Fire Over Shingle Street—Fact, Fiction, or Propaganda?
A new documentary by Suffolk-based filmmaker Tim Curtis (Life on the Deben, Stanley's War) delves into one of Britain’s most persistent Second World War mysteries, asking: Has this enduring enigma been fully accounted for, or are there still unanswered questions?
For decades the Shingle Street ‘Mystery’ has divided the views of locals, journalists and historians alike with incredible and unexplained stories of the sea being set on fire, dead soldiers bodies on the beach and strange happenings in the night.
Was this remote stretch of Suffolk’s coast the site of a German invasion attempt? Did British forces set fire to the sea with petroleum weapons to repel the enemy? Or could it have been part of an elaborate wartime deception, designed to maintain national morale?
The film examines how the Suffolk coast was a hub of military secrecy—home to radar development and experimental weapons testing. Did these classified operations (with some still under wraps) combined with wartime propaganda help create the perfect conditions for rumours to fuel a wartime mystery?
The Shingle Street ‘Mystery’ gained renewed attention in the 1990s when the East Anglian Daily Times was contacted by an ‘MOD Whistleblower’ claiming to have a file—soon to be destroyed—detailing a horrific accident in which British soldiers had been killed in a training exercise.
The ensuing media frenzy led to the early release of classified documents from the National Archives at Kew. However, the files revealed little, sparking claims of a cover-up.
This gripping documentary takes viewers deep into Suffolk’s wartime history, and attempts to unravel a mystery that refuses to fade.
The film is followed by a recorded discussion and Q&A that took place at The Riverside on 2nd May with ‘Bodies on the Beach’ and ‘Burn the Sea’ author James Hayward, former East Anglian Daily Times Reporter, Henry Creagh, the film's director, Tim Curtis, and our manager, Neil.
Anchored by iconic action superstar Scarlett Johansson, Jonathan Bailey and two-time Oscar® winner Mahershala Ali, this action-packed new chapter sees an extraction team race to the most dangerous place on Earth, an island research facility for the original Jurassic Park, inhabited by the worst of the worst that were left behind.
Five years after the events of Jurassic World Dominion, the planet’s ecology has proven largely inhospitable to dinosaurs. Those remaining exist in isolated equatorial environments with climates resembling the one in which they once thrived. The three most colossal creatures across land, sea and air within that tropical biosphere hold, in their DNA, the key to a drug that will bring miraculous life-saving benefits to humankind.
Johansson plays skilled covert operations expert Zora Bennett, contracted to lead a skilled team on a top-secret mission to secure the genetic material. When Zora’s operation intersects with a civilian family whose boating expedition was capsized by marauding aquatic dinos, they all find themselves stranded on a forbidden island that had once housed an undisclosed research facility for Jurassic Park. There, in a terrain populated by dinosaurs of vastly different species, they come face-to-face with a sinister, shocking discovery that has been hidden from the world for decades.
A stunning live-action reimagining of the film that launched the beloved franchise.
On the rugged isle of Berk, where Vikings and dragons have been bitter enemies for generations, Hiccup stands apart. The inventive yet overlooked son of Chief Stoick the Vast, Hiccup defies centuries of tradition when he befriends Toothless, a feared Night Fury dragon. Their unlikely bond reveals the true nature of dragons, challenging the very foundations of Viking society. With the fierce and ambitious Astrid and the village’s quirky blacksmith Gobber by his side, Hiccup confronts a world torn by fear and misunderstanding. As an ancient threat emerges, endangering both Vikings and dragons, Hiccup’s friendship with Toothless becomes the key to forging a new future. Together, they must navigate the delicate path toward peace, soaring beyond the boundaries of their worlds and redefining what it means to be a hero and a leader.
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After shooting multiple films in Hollywood, the acclaimed French director Jean Renoir set off to India to shoot his first colour film. While searching for locations in Calcutta, Renoir befriended a young Satyajit Ray, who would accompany him on his scouting expeditions. Lovingly shot by Jean’s nephew, DP Claude Renoir, the vibrant Technicolor underscores the turbulent emotions of the young women at the centre of the story, as they begin to make the delicate transition from childhood to adulthood. Adapted from Rumer Godden’s autobiographical novel, THE RIVER deals with many of Renoir's favourite themes: love and death, decay and renewal, all seen through the prism of daily life.
Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
No, it’s not a bird. No, it’s not a plane. If you’re up to speed with blockbuster cinema, you’ll know the airborne object circling the skies over Hollywood is the all-new Superman. With James Gunn claiming the director’s chair and David Corenswet slipping into Henry Cavill’s vacated bodysuit (trunks and all), this is a hard reset for DC’s flagship hero, and the best thing to happen in decades for a character whose movies haven’t always done him justice.
Superman, a cub reporter in Metropolis, embarks on a journey to reconcile his Kryptonian heritage with his human upbringing as Clark Kent
Tickets on sale from 11th June 2025
A live-action reimagining of Disney’s 2002 animated classic, “Lilo & Stitch” stars Maia Kealoha as Lilo, with original “Lilo & Stitch” writer & director Chris Sanders reprising his voice role as Stitch.
A wildly funny and heart touching story of a lonely orphaned Hawaiian girl, Lilo (Maia Kealoha) and her adopted new best friend, an unruly alien genetic experiment known as Experiment 626, or Stitch (Chris Sanders). Whilst Stitch destroys everything in his path, he may just help to mend a broken family.
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An emotional and hilarious story with a life-affirming message, The Last Journey is a cinematic experience that explores a loving son’s attempts to coax his aging father into re-engaging with life by embarking on a joyous, heartfelt road trip from Sweden through to the South of France.
When Lars Hammar, after 40 years as a beloved French teacher in Köping, retires, he envisions a delightful "third age" with travel, wine, and experiences together with his wife Tiina. But it doesn't turn out as he had hoped. Instead of indulging in life's pleasures, Lars becomes increasingly passive and lacking in willpower at home in his leather armchair, to the great frustration and despair of both Tiina and their son Filip.
That's when Filip gets an idea – to take his frail old father to his beloved France and let him revisit the places he has loved most in life. By retracing the same road trip the family used to take when Filip was a child and secretly orchestrating some of life's most delightful moments, he hopes to reignite Lars' zest for life. With the help of his best friend Fredrik, some hefty doses of optimism and creativity, and an old orange Renault 4, the adventure can begin!
Selected as Sweden's entry for Best International Feature Film at the 97th Academy Awards, and becoming the most-watched documentary in Swedish history, The Last Journey is a life-affirming and at times heartbreaking exploration of ageing and the bond between a father and son.
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Starring Tony-Nominee Jeremy Jordan and Olivier-Nominee Frances Mayli McCann, this award-winning production (including Best New Musical - What’s On Stage Awards 2023) re-tells the unbelievable true story of America's most infamous couple, Bonnie Parker and Clyde Barrow.
Recorded live at London’s Theatre Royal Drury Lane, discover the electrifying story of love, adventure and crime that captured the attention of an entire nation.
Bonnie & Clyde The Musical is the story of two small-town kids from the middle of nowhere who became the biggest folk heroes in all America. They craved adventure - and each other. Fearless, shameless, and alluring, this is the electrifying story of love, adventure and crime that captured the attention of an entire nation.
Bonnie and Clyde The Musical: Filmed Live features music by multi-Grammy®, Tony® and Emmy® Award nominee Frank Wildhorn (Jekyll & Hyde, The Scarlett Pimpernell, Death Note), lyrics by Tony® and Oscar® winner Don Black (Sunset Boulevard, Aspects of Love), a book by Emmy® Award nominee Ivan Menchell (Blended [movie], The Cemetery Club, Death Note The Musical). Wildhorn, and Black were Tony-nominated for their score. The film features some of the biggest names in musical theatre!
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Gather your favorite people and celebrate the joy of friendship and togetherness! We’re bringing you a special screening of PITCH PERFECT, the ultimate feel-good movie to honor the friendships that make life aca-awesome.
So bring your besties and let’s make this a special evening to remember with a celebration of doing what you love with the people who lift you higher. Whilst not officially a "singalong" screening, if you fancied it then feel free!
Follow college student Beca as she navigates the challenges of a new school and discovers the power of finding her voice—both on and off the stage. Alongside her a cappella group, she learns that harmony isn’t just about singing; it’s about supporting one another, taking risks, and embracing the unique spark each person brings to the group.
For centuries, people have called out to the universe looking for answers — in Elio, the universe calls back!
The cosmic misadventure introduces Elio, a space fanatic with an active imagination and a huge alien obsession. So, when he’s beamed up to the Communiverse, an interplanetary organization with representatives from galaxies far and wide, Elio’s all in for the epic undertaking. Mistakenly identified as Earth’s leader, Elio must form new bonds with eccentric alien lifeforms, navigate a crisis of intergalactic proportions, and somehow discover who and where he is truly meant to be.
Julianne Moore learns how far a mother will go to save her troubled daughter, in this edge-of-your-seat thriller also starring Sydney Sweeney.
Already struggling to make peace with each other, Claire and Kate's relationship is tested when she shows up hysterical and covered in someone else's blood.
As Kate pieces together the shocking truth of what happened, she learns just how far she will go for her daughter, in this gripping tale of love, sacrifice and survival from BAFTA-winning director Michael Pearce (Beast) and Emmy-nominated writer Brad Ingelsby (Mare of Eastown).
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Experience the sci-fi classic that put Hammer on the map: The Quatermass Xperiment returns to cinemas in a new 4K restoration for its 70th anniversary.
A space expedition takes a nightmarish turn when an astronaut crash-lands on Earth – only to begin mutating into something horrifyingly inhuman. As his transformation accelerates – and authorities race to understand the catastrophe unfolding before them – the astronaut’s struggle to contain violent urges proves increasingly futile.
Directed by Val Guest and based on Nigel Kneale’s cult television serial from 1953, The Quatermass Xperiment is an iconic piece of British genre cinema history.
Craig Waterman (Tim Robinson), a marketing executive in the fictional city of Clovis, is preparing to sell his family home alongside his wife, Tami (Kate Mara). Recently recovered from cancer, Tami is frustrated with Craig's emotional unavailability and his lack of interest in her flower business and has rekindled a relationship with her ex-boyfriend Devon (Josh Segarra), leaving Craig increasingly adrift. One evening, while spending time with their son Steven (Jack Dylan Grazer), Craig receives a misdelivered package and walks it over to its intended recipient: Austin Carmichael (Paul Rudd), a quirky local meteorologist...
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Welcome to Vietnam – a Hieronymus Bosch-like world where ideal surfing conditions can be found at the centre of a war zone, TV crews capture death as entertainment, Playboy bunnies leap in and out of helicopters, and where Marlon Brando’s deranged Colonel Kurtz quotes T.S. Eliot. Francis Ford Coppola’s hallucinatory vision of Hell on Earth lures us into its insanity through groundbreaking sound design and an audacious level of ambition. War has never been presented quite so grotesquely, or spectacularly, in cinema.
Screening on Thursday 7th August at 7:30pm is the documentary “Hearts of Darkness” on the making of “Apocalypse Now”
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The ultimate documentary behind one of the most enduring classics of the big screen, capturing the madness and brilliance behind one of the best films ever made and the era it encapsulates.
In the late 1970s, celebrated director Francis Ford Coppola and his cast, crew and family ventured into the dense jungles of the Philippines to begin work on what would eventually become his masterpiece, Apocalypse Now. But the journey from page to screen soon spiralled into a hellish, life-threatening nightmare that echoed the film's narrative. Plagued with adversity, one of the most influential films ever made had one of the most notorious shoots in cinema history that few survived unscathed.
The director of Shrek the Third and Puss 'n' Boots helms this movie based on the blue, beloved cartoon critters.
When Papa Smurf (John Goodman) is mysteriously taken by evil wizards, Razamel and Gargamel, Smurfette (Rihanna) leads the Smurfs on a mission into the real world to save him. With the help of new friends, the Smurfs must discover what defines their destiny to save the universe.
Two years after M3GAN, a marvel of artificial intelligence, went rogue and embarked on a murderous (and impeccably choreographed) rampage and was subsequently destroyed, M3GAN’s creator Gemma (Allison Williams) has become a high-profile author and advocate for government oversight of A.I. Meanwhile, Gemma’s niece Cady (Violet McGraw), now 14, has become a teenager, rebelling against Gemma’s overprotective rules.
Unbeknownst to them, the underlying tech for M3GAN has been stolen and misused by a powerful defense contractor to create a military-grade weapon known as Amelia (Ivanna Sakhno; Ahsoka, Pacific Rim: Uprising), the ultimate killer infiltration spy.
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Court composer Salieri is both tortured and awed by Mozart’s transcendent musical genius in Peter Shaffer and Miloš Forman’s exuberant and gloriously original film. Shaffer’s hit 1979 play had been considered unfilmable by some, but with Shaffer himself adapting it alongside Forman, the result was an Oscar-winning triumph. Dramatising the major events of the last decade of Wolfgang Amadeus Mozart’s 35 years, the film recounts the poisonous resentment felt by self-proclaimed ‘patron saint of mediocrity’ Antonio Salieri (a powerhouse Oscar-winning performance by Abraham) towards Hulce’s young genius, with Salieri increasingly tormented as his work becomes overshadowed by Mozart’s undeniable brilliance.
After completing a prison sentence, single mother Molly expects to be reunited with her two young children. However, during her incarceration her own mother handed the children over to social services. Now Molly finds herself plunged into a nightmare of broken systems that prevent her from finding a home and regaining custody of her family. The narrative feature debut of Daisy-May Hudson is a powerful and compassionate drama in the tradition of Ken Loach, albeit shot through a distinctly female lens. It highlights how inadequate systems of support can create cycles of injustice, but also focuses on the joy and strength that sisterhood can provide, even in the darkest times. Posy Sterling is a revelation as Molly, delivering an unforgettable performance that will both break your heart and mend it.
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Agathe, hopelessly clumsy yet charming, and full of contradictions, dreams of experiencing love akin to a Jane Austen novel.
Instead she finds herself stuck in desperate singlehood, spending her days working in the legendary British bookshop, Shakespeare & Co in Paris, rather than pursuing her own ambitions of becoming a novelist. But when an unexpected invitation to the Jane Austen Writers' Residency in England lands in her lap, Agathe is in for an eye-opening and life-changing experience. Encouraged to confront her insecurities and explore her true romantic, sexual and creative nature, in part thanks to her eccentric co-residents, Agathe realises it’s time to stop wasting her sentimental life and take control - over both her writing aspirations, and her very own love story.
Keria, who has Indigenous Penan heritage on her mother’s side, lives in Borneo with her father, who works on a palm oil plantation. News that the family home is under threat from deforestation only makes her more passionate about her environment, especially when she meets Oshi, an orphaned orangutan with whom she uncovers the joys and dangers of this threatened world.
Screened in the English dubbed version, no subtitles
What do you do when you’re in your 50s, lose all your worldly possessions and receive a devastating medical diagnosis? Potentially, you decide to walk the South West Coast Path – stretching from Minehead in Somerset through north Devon, Cornwall and south Devon to Poole in Dorset – a 630-mile trek equivalent to climbing Mount Everest four times.
Gillian Anderson and Jason Isaacs star in Tony Award-winning theatre director Marianne Elliott’s film debut as Raynor and Moth Winn, the couple who decided to travel the south west’s famously gorgeous rugged coastline in search of solace after a combination of crises in their lives, as captured in Raynor’s prize-winning memoir of the same name. Though emotionally and physically challenging, the journey also proves exhilarating and liberating, giving Raynor and Moth a renewed vitality and a deeper connection to both the natural world and each other. Featuring understated performances from Anderson and Isaacs and immersive cinematography and sound design, The Salt Path is an affecting, rewarding portrait of mid-life loss and rebirth.
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Kurosawa’s late masterpiece adapts Shakespeare’s King Lear as a thrilling tale set in feudal Japan.
Drawing heavily on Shakespeare's King Lear and legends surrounding the 16th-century feudal lord Môri Motonari, Kurosawa took inspiration from the success of Kagemusha to broaden his canvass. Like Throne of Blood, at its heart Ran is a tale of family strife. But in its execution, particularly the stunning exterior sequences and its use of colour - as audacious as Teinosuke Kinugasa's 1953 classic Gate of Hell - the film plays out on an epic scale.
Who’s badder than The Bad Guys? The Bad Girls.
In the new chapter from DreamWorks Animation’s acclaimed 2022 action-comedy hit about a crackerjack criminal crew of animal outlaws, The Bad Guys are struggling to find trust and acceptance in their newly minted lives as Good Guys, when they are pulled out of retirement and forced to do “one last job” by an all-female squad of criminals.
Based on the New York Times best-selling book series by Aaron Blabey, The Bad Guys 2 reunites the film’s all-star cast and filmmakers.
Only one man has the particular set of skills... to lead Police Squad and save the world!
Lt. Frank Drebin Jr. (Liam Neeson) follows in his father's footsteps in THE NAKED GUN, directed by Akiva Schaffer (Saturday Night Live, Popstar: Never Stop Never Stopping) and from producer Seth MacFarlane (Ted, Family Guy).
Tickets on sale from 11th July
"Last night at 2:17 AM, every child from Mrs. Gandy's class woke up, got out of bed, went downstairs, opened the front door, walked into the dark ...and they never came back."
When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.
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The Ladykillers (1955), directed by Alexander Mackendrick, starring Alec Guinness, Cecil Parker, Herbert Lom, Peter Sellers and Danny Green as the oddball robbery gang, and Katie Johnson as their nemesis, Mrs. Wilberforce.
The Ladykillers is the last of the great Ealing comedies. Alec Guinness (channelling Alistair Sim or Kenneth Tynan – or both!) leads a group of crooks who, pretending to be classical musicians, rent a room from an old lady, played by Katie Johnson, in order to plan their heist. Johnson, 76 at the time, had had a lengthy career on stage and screen without being recognised. As a result of her role, she earned a British Film Academy award for best British actress. This was the summit of her career – she died two years later after making one more film. At the other end of the scale, this was Peter Sellers’s first leading role – the start of a long career in English and later Hollywood comedy films.
Screening as part of our Around the World in Technicolor Season
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41st ANNIVERSARY RESTORATION!
In 1982, the legendary English heavy metal band Spinal Tap attempt an American comeback tour accompanied by a fan who is also a film-maker. The resulting documentary, interspersed with powerful performances of Tap's pivotal music and profound lyrics, candidly follows a rock group heading towards crisis, culminating in the infamous affair of the eighteen-inch-high Stonehenge stage prop.
Directed by Rob Reiner and starring Christopher Guest, Michael McKean, Harry Shearer and Bruno Kirby, THIS IS SPINAL TAP is regarded as one of the greatest 'mockumentaries' of all time.
Get ready for the sequel SPINAL TAP II: THE END CONTINUES coming to The Riverside very soon.
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Oscar-nominated Rosamund Pike (Gone Girl, Saltburn) is Jessica in the much-anticipated next play from the team behind Prima Facie.
Jessica Parks is a smart Crown Court Judge at the top of her career. Behind the robe, she is a karaoke fiend, a loving wife and a supportive parent. When an event threatens to throw her life completely off balance, can she hold her family upright?
Writer Suzie Miller and director Justin Martin reunite following their global phenomenon Prima Facie, with this searing examination of modern motherhood and masculinity.
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We are delighted to have been given permission to screen this film as it has taken some time to arrange so apologies for short notice in making the announcement.
A richly textured essay film on landscape, art, history, life and loss, Patience (After Sebald) offers a unique exploration of the work of internationally acclaimed writer W.G. Sebald, tracking his most influential book, The Rings of Saturn. Grierson award winning filmmaker Grant Gee directs the first film about Sebald, with contributions from major writers, artists and film-makers including Tacita Dean, Robert Macfarlane, Sir Andrew Motion, Rick Moody, Iain Sinclair and Marina Warner, with a haunting soundtrack by acclaimed composer and sound artist The Caretaker, and narration by Jonathan Pryce.
Sebald, who was born in 1944, taught for much of his adult life in this country, mainly at the University of East Anglia, and was killed in a motor accident in 2001. The Rings of Saturn was first published in German in 1995, translated into English three years later and is an account of a walking tour of Suffolk, the people he meets, the places he visits, and the historical and literary reflections prompted by what he sees and senses, taking his mind around the world. Suffolk becomes a sort of palimpsest for his eloquent, precise, lugubrious, often drily witty meditations about war, death, destruction and decay, about memories and continuities and the feeling that nothing entirely disappears.
The Caretaker’s music in the film is deeply atmospheric, creating a haunting and introspective soundscape. It skillfully captures the contemplative and melancholic themes found in Sebald’s writing. The album’s unique approach to sound design immerses listeners in a dreamlike and introspective experience, making ‘Patience (After Sebald)’ a poignant journey into themes of memory, time, and the intricacies of the human psyche.
Drawing inspiration from Franz Schubert’s 1827 composition ‘Winterreise’, The Caretaker employs his signature perplexing processes. He transforms the source material, smudging and rubbing isolated fragments into a dust-caked haze of plangent keys, strangely resolved loops, and de-pitched vocals. The result is a haunting and atmospheric soundscape that mirrors the ethereal nature of Sebald’s literary world, with elements fading in and out, much like memories.
Screening as part of Woodbridge's Ambient Music Festival - more details about the festival here
If you have an Ambient Music Festival pass then you can purchase the cheaper ticket and show your pass at the cinema when arriving.
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In July 1969, the space race ended when Apollo 11 fulfilled President John F. Kennedy’s challenge of “landing a man on the moon and returning him safely to the earth.” No one who witnessed the lunar landing will ever forget it. Twenty years later, Al Reinert constructed a documentary that imparts the unforgettable story of the twenty-four astronauts who traveled to the moon as part of NASA’s Apollo program—told in their words and in their voices, using the images they captured. With its awe-inspiring, otherworldly footage and a haunting atmospheric soundtrack by Woodbridge's very own Brian Eno, For All Mankind stirs us with a profound sense of compassion for the “pale blue dot” that is our home, and it remains the most radical, visually dazzling work of cinema that has been made about this earthshaking event.
Screening as part of Woodbridge's Ambient Music Festival - more details about the festival here
If you have an Ambient Music Festival pass then you can purchase the cheaper ticket and show your pass at the cinema when arriving.
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Hitchcock’s audacious film sets out to prove there’s no such thing as getting away with murder, even if the central couple Brandon and Philip arrogantly believe they can. With the coded language and looks between the two men more than hinting at a love that was illicit in 1948, the tension rises as their perfect plan starts to unravel. Will it just be one murder before the night is through?
Screening as part of our Around the World in Technicolor Season
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In war-torn Rome, Floria Tosca and Mario Cavaradossi live for each other and for their art. But when Cavaradossi helps an escaped prisoner, the lovers make a deadly enemy in the form of Baron Scarpia, Chief of Police. At the mercy of Scarpia’s twisted desires, Tosca is forced to make a horrific bargain: sleeping with the man she hates in order to save the man she loves. Can she find a way out?
A star-studded cast includes soprano Anna Netrebko performing the role of Tosca, tenor Freddie De Tommaso as Cavaradossi, and bass-baritone Gerald Finley as Scarpia, with Music Director of The Royal Opera Jakub Hrůša conducting his first new production in the role. An alternative, modern-day Rome provides the backdrop for Oliver Mears’ unmissable, gripping new production of Puccini’s thriller.
Cast:
Floria Tosca ANNA NETREBKO
Mario Cavaradossi FREDDIE DE TOMMASO
Baron Scarpia GERALD FINLEY
Spoletta CARLO BOSI
Cesare Angelotti OSSIAN HUSKINSON
Sacristan ALESSANDRO CORBELLI
Sciarrone SIPHE KWANI
Creatives:
Music GIACOMO PUCCINI
Conductor JAKUB HRŮŠA
Director OLIVER MEARS
Set Designer SIMON LIMA HOLDSWORTH
Costume Designer ILONA KARAS
Lighting Designer FABIANA PICCIOLI
Movement Director ANNA MORRISSEY
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F.W. Murnau's Nosferatu: A Symphony of Horror (1922), the original (and an unauthorized) film adaptation of Bram Stoker's Dracula, inspired an entire genre with its blood-thirsty, undead protagonist.
The mysterious Count Orlok summons estate agent Thomas Hutter to his remote Transylvanian castle in the mountains, seeking to buy a house near Hutter and his young wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
This special presentation of Nosferatu: A Symphony of Horror (1922) pairs the original silent film with Radiohead’s “KID A (2000) / Amnesiac (2001) as its score, courtesy of Silents Synced. Silents Synced pairs classic silent movies with epic rock music, partnering with independent cinemas to create memorable, new silent film experiences. "Nosferatu x Radiohead: A Silents Synced Film" is directed and remixed by Josh Frank.
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Following triumphant Met turns in Roméo et Juliette, La Traviata, and Lucia di Lammermoor, Nadine Sierra summits another peak of the soprano repertoire as Amina, who sleepwalks her way into audiences’ hearts in Bellini’s poignant tale of love lost and found. In his new production, Rolando Villazón—the tenor who has embarked on a brilliant second career as a director—retains the opera’s original setting in the Swiss Alps but uses its somnambulant plot to explore the emotional and psychological valleys of the mind. Tenor Xabier Anduaga returns after his acclaimed 2023 Met debut in L’Elisir d’Amore, co-starring as Amina’s fiancé Elvino, alongside soprano Sydney Mancasola as her rival, Lisa, and bass Alexander Vinogradov as Count Rodolfo. Riccardo Frizza takes the podium for one of opera’s most ravishing works.
Cast:
Amina NADINE SIERRA
Lisa SYDNEY MANCASOLA
Elvino XABIER ANDUAGA
Rodolfo ALEXANDER VINOGRADOV
Creatives:
Music VINCENZO BELLINI
Conductor RICCARDO FRIZZA
Director ROLANDO VILLAZÓN
Set Designer JOHANNES LEIACKER
Costumer Designer BRIGITTE REIFFENSTUEL
Lighting Designer DONALD HOLDER
Projection Designer RENAUD RUBIANO
Choreographer LEAH HAUSMAN
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Five-time Olivier Award winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw’s incendiary moral classic.
Vivie Warren is a woman ahead of her time. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune – but at what cost?
Filmed live from the West End, this new production reunites Staunton with director Dominic Cooke (Follies, Good), exploring the clash between morality and independence, traditions and progress.
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Saturated with expressionist colours and punctuated by unforgettable moments of terror, Dario Argento's Suspiria is the quintessential example of 'giallo' horror from a master of the craft.
Ballet student Suzy Bannion (Jessica Harper) arrives at a prestigious dance academy in Freiburg, a school plagued by gruesome and supernatural happenings.
Soon, students begin to die in horrific circumstances – is Suzy next, and can she uncover the academy’s sinister secret before it’s too late?
Screening as part of our Around the World in Technicolor Season
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Lise, the only daughter of Widow Simone, is in love with the young farmer Colas, but her mother has far more ambitious plans for her. Simone hopes to marry her off to Alain, the son of the wealthy proprietor Thomas. Desperate to marry Colas rather than Alain, Lise contrives to outwit her mother’s plans.
65 years after its premiere, The Royal Ballet presents Frederick Ashton’s La Fille mal gardée. This affectionate portrayal of village life combines exuberant good humour and brilliantly inventive choreography in what is undoubtedly Ashton’s love letter to the English countryside. La Fille mal gardée whisks us away into pastoral bliss with Ferdinand Hérold’s cheerful score and Osbert Lancaster’s colourful designs.
Cast:
To be confirmed
Creatives:
Choreography FREDERICK ASHTON
Music FERDINAND HÉROLD
Conductor JONATHAN LO
Arrangement and Orchestration JOHN LANCHBERY
Scenario JEAN DAUBERVAL
Designer OSBERT LANCASTER
Lighting Designer JOHN B. READ
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Set in a gorgeously photographed Technicolor England and a monochrome heaven, A Matter of Life and Death took the imaginative daring of jointly credited writer-producer-directors Michael Powell and Emeric Pressburger to new heights.
David Niven plays a British airman who survives a plane crash and falls in love with an American radio operator (Kim Hunter), only to be summoned to the afterlife by a heavenly ‘Conductor’ (Marius Goring). But is heaven just a hallucination brought on by brain injury?
Powell and Pressburger layer breathtaking visual tricks on top of this whimsical premise, such as a celebrated point-of-view shot in which our hero’s eyelid closes over the camera lens. The film also works as a sly satire on Anglo-American relations at the end of WWII.
“There are more stunning ideas in this one film, concerning a mistake made in heaven about a WWII pilot who should be dead but isn’t, than the whole of British cinema can usually muster in a decade.” Nick James
“A most peculiar and potent cocktail of romance, theology, global bridge-building and national tub-thumping, this thoughtful drama about one pilot’s deferred mortality remains, if nothing else, a definitive monument to the power of Technicolor. The vivid imagery and the cineliterate style(s) deployed by a creative team at the top of their game express the film’s intricate worldview. It searingly conveys a world grappling with uncharted new places, trying to pick up the pieces after unimaginable calamity.” James Healy
Screening as part of our Around the World in Technicolor Season
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1 85-year-old Man, 5 Countries, 16 Cities, 23 shows, 6 weeks.
Will he make it home … or is this the end of the road?
One of the most recognisable figures in British comedy, John Cleese’s career spans six decades - from his early days with the Cambridge Footlights to co-founding Monty Python, co-creating Fawlty Towers, and writing and starring in the Oscar-nominated “A Fish Called Wanda”. His unique brand of black humour has made him a global icon and intergalactic treasure.
At the age of eighty five, John Cleese sets off on what might be his final European tour - five countries, sixteen cities, twenty-three shows, and retaining just two original body parts. “John Cleese Packs It In” is a wry, behind-the-scenes portrait of a comedy legend on the road, battling various ailments, chaotic travel, and his own stubborn refusal to stop.
Spanning six weeks on the road, the film captures Cleese unfiltered and on the move - riffing on life, fame, and the absurdity of getting old in front of thousands of fans. As he reflects on a stage career that began in 1963, the question lingers: is this the end of the road?
With unique and intimate access and showing unexpected tenderness, this is a documentary about legacy, laughter, and
the dignity of bowing out… however reluctantly.
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Five years in production, this is the most extensive film ever made about one of the greatest artists of all time – Caravaggio. Featuring masterpiece after masterpiece and with first-hand testimony from the artist himself on the eve of his mysterious death, this beautiful new film reveals Caravaggio as never before.
Multi-award-winning film makers Phil Grabsky and David Bickerstaff delve into the hidden narratives of Caravaggio’s life, piecing together clues embedded within his incredible art. The intriguing self- depictions within his works – sometimes disguised, sometimes in plain sight – offer a rare window into his psyche and personal struggles.
Caravaggio’s masterpieces are some of art’s most instantly recognisable. No one else uses his signature blend of dramatic light, intense naturalism and bold, striking figures. His incredible paintings have captivated audiences for centuries. But there lies a deeper mystery – one that still beckons us to explore. What do these masterpieces reveal about the man behind the brush? Join us as we explore the many clues that help us to finally understand the life – and death – of this remarkable man.
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Stuck at home and put to work by her spoiled Step-Sisters, Cinderella’s life is dreary and dull. Everything changes when she helps a mysterious woman out...With a little bit of magic, she is transported into an ethereal new world – one where fairies bring the gifts of the seasons, where pumpkins turn into carriages, and where true love awaits.
This enchanting ballet by The Royal Ballet’s Founding Choreographer Frederick Ashton is a theatrical experience for all the family and will transport you into an ethereal world where a sprinkling of fairy dust makes dreams come true.
Cast:
Cinderella FUMI KANEKO
The Prince WILLIAM BRACEWELL
Cinderella’s Step-Sisters BENNET GARTSIDE, JAMES HAY
Cinderella’s Father THOMAS WHITEHEAD
The Fairy Godmother MAYARA MAGRI
The Fairy Spring ISABELLA GASPARINI
The Fairy Summer MARIKO SASAKI
The Fairy Autumn MEAGHAN GRACE HINKIS
The Fairy Winter CLAIRE CALVERT
The Jester DAICHI IKARASHI
Creatives:
Choreography FREDERICK ASHTON
Music SERGEY PROKOFIEV
Conductor JONATHAN LO
Set Designer TOM PYE
Costume Designer ALEXANDRA BYRNE
Lighting Designer DAVID FINN
Video Designer FINN ROSS
Illusions CHRIS FISHER
Conductor JONATHAN LO
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Olivier Award-winner Jack Lowden (Slow Horses, Dunkirk) is joined by Emmy and BAFTA-winner Martin Freeman (The Hobbit, The Responder) in the critically acclaimed and subversively funny new play by David Ireland.
After years in the 12-step programme of Alcoholics Anonymous, James becomes a sponsor to newcomer Luka. The pair bond over black coffee, trade stories and build a fragile friendship out of their shared experiences. But as Luka approaches step five – the moment of confession – dangerous truths emerge, threatening the trust on which both of their recoveries depend.
Finn den Hertog directs the provocative and entertaining production filmed live from @sohoplace on London’s West End.
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The magician Herr Drosselmeyer needs to save his nephew. Hans-Peter has been transformed into a Nutcracker; the only way to save him is for the Nutcracker to defeat the Mouse King and find a girl to love and care for him. A flicker of hope comes in the form of the young Clara, whom Drosselmeyer meets at a Christmas party. With some magic, a cosy Christmas gathering turns into a marvellous adventure.
Peter Wright’s The Nutcracker has enchanted audiences since its 1984 premiere by the Company. Featuring Tchaikovsky’s most familiar melodies and brought to life by Julia Trevelyan Oman’s exquisite designs, The Nutcracker is sure to be a festive firecracker for all ages.
Cast:
To be confirmed
Creatives:
Choreography PETER WRIGHT after LEV IVANOV
Music PYOTR IL’YICH TCHAIKOVSKY
Conductor KOEN KESSELS
Original Scenario MARIUS PETIPA after E.T.A. HOFFMANN
Production and Scenario PETER WRIGHT
Designer JULIA TREVELYAN OMAN
Lighting Designer MARK HENDERSON
Production Consultant ROLAND JOHN WILEY
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Federico Fellini returned to the provincial landscape of his childhood with this carnivalesque reminiscence, recreating his hometown of Rimini in Cinecittà’s studios and rendering its daily life as a circus of social rituals, adolescent desires, male fantasies, and political subterfuge. Sketching a gallery of warmly observed comic caricatures, Fellini affectionately evokes a vanished world haloed with the glow of memory, even as he sends up authority figures representing church and state, satirizing a country stultified by Fascism. Winner of Fellini’s fourth Academy Award for best foreign-language film, Amarcord remains one of the director’s best-loved creations, beautifully weaving together Giuseppe Rottuno’s colourful Technicolor cinematography, Danilo Donati’s extravagant costumes and sets, and Nino Rota’s nostalgia-tinged score.
Screening as part of our Around the World in Technicolor Season
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At one of her lavish parties, celebrated Parisan courtesan Violetta is introduced to Alfredo Germont. The two fall madly in love, and though hesitant to leave behind her life of luxury and freedom, Violetta follows her heart. But the young couple’s happiness is short-lived, as the harsh realities of life soon come knocking.
As intimate as it is sumptuous, La traviata features some of opera’s most famous melodies, and is a star vehicle for its leading soprano role sung by Ermonela Jaho. In director Richard Eyre’s world of seductive grandeur, the tender and devastating beauty at the centre of Verdi’s opera shines bright.
Cast:
Violetta Valéry ERMONELA JAHO
Alfredo Germont GIOVANNI SALA
Giorgio Germont ALEKSEI ISAEV
Annina VEENA AKAMA-MAKIA
Doctor Grenvil BARNABY REA
Flora Bervoix ELLEN PEARSON
Baron Douphol SAM HIRD
Gastone de Letorières GIORGI GULIASHVILI
Marquis d’Obigny OSSIAN HUSKINSON
Creatives:
Music GIUSEPPE VERDI
Conductor ANTONELLO MANACORDA
Director RICHARD EYRE
Designer BOB CROWLEY
Lighting Designer JEAN KALMAN
Director of Movement JANE GIBSON
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Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare’s famous tragedy.
Trapped between duty and doubt, surrounded by power and privilege, young Prince Hamlet dares to ask the ultimate question – you know the one.
National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky’s Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining.
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Silents Synced pairs classic silent movies with epic rock music to bring audiences a unique big screen experience. Buster Keaton’s 1924 comedy classic is reimagined with R.E.M. 's alt-rock masterpieces Monster (1994) and New Adventures in Hi-Fi (1996).
In this sublime comedy teetering between reality and illusion, Buster Keaton stars as a film projectionist who dreams of becoming a detective. He uses his limited skills when he is framed by a rival for stealing his girlfriend’s father’s pocket watch. Keaton reportedly broke his neck performing one of the many dangerous practical stunts in the film.
Whether you’re a movie lover or a rock music fan this is an experience you won’t want to miss!!
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Virginia Woolf defied literary conventions to depict rich inner worlds – her heightened, startling and poignant reality. Resident Choreographer Wayne McGregor leads a luminous artistic team to evoke Woolf’s signature stream of consciousness writing style in this immense work that rejects traditional narrative structures. Woolf Works is a collage of themes from Mrs Dalloway, Orlando, The Waves and Woolf’s other writings. Created in 2015 for The Royal Ballet, this Olivier-award winning ballet triptych captures the heart of Woolf’s uniquely artistic spirit.
Cast:
To be confirmed
Creatives:
Direction and Choreography WAYNE MCGREGOR
Music MAX RICHTER
Conductor KOEN KESSELS
Designer CIGUË, WE NOT I, WAYNE MCGREGOR
Costume Designer MORITZ JUNGE
Lighting Designer LUCY CARTER
Film Designer RAVI DEEPRES
Sound System Designer CHRIS EKERS
Make-up Designer KABUKI
Dramaturgy UZMA HAMEED
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The peasant girl Giselle has fallen in love with Albrecht. When she discovers that he is actually a nobleman promised to another, she kills herself in despair. Her spirit joins the Wilis: the vengeful ghosts of women hell-bent on killing any man who crosses their path in a dance to the death. Wracked with guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and Giselle’s ghost.
Peter Wright’s 1985 production of this quintessential Romantic ballet is a classic of The Royal Ballet repertory. Set to Adolphe Adam’s evocative score and with atmospheric designs by John Macfarlane, Giselle conjures up the earthly and otherworldly realms in a tale of love, betrayal and redemption.
Cast:
To be confirmed
Creatives:
Choreography MARIUS PETIPA after JEAN CORALLI and JULES PERROT
Music ADOLPHE ADAM Edited by LARS PAYNE
Conductor VELLO PAHN
Scenario THÉOPHILE GAUTIER after HEINRICH HEINE
Production and Additional Choreography PETER WRIGHT
Designer JOHN MACFARLANE
Original Lighting JENNIFER TIPTON Re-created by DAVID FINN
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Two of Britain’s greatest painters, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other, both used landscape painting to reflect the changing world around them.
Tate Britain is bringing these two greats together for a groundbreaking exhibition, in London from November 2025 to April 2026, and Exhibition on Screen once again has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen in March 2026 so that both can be enjoyed together. Don’t miss this opportunity to see these greats side-by-side, as they so often were in life, on the big screen for the first time.
Turner’s blazing sunsets and sublime scenes from his travels and Constable’s idealised depictions of beloved places from home whipped the public of the time into a frenzy of enthusiasm. Critics compared their starkly different styles to a clash of ‘fire and water’. Marking 250 years since their births, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies alongside the groundbreaking Tate exhibition. Discover unexpected sides to both artists with intimate views of sketchbooks and personal items and insights from leading experts. This is not to be missed.
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Raised by a scheming dwarf and unaware of his true family origins, a young man embarks on an epic journey. Soon, destiny brings him face-to-face with a shattered sword, a fearsome dragon and the cursed ring it guards, and a Valkyrie forced into enchanted slumber...
Moments of transcendent beauty and heroic triumph sparkle in the third chapter of Wagner’s Ring cycle, brought to life under Barrie Kosky’s inspired eye following his spectacular Das Rheingold (2023) and Die Walküre (2025). Andreas Schager, in his much-anticipated debut with The Royal Opera, stars as Siegfried’s titular hero, alongside Christopher Maltman’s towering Wanderer, Peter Hoare’s treacherous Mime and Elisabet Strid’s radiant Brünnhilde. Antonio Pappano conducts, drawing out the unspoken tensions and ethereal mysticism of Wagner’s dynamic score.
Cast:
Siegfried ANDREAS SCHAGER
Mime PETER HOARE
Der Wanderer CHRISTOPHER MALTMAN
Brünnhilde ELISABET STRID
Alberich CHRISTOPHER PURVES
Fafner SOLOMAN HOWARD
Erda WIEBKE LEHMKUHL
Woodbird SARAH DUFRESNE
Creatives:
Music RICHARD WAGNER
Conductor ANTONIO PAPPANO
Director BARRIE KOSKY
Set Designer RUFUS DIDWISZUS
Costume Designer VICTORIA BEHR
Lighting Designer ALESSANDRO CARLETTI
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Princess Pamina has been captured. Her mother, the Queen of the Night, tasks the young Prince Tamino with her daughter’s rescue. But when Tamino and his friendly sidekick, Papageno, embark on their adventure, they soon learn that when it comes to the quest for love, nothing is as it really seems. Guided by a magic flute, they encounter monsters, villains, and a mysterious brotherhood of men – but help, it turns out, comes when you least expect it.
Mozart’s fantastical opera glitters in David McVicar’s enchanting production. A star cast including Julia Bullock as Pamina, Amitai Pati as Tamino, Huw Montague Rendall as Papageno, Kathryn Lewek as the Queen of the Night, and Soloman Howard as Sarastro, led by French conductor Marie Jacquot in her Covent Garden debut.
Cast:
Pamina JULIA BULLOCK
Tamino AMITAI PATI
Papageno HUW MONTAGUE RENDALL
Queen of the Night KATHRYN LEWEK
Sarastro SOLOMAN HOWARD
Monostatos GERHARD SIEGEL
Creatives:
Music WOLFGANG AMADEUS MOZART
Conductor MARIE JACQUOT
Director DAVID MCVICAR
Designer JOHN MACFARLANE
Lighting Designer PAULE CONSTABLE
Movement Director LEAH HAUSMAN
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Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realizes his affection for her all too late. The Met’s evocative production, directed by Tony Award–winner Deborah Warner, “offers a beautifully detailed reading of … Tchaikovsky’s lyrical romance” (The Telegraph).
Cast:
Tatiana ASMIK GRIGORIAN
Olga MARIA BARAKOVA
Filippyevna STEPHANIE BLYTHE
Lenski STANISLAS DE BARBEYRAC
Eugene Onegin IGOR GOLOVATENKO
Prince Gremin ALEXANDER TSYMBALYUK
Creatives:
Music PYOTR ILYICH TCHAIKOVSKY
Conductor TIMUR ZANGIEV
Director DEBORAH WARNER
Set Designer TOM PYE
Costume Designer CHLOE OBOLENSKY
Lighting Designer JEAN KALMAN
Projection Designer IAN WILLIAM GALLOWAY and FINN ROSS
Choreographer KIM BRANDSTRUP
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Who was Frida Kahlo? Everyone knows her, but who was the woman behind the bright colours, the big brows, and the floral crowns? Take a journey through the life of a true icon, discover her art, and uncover the truth behind her often turbulent life.
Making use of the latest technology, we take an indepth look at key works throughout her career. Using letter Kahlo wrote to guide us, this definitive film reveals her deepest emotions and unlocks the secrets and symbolism contained within her art.
Exhibition on Screen's trademark combination of interviews, commentary, and a detailed exploration of her art delivers a treasure trove of colour and a feast of vibrancy. This personal and intimate film offers privileged access to her works, and highlights the source of her feverish creativity, her resilience, and her unmatched lust for life, politics, men, and women.