Me is nevertheless one of Lynch’s most humane films, aching with compassion for its tortured heroine—a character as enthralling in life as she was in death.

Screening as part of our year-long retrospective - Dreaming of Darkness: The Films of David Lynch

A truly scandalous tale from the 1920s. Olivia Colman and Jessie Buckley reunite playing neighbours who get on each other’s nerves in this pitch-dark comedy following a small English town where residents start receiving anonymous, expletive-laden letters!

Edith Swan (Colman) a pious pillar of the community just so happens to be on the receiving end of these character assassination mail drops. Law enforcement reluctantly investigate but Edith harbours a theory that her neighbour Rose (Buckley) might be the culprit.

Rose is the opposite of Edith, loud and brash, and when police arrest Edith assuming guilt due to her “loose moral character,” it does not sit well with Police Officer Gladys Moss and with superiors unwilling to listen, she gathers a group of resourceful female volunteers to get to the bottom of this mailout mystery.

This post marked whodunnit is fuelled by the stellar cast, including razor sharp turns from Colman and Buckley with support by Timothy Spall, the narrative offers astute commentary on misogyny, hypocrisy, and repression while delivering a profoundly stifling social commentary that is brimming with blush worthy curse words and purse clutching performances.

Please note this film is being screened as part of the Woodbridge Film Society's 2023/2024 season and is therefore not open to the general public. You can read more about becoming a member here.

Manuela Martelli places the viewer in a historical moment fraught with anxiety: the early years of Augusto Pinochet’s regime in Chile. Her narrative presents Pinochet’s oppressive reign from the unusual and surprising perspective of Carmen (a superb Aline Küppenheim), an upper-middle-class woman whose life begins to unravel after local priest Father Sánchez (Hugo Medina) implores her to use her summer beach house, under renovation, to hide an injured young man (Nicolás Sepúlveda) whom she comes to suspect is a victim of political persecution. As Carmen descends into danger, she experiences a gradual moral awakening. Martelli’s film is a taut, evocative, and impressively assured depiction of the inescapable, ever-tightening noose of patriarchal, governmental dictatorship and how its effects gradually bleed into our everyday experiences.

Michael Sheen plays Nye Bevan in a surreal and spectacular journey through the life and legacy of the man who transformed Britain’s welfare state and created the NHS.

Confronted with death, Aneurin ‘Nye’ Bevan’s deepest memories lead him on a mind-bending journey back through his life; from childhood to mining underground, Parliament and fights with Churchill.

Written by Tim Price and directed by Rufus Norris (Small Island), this epic new Welsh fantasia will be broadcast live from the National Theatre.

A celebration of the most iconic – and much missed – homegrown star of the 21st century, BACK TO BLACK tells the extraordinary tale of Amy Winehouse. Painting a vivid, vibrant picture of the Camden streets she called home and capturing the struggles of global fame, BACK TO BLACK honours Amy’s artistry, wit, and honesty, as well as trying to understand her demons. An unflinching look at the modern celebrity machine and a powerful tribute to a once-in-a-generation talent. Featuring many of Amy’s hit songs recorded and performed in the film by Marisa Abela, BACK TO BLACK is made with the full support of Universal Music Group and SONY Music Publishing.

BOB MARLEY: ONE LOVE celebrates the life and music of an icon who inspired generations through his message of love and unity. On the big screen for the first time, discover Bob’s powerful story of overcoming adversity and the journey behind his revolutionary music. Produced in partnership with the Marley family and starring Kingsley Ben-Adir as the legendary musician and Lashana Lynch as his wife Rita,

Beautifully shot in both CinemaScope and 16mm, Glastonbury the Movie (in Flashback) (2012) puts audiences right in the middle of the world’s greatest music festival. Robin has recreated his original 1995 film from scratch, moving sequences around, improving the sound and visuals and adding over thirty minutes of compelling unseen material.

Alongside Robin’s film we’ll also be screening Avalon - A Field in Glastonbury (1999) by Woodbridge legend, Carl Stickley! Carl says, “In 1999 I went to Glastonbury with friends and filmed the Avalon Field. Avalon is as close to the proper old skool Glastonbury Festivals as you can get in the modern Corporate Monster age. “

We are delighted that both Robin and Carl will be joining us on the night for a talk all things Glastonbury!

Returning to Cinemas for its 20th Anniversary!

Now 13, Harry Potter and chums are back off to Hogwarts, only to find that a dangerous escaped prisoner is also heading back to school. Soon nasty prison guards called Dementors have taken up residence in the school grounds and Harry is warned that the prisoner is coming for him…

All Tickets £5.00

The National Gallery of London is one of the world’s greatest art galleries. It is full of masterpieces, an endless resource of history, an endless source of stories. But whose stories are told? Which art has the most impact and on whom? The power of great art lies in its ability to communicate with anyone, no matter their art historical knowledge, their background, their beliefs.

This film gives voice to those who work at the gallery – from cleaner to curator, security guard to director – who identify the one artwork that means the most to them and why. An assortment of people from all walks of life who have a strong connection to the gallery make surprising choices of both well-known and lesser-known artworks. Finally, some well-known celebrities explain what they head for when they visit the gallery.

These stories are used as a lens through which to explore the 200-year history of the National Gallery and what the future may hold for this spectacular space.

Everyone in this film has a special connection to the National Gallery, making for some heart-warming, moving and surprising stories.

Beloved celebrities, devoted staff members and world class experts come together to paint a unique portrait of this iconic British institution for its 200th birthday.

Billy Connolly is at the peak of his powers in this newly restored and rediscovered film.

Capturing 'The Big Yin' on and off stage during his 1975 tour of Ireland, Big Banana Feet is a captivating record of Connolly on the cusp of international stardom.

Inspired by the fly-on-the-wall style of DA Pennebaker's Bob Dylan documentary Dont Look Back, director Murray Grigor and cinematographer David Peat present Connolly at his beguiling best, using humour and charm to successfully navigate the political tensions of 1970s Dublin and Belfast.

Featuring iconic stand-up material alongside fascinating behind-the-scenes glimpses, this previously elusive milestone of British comedy is now newly restored in 2K (from original 16mm materials), reaffirming the genius that has endeared Connolly to generations of fans.

Capturing a year in the life of a rural, lakeside community in 1980s Ireland, That They May Face The Rising Sun is a sensitive and beautifully realised adaptation of the last novel by John McGahern. It’s directed by Pat Collins, who (in addition to more recent films like The Dance and Song of Granite) previously made a 2005 documentary about McGahern’s life and work.

Joe (Barry Ward) and Kate (Anna Bederke) have returned from London to live and work in a small, close-knit community in rural Ireland, close to where Joe grew up. He’s a writer, she’s an artist and photographer who retains part ownership of a London gallery. Now embedded in a remote lakeside setting, the drama of a year in their lives and those of their neighbours unfolds through the rituals of work, play and the passing seasons.

Collins has crafted a delicate, meditative exploration of ritual, community bonds, and the question of how best to live. A quietly stunning adaptation of a book by a writer concerned with the ways Irish lives were changing and modernising in the 20th century, with gorgeous scenery filmed on the shore of Loch Na Fooey in County Galway.

Returning for its 25th Anniversary!

After the Oscar-winning The English Patient, writer/director Anthony Minghella attempted another tricky literary adaptation with The Talented Mr. Ripley, which features heartthrob Matt Damon cast against type as a psychopathic bisexual murderer.

Tom Ripley (Damon) is a bright and charismatic sociopath who makes his way in mid-'50s New York City as a men's room attendant and sometimes pianist, though his real skill is in impersonating other people, forging handwriting, and running second-rate scams. After being mistaken for a Princeton student, Tom meets the shipping tycoon father of Dickie Greenleaf (Jude Law), who has traveled to the coast of Italy, where he's living a carefree life with his father's money and his beautiful girlfriend, Marge (Gwyneth Paltrow). Dickie's father will pay Ripley 1,000 dollars plus his expenses if he can persuade Dickie to return to America. As Ripley and Dickie become friends, Tom finds himself both attracted to Dickie and envious of his life of pleasure. In time, he decides that he would rather be Dickie Greenleaf than Tom Ripley, so rather than go back to his life of poverty, Ripley impulsively murders Dickie and assumes his identity.

The Talented Mr. Ripley was based on the first of a series of novels featuring Tom Ripley written by Patricia Highsmith; the story was previously filmed in 1960 as Purple Noon, with Alain Delon as Ripley.

The poet Andrea Chénier attends a party at the Countess di Coigny's mansion. He expresses outrage at the corruption in King Louis XVI's government and the poverty of many Frenchmen. This moves the Countess's daughter Maddalena, and inspires the footman and revolutionary-in-the-making Carlo Gérard to quit his servitude. Soon after, the French Revolution begins.

Five years on, Louis XVI has been executed, the Jacobin party are in power, and their leader Robespierre has imposed 'The Terror'. Gérard has become a leading Jacobin, but Chénier has fallen out of favour with the authorities and is in danger. He delays his flight from Paris to meet a mysterious woman who has written to him. She reveals herself to be Maddalena, and the pair quickly realize they are in love. However, Gérard also desires Maddalena. When Chénier is arrested by the authorities, Gérard realizes that he has the power to destroy the man who once inspired him. As his conscience is tested, so too is the love of Andrea and Maddalena.

At a glittering party in 18th-century Paris, the poet Andréa Chenier delivers an impassioned denunciation of Louis XVI. Five years later, the Revolution has given way to the Terror, transforming the power balance between Chénier, his beloved Maddalena, and Gérard, the man who could destroy him...

Jonas Kaufmann headlines David McVicar’s spectacular staging, under the baton of long-time collaborator Antonio Pappano – who conducts Giordano’s epic historical drama of revolution and forbidden love in his last production as Music Director of The Royal Opera.

Cast: Jonas Kaufmann, Sondra Radvanovsky, Amartuvshin Enkhbat

Conductor: Antonio Pappano

Director: David McVicar

Swimming the English Channel is widely recognised to be one of the toughest long distance challenges. In 1927, a Brighton-born swimmer became the first British woman to achieve this goal and her fight for recognition is celebrated in this engaging new biopic.

Mercedes Gleitze faces challenges in and out of the water as she contends with the patriarchal attitudes of 1920s England. Her achievements are questioned when a rival, Edith Gade, claims that she has also completed the Channel swim.

After media attacks, Gleitze is forced to undertake another swim to safeguard her sporting reputation.

Screening as part of our PRIDE weekend

Natasha Lyonne is the bubbly, wide-eyed, all-American cheerleader whose pious parents (Bud Cort and John Waters regular Mink Stole), suspecting that she’s a lesbian, send her off to a conversion camp. Under the direction of Cathy Moriarty and her saved ex-gay assistant RuPaul Charles, the teens (including Melanie Lynskey) are forced to overcome their homosexual desires, then deconstruct their identities, performing tasks relegated as “feminine” (scrubbing floors) or “masculine” (chopping wood), donned in high-camp, monotone, cotton candy pink or blue, until they can identify the “root” of their homosexuality. But when Lyonne meets bad girl Clea DuVall, she is suddenly awakened to her own desire.

Screening as part of our PRIDE weekend

During a long hot summer in south London, Jamie is bunking off school more than usual, scurrying back to the TV and the flat in the Thamesmead estate where he lives with his mother Sandra. Whilst his neighbour Leah, who's been kicked out of school, spends her days listening to Mama Cass records.

In the same block is Jamie's sporty classmate Ste, whose home life is punctuated by the regular beatings he receives from both his father and brother. One night, in a bid to escape the violence, Ste takes refuge in Sandra's flat and sleeps head to toe with Jamie. As Sandra struggles with a job promotion and her relationship with her hippy boyfriend Tony, Jamie and Ste gradually discover their affection for each other.

‘Superb….must-see movie’ Daily Mirror

‘A warm and funny love story… refreshingly unsentimental’ The Village Voice

‘Untalented gays’ PJ and Josie start a fight club to get the attention of their long-time popular girl crushes under the guise of teaching girls self defence, showing that lesbians will do anything except ask a girl out. However the pair find themselves in too deep and must find a way to end the club before their secret plan comes out. The comedic duo of Rachel Sennott and Ayo Edebiri is nothing short of perfect with hilarious one liners and deadpan humour, alongside a whole ensemble of memorable performances, such as Nicholas Galitzine who fully commits to his role as meathead jock Jeff and Ruby Cruz as the very endearing Hazel, who takes things a little too literally. There will no doubt be someone in this bunch of messy but charming characters who you will see yourself in. With brilliant writing and directing from Emma Seligman who seamlessly transitions between heartwarming, violent and comedic moments, and an original soundtrack from Charli XCX, this future camp classic is both incredibly current and gives in to early 2000’s high-school comedy nostalgia. So if you’re down for a fun time, get your popcorn ready! (It also gets bonus points for bringing back end credit bloopers).

The Riverside Musical Theatre Company are back on stage again in June with their next musical - Made in Dagenham, drawn from the real-life 1968 sewing machinists strike at the Ford factory in Dagenham, Essex, this strike was influential in the passing of the Equal Pay Act of 1970.

The leader of the strike, Rita O’Grady, encourages the women of the Ford factory to walk out after they are re-classified as unskilled workers, while their male counterparts see their wages increase.

After Rita is patronized and snubbed by the factory at a union meeting, the women’s grievances over their worker status turn into a fight for equal pay. Determined not to be treated like the poor relation, the women vote unanimously to strike (“Everybody Out”) and encourage the women at the Liverpool factory to strike also.

However, when the American bosses fly in and lay off 5,000 men as a result, including Rita’s husband Eddie, cracks begin to show in the women’s solidarity. Risking her marriage and her friendships, Rita continues with her efforts for equality and gives a rousing speech at a televised Trade Union Conference (“Stand Up”), leading to the passing of equal pay within the union.

As Eddie finally recognises his wife’s achievements, the women celebrate their life-changing success.

RMTC Creative team

Director and Choreographer - Sam De Vita

Musical Directors - Mike Wren and Jade Tournay-Godfrey

Producer - Mike Warden

Assistant Director - Rachel Lansdowne

Assistant Choreographer - Sarah Wheatley

Age guidance is 12+ and show runs for 2hr 30mins with interval

Made in Dagenham the Musical

Book by Richard Bean

Music by David Arnold

Lyrics by Richard Thomas                            

 

Based on the Woolley/Karlsen/Number 9 Motion Picture

 

This amateur production is presented by arrangement with Music Theatre International

All authorised performance materials are also supplied by MTI

www.mtishows.co.uk

For this production we shall be supporting The Blossom Appeal

Martin Scorsese presents an impassioned and highly personal tribute to Powell and Pressburger’s work, richly illustrated with clips and rare archive material. It’s been said that had Martin Scorsese not become one of the world’s great filmmakers, he would still have been one of its greatest teachers of film history. This impassioned exploration of the films of two of his formative and most treasured inspirations follows the US filmmaker’s film essays on American and Italian cinema, delivering deeply personal reflections on what Powell and Pressburger’s work has meant to his life, alongside wonderfully illuminating analyses of the films themselves.

Producing, writing, and directing, Michael Powell and Emeric Pressburger created some of great classics of the British golden age including The Red Shoes, Black Narcissus, A Matter of Life and Death and The Life and Death of Colonel Blimp. In the words of Martin Scorsese their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising”.

Drawing richly from the BFI National Archive, as well as private material from Scorsese and the film’s editor (and Powell’s widow) Thelma Schoonmaker, David Hinton’s film is both an ideal introduction to Powell and Pressburger’s work, and the perfect complement to our 6pm evening screening of their film, I KNOW WHERE I'M GOING (1945)

Headstrong Joan Webster (the wondrous Wendy Hiller) sets off, wedding dress in tow, to marry a rich older man on his remote Hebridean island. Stranded on Mull thanks to the weather, Joan finds herself struggling to cope with the unplanned turn of events.

Michael Powell and Emeric Pressburger weave their course of true love through flashes of surrealism, a life-threatening whirlpool and an ancient curse, disarming and enchanting in equal measure. But this is a film where small moments count the most – the passing of a cigarette between two windows or a slip on a ladder – as they build by stealth into something overwhelming. By the end we are left breathless and desperate to book the next night train and ferry to Mull.

Screening to accompany the new documentary MADE IN ENGLAND: THE FILMS OF POWELL AND PRESSBURGER shown earlier at 3pm.

Director Wes Ball breathes new life into the global, epic franchise set several generations in the future following Caesar’s reign, in which apes are the dominant species living harmoniously and humans have been reduced to living in the shadows. As a new tyrannical ape leader builds his empire, one young ape undertakes a harrowing journey that will cause him to question all that he has known about the past and to make choices that will define a future for apes and humans alike.

Anya Taylor-Joy and Chris Hemsworth star in Academy Award-winning mastermind George Miller’s “Furiosa: A Mad Max Saga,” the much-anticipated return to the iconic dystopian world he created more than 30 years ago with the seminal “Mad Max” films.  

Miller now turns the page again with an all-new original, standalone action adventure that will reveal the origins of the powerhouse character from the multiple Oscar-winning global smash “Mad Max: Fury Road.”  

As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus.  Sweeping through the Wasteland, they come across the Citadel presided over by The Immortan Joe.  While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.