A24’s next sci-fi horror comes from the deep dark dwells of internet forums, promising an eerie and haunting tale that'll likely linger and resurface every time you enter any particularly abandoned spaces.

With two Oscar nominees leading the cast, Sentimental Value’s Renate Reinsve and 12 Years a Slave’s Chiwetel Ejiofor, it's the upcoming horror film that everyone is talking about.

Furniture store owner Clark (Ejiofor) finds a mysterious doorway in the basement of his shop. When Clark goes missing, his therapist, Dr Mary Kline (Reinsve) goes looking for him and ends up in an otherworldly dimension.

Tickets on sale from 10:00am on 7th May

We know so little of the world beneath our feet. To most it is a place only of fear and darkness, though to a brave few it is one of knowledge and wonder to be found nowhere else. Based on the bestselling book by Robert Macfarlane, Underland is a cinematic documentary that voyages into worlds rarely glimpsed by human eyes. Beginning in the shallow soils beneath an old ash tree, the film follows several ‘astronauts of the underworld’ as they travel into ancient sacred caves, flooded storm drains, melting glaciers, underwater burial chambers and a deep underground laboratory built to solve the mysteries of the Universe. Narrated by Oscar-nominated Sandra Hüller, Underland is a deep dive into the Earth that ultimately presents a groundbreaking vision for rethinking our lives on this fragile surface.

The question of how love alters our identity lies at the heart of this debut from one of London’s best-loved drag queens. Amrou Al-Kadhi’s first feature considers the relationship between Palestinian-British drag performer Layla and their white, straightlaced new love interest, Max. Set against the backdrop of Feathers (a larger-than-life fictional queer space threatened by – the very real – spectre of gentrification), the pair meet when Layla performs an outrageous act at a drab corporate event. Thrown together by fate – and ready-meals – their curiosity gives way to full-blown attraction. But Layla wears a dress made of karate belts and Max lives in a stylish minimalist apartment – their enjoyment of each other is increasingly complicated by urgent questions of difference, forcing both to confront the bittersweet nature of attraction.

Screening collaboration with Suffolk Pride.

Based on the classic 1935 RKO movie starring Fred Astaire and Ginger Rogers, Top Hat is a sparkling romantic cocktail laced with witty comedy, stunning choreography and tap-dancing brilliance, brought to life on stage with lavish sets and gorgeous costumes. Irving Berlin’s irresistible score includes some of Hollywood’s greatest songs, including the immortal Cheek to Cheek, Let’s Face the Music and Dance, Top Hat White Tie and Tails and Puttin’ on the Ritz.

When Broadway star Jerry Travers arrives in London to open a new show, he crosses paths with model Dale Tremont whose beauty sleep is rudely interrupted by Jerry tap dancing in the hotel suite above hers. Instantly smitten, Jerry vows to abandon his bachelor life to win her – but the path of true love never does run smooth.

Put on your top hat, brush off your tails and let this joyous romantic musical comedy sweep you off your feet!

★★★★★ ‘Sparkling, joyous, blissfully effervescent’ Daily Mail

★★★★ ‘Ravishing musical taps immaculately off the silver screen” The Guardian

★★★★ ‘Attmore’s tap-dancing skills shine’ The Times

★★★★★ ‘Brimming with vibrant energy and the iconic tap dancing that defines it’ Theatre South East

When Rick (Paul Rudd), a past-his-prime wedding singer, meets fading boy-band star Danny (Nick Jonas) during a gig, the two bond over music and a late-night jam session.

But when Danny turns one of Rick's songs into the hit that reignites his career, Rick sets out to reclaim the recognition he believes he deserves, even if it means risking everything he cares about.

From writer-director John Carney (Sing Street, Once), Power Ballad is a feel-good story about music, self-respect, friendship, and the price of ambition.

In this witty, new breed of mystery, George (Hugh Jackman) is a shepherd who reads detective novels to his beloved sheep every night, assuming they can’t possibly understand. But when a mysterious incident disrupts life on the farm, the sheep realise they must become the detectives. As they follow the clues and investigate human suspects, they prove that even sheep can be brilliant crime-solvers.

François Ozon’s sterling adaptation of Albert Camus’ landmark novel is a gripping account of human absurdity in 1930s French-colonised Algeria.

It is a hot summer day when Meursault learns about his mother’s passing. What follows is a series of events leading to a tragedy that questions the intentions and moral standing of the protagonist. Shot with a muted palette and featuring understated performances, Ozon superbly captures Meursault’s stillness, passivity and lack of compassion, making us witnesses to his sociopathy.

BAFTA Award-winner Lesley Manville (Phantom Thread) joins Aidan Turner (Rivals) in a striking new staging of Christopher Hampton’s celebrated adaptation of the classic novel, where among the glittering salons of the super-rich, one misstep can mean ruin.

Marquise de Merteuil is a master in the art of survival. Alongside the magnetic Vicomte de Valmont, they turn seduction into strategy and weaponise desire.  But when their alliance collapses into rivalry, the battle between them threatens to destroy everyone in their path.

Filmed live on stage at the National Theatre, Marianne Elliott (Angels in America) directs this thrilling game of love, lies, and social warfare.

If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you?

This summer, the truth belongs to seven billion people.

We are coming close to … Disclosure Day.

Based on a story by Spielberg, the screenplay is by David Koepp, whose previous work with Spielberg includes the scripts for Jurassic Park, The Lost World: Jurassic Park, War of the Worlds and Indiana Jones and the Kingdom of the Crystal Skull.

TICKETS ON SALE FROM 9:00AM ON 27TH MAY

When a green ogre named Shrek discovers his swamp has been 'swamped' with all sorts of fairytale creatures by the scheming Lord Farquaad, Shrek sets out with a very loud donkey by his side to 'persuade' Farquaad to give Shrek his swamp back.

Instead, a deal is made. Farquaad, who wants to become the King, sends Shrek to rescue Princess Fiona, who is awaiting her true love in a tower guarded by a fire-breathing dragon. But once they head back with Fiona, it starts to become apparent that not only does Shrek, an ugly ogre, begin to fall in love with the lovely princess, but Fiona is also hiding a huge secret.

All tickets £5.00

Facing the death of his country’s glaciers and the loss of his beloved grandparents, Icelandic writer Andri Snær Magnason turns his archives into a time capsule to hold what is slipping away — family, memory, time, and water. Tasked to write the eulogy for Okjökull, the first glacier to be declared dead due to climate change, Magnason reflects on how glaciers create an archive of deep time within their ice over millions of years. Likening this idea of the depth of time to intergenerational memory, he sets out to pass along the stories of his grandparents for future generations, before they too vanish. Drawing from an evocative mix of photographs, home movies, myths, songs, and folk tales, Time and Water is at once an elegy for what we've lost and an attempt at cinematic time travel to retain it.

Following its record breaking, sell out run in London's West End and national tour, the critically- acclaimed musical Funny Girl comes to a cinema near you, featuring Sheridan Smith in "an unforgettable star turn" (The Times). Funny Girl is semi-biographical, based on the life and career of Broadway star, film actress and comedienne Fanny Brice (a role made famous by Barbara Streisand on Broadway and in the 1968 film adaptation), and her stormy relationship with entrepreneur and gambler Nick Arnstein.

Praised by critics as having "irresistible charm, wit, and warmth" (Metro), and hailing Sheridan Smith as "the greatest star by far" (The Daily Telegraph), Funny Girl features a host of iconic and timeless musical numbers including "People", "I'm the Greatest Star", and "Don't Rain on My Parade".

Hilarious, glorius, and "exhilarating" (The Independent), don't miss this sensational production from the comfort of your local cinema seat.

Be careful what you wish for.

A cynical and twisted love story that dives head deep into the horror of what being with someone by any means necessary could do to you.

After breaking the mysterious "One Wish Willow" to win his crush Nikki's (Inde Navarrette) heart, Bear (Michael Johnston) a young hopeless romantic finds himself getting exactly what he asked for.

When Nikki quickly becomes increasingly obsessed with him to a frightening and violent degree, Bear soon discovers that some desires come at a dark, sinister price.

With a standout, chaotic and unnerving lead performance from Navarette and an ingenious skewering of relationship dynamics, OBSESSION is a sharp, unnerving, and surprisingly funny descent into the dangers of wanting to be loved a little too much.

Jordan Peele's debut film is a brilliantly inventive horror that skewers the insecurities and injustices of modern America.

Ever since the days of Night of the Living Dead and The Texas Chain Saw Massacre it’s been a critical truism that the horror genre offers its own running commentary on the distressed state of modern America. With levels of onscreen carnage escalating over the years, however, it’s heartening to see a filmmaker opt not to deliver even more of the same, but instead return to the fantasy-inflected unease that made TV’s The Twilight Zone a pop-cultural barometer for the anxieties of an earlier American generation. Writer-director Jordan Peele’s remarkable debut feature is very much a product of our own Black Lives Matter era – provocatively so indeed – but one that purposefully uses Serling-esque surrealism as a fantastical container for a whole array of hot-button issues.

Screening as part of our PARANOIA AT THE RIVERSIDE season of films

Set on Vancouver Island in the late 1990s, Blue Heron follows eight-year-old Sasha as her Hungarian family begins life anew in an unfamiliar home. What first appears to be a hopeful transition unfurls to reveal an older brother with increasingly volatile behaviour, casting tension over daily life. Through Sasha’s quiet observations, unspoken fears and strained relationships come into focus. Elegantly shot and structurally assured, Romvari draws from her own experiences to craft a sensitive and atmospheric drama. Through an articulate examination of childhood perception, emotional estrangement and the difficulty of understanding those closest to us, Blue Heron presents a poignant reflection on family bonds and instability, and the fragile nature of memory.

“Guaranteed to be one of the best films you’ll see this year” - our manager, Neil.

Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here

Etero, a 48-year-old woman living in a small village in Georgia, never wanted a husband. She cherishes her freedom as much as her cakes. But her choice to live alone is the cause of much gossip among her fellow villagers. Unexpectedly, she finds herself passionately falling for a man, and is suddenly faced with the decision to pursue a relationship or continue a life of independence. Etero must grapple with her feelings and decide how to find her own path to happiness.

Jodie Foster’s impeccable French and comedic skills are on full display in this mystery thriller, which sees her character journey down a rabbit hole to investigate a suspicious death.

After learning about the suicide of a patient, psychoanalyst Lilian Steiner suspects foul play and decides to uncover the truth. Enlisting the help of her ex-husband-cum-sleuthing partner, her investigation leads her to unexpected conclusions. Drawing on Alfred Hitchcock and Brian De Palma at their most playful, this wildly enjoyable mystery-caper is as full of charm as its magnetic protagonist.

Get reacquainted with AMÉLIE as Jean-Pierre Jeunet’s Parisian classic returns to cinemas for its 25th anniversary and Bastille Day!

23-year-old Amélie is lonely. After an isolating childhood, she moves to Paris and becomes a waitress at the Cafés des Deux Moulins, a bar restaurant filled with a colourful cast of diners and employees.

One night, Amélie happens across a box of treasures hidden in her apartment, left by a little boy in the Fifties, that changes the course of her life. Henceforth, she dedicates herself to giving back to her community, tracking down the owner of these keepsakes, consoling a widowed neighbour and befriending a reclusive artist. When completing these good deeds, she crosses paths with Nino, a photobooth collagist who shares her oddball sensibilities. She quickly falls in love with him.

Kinky Boots The Musical, filmed live at the Adelphi Theatre in the heart of London’s West End, is strutting onto the big screen! With songs from Grammy and Tony award winning pop icon Cyndi Lauper, book by legendary Broadway playwright Harvey Fierstein (La Cage Aux Folles), and directionand choreography by Jerry Mitchell (Legally Blonde, Hairspray), the musical is based on the film written by Geoff Deane and Tim Firth.

 Inspired by true events, this huge-hearted hit tells the story of two people with nothing in common or so they think. Charlie (Killian Donnelly) is a factory owner struggling to save his family business, and Lola (Matt Henry) is a fabulous entertainer with a wildly exciting idea. With a little compassion and a lot of understanding, this unexpected pair learn to embrace their differences and create a line of sturdy stilettos unlike any the world has ever seen!

But in the end, their most sensational achievement is their friendship. This unmissable musical theatre event celebrates a joyous story of British grit transforming into a high-heeled hit as it takes you from the factory floor of Northampton to the glamorous catwalks of Milan!

But this isn't the playroom we remember. This time, our favorite toys are facing their most formidable foe yet: The Screen. As Bonnie grows older, her attention is captured by a sleek, addictive new tablet named Lilypad (voiced by Greta Lee). It’s a battle of plastic vs. pixels, exploring the "existential problem" of what it means to be a traditional toy in a high-tech world.

It’s a story that leans into the unsettling reality of the modern playroom. This isn't just a rescue mission; it’s a high-stakes heist against the digital age. Stanton crafts a narrative that asks the heavy questions: in a world of endless upgrades and glowing screens, is there still a place for something that doesn't need a charging cable? Expect the kind of bruised emotion and cinematic scale that reminds us why these characters have endured for over thirty years.

Based on Gary Owen's much lauded and widely performed monodrama, Iphigenia in Splott, Effi o Blaenau is director Marc Evans' cinematic interpretation set against the wide open landscapes of North Wales.

The film follows Effi, a young woman who learns firsthand the personal costs of our societal shortcomings.

Grappling with her weekly loop of unemployment, clubbing and hangovers, Effi has a chance encounter in a Llandudno nightclub with injured soldier Lee, briefly opening a door to something better.

Baz Luhrmann’s gloriously over the top modern day adaptation of Shakespeare’s greatest romantic tragedy, reimagined the feuding Montague and Capulets as rival street gangs in Veracruz. With Leonardo DiCaprio and Claire Danes as the star-crossed lovers and a soundtrack featuring Garbage and The Cardigans, it remains one of the liveliest takes on the classic ever made.

There was far more to the 1990s than Kurt Cobain, Brit Pop and Oasis. Indie cinema boomed and smart movie makers took on the classics, the decade seeing a run of original, outrageous and brilliantly subversive adaptations of William Shakespeare’s plays, and films inspired by his works. Think Romeo at a rave, Miranda in Ibiza, Ophelia on prozac, Hamlet hanging loose, Barditry in a beanie hats, and Shakespeare as a slacker in a plaid shirt and converse and the action coming out of Silverlake rather than Stratford Upon Avon...

Grimonprez’s Academy Award-nominated film reveals the connections between post-war jazz, US imperialism and the Pan-African decolonisation movement.

Set during the final months of Patrice Lumumba’s life, Grimonprez’s documentary, anchored by the rhythm of American jazz, forensically investigates the incendiary politics of the nascent Democratic Republic of Congo in 1960. In doing so, it reveals disturbing truths about the decolonial struggle between global political powers.

Staccato beats and syncopation are the guiding principles of this hypnotic and harrowing film essay, which received an Academy Award nomination for Best Documentary Feature.

Fresh off the worldwide blockbuster success of summer 2024’s funniest comedy, Despicable Me 4, Illumination expands its joyful animated universe with a riotous new chapter, featuring all-new characters, in the biggest global animated franchise in history: Minions & Monsters.

This is the rambunctious, ridiculous and totally true story of how the Minions conquered Hollywood, became movie stars, lost everything, unleashed monsters onto the world and then banded together to try and save the planet from the mayhem they had just created.

Miranda Priestly (Meryl Streep) struggles against Emily Charlton (Emily Blunt), her former assistant turned rival executive, as they compete for advertising revenue amidst declining print media while Miranda nears retirement.

Twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel- Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in 20th Century Studios’ “The Devil Wears Prada 2,” the eagerly awaited sequel to the 2006 phenomenon that defined a generation.

The film reunites the original main cast with director David Frankel and writer Aline Brosh McKenna, and introduces an all-new runway of characters including Kenneth Branagh, Simone Ashley, Justin Theroux, Lucy Liu, Patrick Brammall, Caleb Hearon, Helen J. Shen, Pauline Chalamet, B.J. Novak and Conrad Ricamora. Tracie Thoms and Tibor Feldman also reprise their roles as “Lily” and “Irv” from the first film.

Either choose to watch the film on its own or select seats for both this film and for Devil Wears Prada, that precedes this screening, for the Double Bill Price of just ?15

42nd Street, the legendary Broadway musical theatre classic, is a ‘glorious’ (Express) and ‘utterly moreish extravaganza of glitz’ (Times).

Telling the story of Peggy Sawyer, a talented young performer with stars in her eyes who gets her big break on Broadway, this is the largest ever staging of the Tony Award-winning musical and it was filmed live at the magnificent Theatre Royal in the heart of London’s West End.

Starring national treasure Bonnie Langford as Dorothy Brock and featuring iconic songs 42nd Street, We’re In The Money and Lullaby of Broadway, this is pure magic on the big screen.

The biggest film release of 2026 - Oppenheimer director Christopher Nolan’s next film, The Odyssey, is a mythic action epic shot across the world.

The Odyssey stars Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson and Lupita Nyong’o, with Zendaya and Charlize Theron.

After his Oscar-winning portrait of Robert Oppenheimer, Christopher Nolan moves from the atomic to the mythic with his adaptation of arguably the most famous ancient text. Homer’s heroic tale details the arduous, danger- filled journey of Odysseus, King of Ithaca, from the Trojan War back to his homeland, where his long-suffering wife Penelope awaits his return while fighting off a hoard of conniving suitors.

Along the way, the monarch and his dwindling army are faced with many of the Gods’ worst creations and temptations. Matt Damon leads an all-star cast in the must-see film of 2026.

The Odyssey is produced by Emma Thomas and Christopher Nolan for their company, Syncopy. The executive producer is Thomas Hayslip.

“Is it safe?” It’s the screech of the dentist’s drill, the frantic dash of a man trying to forget the death of his father, a victim of McCarthyism and who is confronted head-on with the death of his brother, murdered before his eyes. It’s a significant part of 20th century history, the ghosts of the Holocaust that continue to haunt subsequent generations. It’s Paris, it’s New York, dirty, violent, hostile. Seven years after Midnight Cowboy, Schlesinger reunites with Dustin Hoffman, the embodiment of the youthful, humanist, and anguished student. Opposite him, the great Laurence Olivier as a former  Auschwitz executioner, a cheap Mengele who comes to rekindle the embers of Nazism (Golden Globe for his performance), and in solid supporting roles, the wonderful Roy Scheider and William Devane. Adapted from William Goldman's eponymous novel, a paranoid thriller steeped in its time, and a pinnacle of the genre.

William Goldman's novel Marathon Man was published in 1975. He himself wrote the screenplay adaptation just a year later, commissioned by Robert Evans for Paramount. Evans hired British filmmaker John Schlesinger to direct, who had already directed Dustin Hoffman in Midnight Cowboy in 1969. A typical paranoid thriller of the 1970s, Marathon Man is distinguished by its edgy and realistic style, its chaotic atmosphere reflecting the violence and moral decay of the era, and its geopolitical ramifications where the traumas of 20th century American and European history, particularly the ghosts of Nazism, loom large. Dr. Szell, played by Laurence Olivier, is inspired by Dr. Mengele, the SS chief physician of the Auschwitz extermination camp, who went into hiding in South America after the war. While Conrad L. Hall handled the film's cinematography, Marathon Man also marks one of the very first uses of the Steadicam in a feature film by its creator, Garrett Brown. The use of the technique is particularly striking in the sequences where Dustin Hoffman runs around the Central Park Reservoir (notably the opening scene, which encapsulates all the film's central themes). And in the scene where Szell wanders through a teeming Manhattan, recognised by an elderly Jewish woman who accosts him and tries to have him arrested. Here, the Steadicam contributes to creating an ethereal, ghostly atmosphere within the gritty New York and polluted Paris of the 1970s.

Spike Lee documents the wildly popular Broadway show from legend David Byrne, blending music, dance and spoken word alongside classics from Talking Heads.

In his Broadway show American Utopia, former Talking Heads lead and beloved renaissance man David Byrne uses contemporary dance, spoken reflections, works by James Baldwin and Janelle Monáe, alongside Talking Heads classics (expect Once in a Lifetime, Burning Down the House and Road to Nowhere) to reflect on human nature. It asks how we can work together to make our time on this planet more just, equitable, and righteous.  

Byrne is joined by an ensemble of musicians in constant motion on a minimalist stage, and director Spike Lee shifts perspectives between performers and audience – transforming American Utopia from a typical concert documentary to an immersive, dynamic experience. As the show unfolds with intimacy and urgency, it calls for anti-fascism and anti-racism, and ultimately a hopeful vision for unity and civic engagement.

In “Moana,” Disney’s live-action reimagining of the beloved Oscar®-nominated animated adventure, Moana (Catherine Lagaʻaia) answers the Ocean’s call and, for the first time, voyages beyond the reef of her island of Motunui with the infamous demigod Maui (Dwayne Johnson) on an unforgettable journey to restore prosperity to her people.

The film is directed by Emmy® and Tony Award® winner Thomas Kail (“Hamilton”); produced by Dwayne Johnson, p.g.a., Beau  Flynn, p.g.a., Dany Garcia, Hiram Garcia, p.g.a. and Lin-Manuel Miranda; and executive produced by Scott Sheldon, Charles Newirth, Kail and Auliʻi Cravalho, who voiced Moana in the animated films “Moana” and “Moana 2.” “Moana” features original songs by Lin-Manuel Miranda, Opetaia Foaʻi and Mark Mancina, and an original score composed by Mancina. .

The latest film from Olivia Wilde is her finest work yet – a charged, hilarious chamber piece that reverberates with the simmering tension of Who’s Afraid of Virginia Woolf? and channels the queasy comedy of Abigail’s Party.

Joe, a weary music professor, arrives home one evening to find his highly strung wife Angela has decorated their apartment, laid out a platter of expensive cheeses, and invited their sexy, uninhibited neighbours to supper. This remake of Spanish comedy The People Upstairs treats us to four knockout performances from Wilde, Rogan, Cruz and Norton. They are assisted in no small part by a razor-sharp script from Rashida Jones and Will McCormack, the duo behind smart comedy-drama Celeste and Jesse Forever. It also features a vibrant score from Devonté Hynes (aka Blood Orange) that ups the tension, and is handsomely shot on 35mm by The Studio cinematographer Adam Newport-Berra – his nimble camera keenly exploring the shifting energy between the characters. It’s a perfect exercise in probing the insecurities that lie hidden beneath the surface of a seemingly happy relationship.

This year, André Rieu celebrates a spectacular milestone — the 20th anniversary of his iconic summer concerts on the magnificent Vrijthof square. Captured live in his beloved hometown, this brand-new cinema event marks two decades of music and unforgettable magical summer nights.

Viva Maastricht! is a joyful tribute to the city where it all began. Joined by his world-renowned Johann Strauss Orchestra and a vibrant ensemble of artists, André brings the spirit, culture, and warmth of his hometown to life in a dazzling new concert filled with emotion and wonder.

From timeless waltzes to soul-stirring classics, this landmark anniversary concert promises an evening of passion, joy, and togetherness. Be part of this historic celebration as the Vrijthof once again transforms into a breathtaking open-air ballroom — only in cinemas this summer.

Isolated ex-marine Travis Bickle applies for a job as a taxi driver, hoping that the nocturnal working pattern will alleviate the effects of his insomnia and distract him from his gnawing depression. But ferrying passengers through the seedy underbelly of night-time New York City only compounds Bickle’s psychological dislocation from the world around him. His nightshifts in the cab are spent resenting those he sees, while his waking daytime hours are wasted away in the gloom of adult movie theatres.

After entering into a troubled relationship with a political campaigner and embarking on a fraught mission to save a teenager from the world of prostitution, Bickle’s sense of place and purpose steadily warps. He withdraws into himself, hordes illegal firearms and begins a regimen of intense physical training in preparation for a misguided vigilante assault on the evils of society.

Restored in 4K, one of Martin Scorsese’s finest films is re-released to celebrate its 50th anniversary.

This breathtakingly beautiful Tony® Award-winning Broadway musical, inspired by the Oscar® winning MGM film, tells the impassioned story of discovering love in the ‘City of Light’.

Featuring the gorgeous music and lyrics of George and Ira Gershwin (including the classic hits ‘S Wonderful and I Got Rhythm), stunning designs, and show-stopping choreography. The musical has a record-setting 28 five-star reviews from critics.  

Jerry Mulligan is an American GI striving to make it as a painter in a city suddenly bursting with hope and possibility. Following a chance encounter with a beautiful young dancer named Lise, the streets of Paris become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war.

Four years have passed since the events of No Way Home, and Peter is now an adult living entirely alone, having voluntarily erased himself from the lives and memories of those he loves. Crime-fighting in a New York that no longer knows his name, he's devoted himself entirely to protecting his city -- a full-time Spider-Man -- but as the demands on him intensify, the pressure sparks a surprising physical evolution that threatens his existence, even as a strange new pattern of crimes gives rise to one of the most powerful threats he has ever faced.

Marking a century since the birth of the late Queen Elizabeth II, this documentary uses newly discovered photographs to chart the life and reign of Britain’s longest-serving monarch, revealing the Queen’s life in front of the camera in a whole new light.

Royal insiders reveal how Elizabeth II became a global icon, navigating the most challenging decades of her reign.From historic state visits to behind-the-scenes moments, the images show how she shaped the monarchy on the world stage.

The film introduces unseen photos of Elizabeth as a baby and toddler taken by royal photographers Marcus Adams, Dorothy Wilding and by Studio Lisa. Childhood friend Lady Anne Glenconner reveals a family photo album which has never been seen before, a real insight into Elizabeth as a young girl.

The abdication of her uncle The Duke of Windsor and her father becoming King is told with unseen photos including an insight into a private collection of the Princess on tour in South Africa. The film reveals a photo of Elizabeth and Margaret pulled out of the ashes in the Blitz in WWII.

Photos give an insight of behind the scenes at the Coronation followed by her first real challenge as Queen, the disaster in Aberfan in South Wales. Elizabeth was caught on camera by the first paparazzo, Ray Bellisario, unseen photos that were considered ‘shocking’. Bellisario photos are seen for the first time of a secret meeting of The Queen and her estranged uncle the Duke of Windsor, seeking reconciliation.

Other unseen photo stories include Princess Margaret, The Montreal Olympics where Princess Anne competed, behind the scenes of family life on The Royal Yacht Britannia, her ‘soft power relationship with American presidents Eisenhower and Reagan; her annus horribilis, the death of Diana, the Windsor castle fire; all told with unseen photos.

Her visit to Grenfell Tower and how she recalled her experience of the Blitz is told through unseen photos from the day of her visit.

After their ship gets caught in a mysterious storm, the PAW Patrol pups crash land on an uncharted tropical island filled with dinosaurs. They meet Rex, a pup who has been stranded on the island for years and has become an expert in all things dino-related. When the PAW Patrol’s archrival, Mayor Humdinger, begins recklessly mining in hopes of exploiting the island for its natural resources, he inadvertently causes a huge, dormant volcano to erupt.

The PAW Patrol pups are thrown into a series of high-stakes, dino-sized rescues bigger than anything they’ve done before, as they m

In the final hours of 14th April 1912, the RMS Titanic, on her maiden voyage from Southampton to New York, collided with an iceberg and the ‘unsinkable ship’ slowly sank. It was one of the most tragic disasters of the 20th Century. 1,522 men women and children lost their lives.

Based on the real people aboard the most legendary ship in the world, Titanic the Musical is a stirring production, focusing on the hopes, dreams and aspirations of her passengers, all innocently unaware of the fate awaiting them.

With music and lyrics by Maury Yeston and book by Peter Stone, the original Broadway production won five Tony Awards including Best Musical, Best Score and Best Book. This stunning production celebrates the 10th anniversary of its London premiere whereit won sweeping critical acclaim across the board.

It's time for another one of our popular Film Quizzes!

All of our quizzes sell out very quickly so don't delay in booking a team space!

James King from BBC Radio, ITV and Sky will be quiz master along with our manager, Neil, live on stage asking the questions to test your knowledge of film, and they'll be giving prizes away to the top 3 winning teams.

Teams can include up to a maximum of 6 people or minimum of 2, but team entry price regardless is £10 - a maximum of 17 teams allowed.

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With her Oscar-winning turn in Klute, Jane Fonda reinvented herself as a new kind of movie star. Bringing nervy audacity and counterculture style to the role of Bree Daniels—a call girl and aspiring actor who becomes the focal point of a missing-person investigation when detective John Klute (Donald Sutherland) turns up at her door—Fonda made the film her own, putting an independent woman and escort on-screen with a frankness that had not yet been attempted in Hollywood.

Suffused with paranoia by the conspiracy-thriller specialist Alan J. Pakula, and lensed by master cinematographer Gordon Willis, Klute is a character study thick with dread, capturing the mood of early-1970s New York and the predicament of a woman trying to find her own way on the fringes of society.

In an era of great change and great beauty emerged the character of James McNeill Whistler. Considered by some to be one of the great innovators of 19th century art, he was a contemporary of the Impressionists, much admired by Van Gogh and Manet. Boldly experimental and famously witty, Whistler disrupted the strict conventions of Victorian society in pursuit of a new cult of beauty, creating “art for art’s sake” and earning himself a place in the history of great art. He found a parallel between painting and music, and entitled many of his paintings “arrangements”, “harmonies” and “nocturnes”, emphasizing the importance of tonal harmony in his work.

His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler’s Mother, is a revered and often parodied portrait of motherhood. It is arguably one of the most famous paintings in history and this film will unveil the artist behind the art.

Tate Britain is now holding the first major retrospective of Whistler in three decades. This blockbuster exhibition promises to reawaken the world to just how important Whistler is to art history, uniting world-famous masterpieces with rarely seen works. Exhibition on Screen will bring these stunning works and the incredible story behind them to cinemas around the world while the exhibition is still running, bringing this truly global artist to a global audience. This will be an unmissable chance to get to know this visually spectacular artist and the influence he has had on those who followed.

Made in close collaboration with Tate Britain.

Sandra Oh takes the title role in a razor-sharp reimagining of Molière’s classic

Alice, a brilliant novelist, despises the hollow contemporary mantras of kindness and respect. But the bolder she becomes in speaking out, the more colleagues avoid her, and the more her personal relationships begin to fracture.

As she challenges fashionable ideas and lends her voice to causes others are afraid to touch, she faces intense criticism and backlash. Alice will soon learn the price she must pay as an artist and as a woman for daring to speak her mind.

Award-winner Sandra Oh (Killing Eve) is the Misanthrope in Martin Crimp’s (Cyrano de Bergerac) cutting new version of Molière’s dark comedy, directed by National Theatre Director Indhu Rubasingham (The Father and the Assassin).

Filmed live on stage at the National Theatre, Indhu Rubasingham directs Martin Crimp’s (Cyrano de Bergerac) highly anticipated play.

In the seedy underbelly of 18th-century Paris, money is king. Nothing is sacred – even love itself can be bought for the right price. A native of this hedonistic underworld, Manon is caught between twin desires when she falls in love with the student Des Grieux. Steadfast and devoted, he offers the possibility of an honourable life. Yet, the riches promised by the world of Parisian society remain tempting...

Manon’s inner turmoil and struggle for survival lie at the devastating heart of Kenneth MacMillan’s 1974 adaptation of Abbé Prévost’s novel. In this signature work of The Royal Ballet, MacMillan’s nuanced understanding of human psychology makes for an unflinching look into the moral degradation of Manon’s Paris, while all its decadence and decay are brought to life through Jules Massenet’s score and Nicholas Georgiadis’s designs.

Horrifying and darkly comic, Rosemary’s Baby was Roman Polanski’s Hollywood debut. This wildly entertaining nightmare, faithfully adapted from Ira Levin’s best seller, stars a revelatory Mia Farrow as a young mother-to-be who grows increasingly suspicious that her overfriendly elderly neighbors (played by Sidney Blackmer and an Oscar-winning Ruth Gordon) and self-involved husband (John Cassavetes) are hatching a satanic plot against her and her baby. In the decades of occult cinema that Polanski’s ungodly masterpiece has spawned, it has never been outdone for sheer psychological terror.

A biting satire on modern society that actually makes more sense today than it did at its time of release, John Carpenter’s They Live is a cleverly envisioned, intricately layered & rivetingly told sci-fi horror that was far ahead of its time, and its critical take on the power of commercialism & influence of advertising on the masses is only growing more relevant with time.

The story follows a drifter who arrives in Los Angeles looking for work and stumbles upon a pair of sunglasses that allows him to see everything around him for what they really are. As he learns that the subliminal messages in mass media are part of a hidden agenda by aliens masquerading as human beings to keep the human civilization subdued, he tries to reveal the truth to the world.

Written & directed by John Carpenter (best known for Halloween & The Thing), They Live takes its time to establish its bleak atmosphere, and only escalates once all the pieces on the board are set. Keeping a firm grip on the pacing & build up, the director paints a grim portrait of what mankind is reduced to but it is the film’s close proximity with our current scenario that makes it compelling on so many levels.

Carpenter doesn’t hold back in illustrating the corrupting power of mass media and captures the omnipresent subliminal commands behind every advertising banner for what they are. Greyscale photography is utilized to illustrate the truth while colored segments represent the world that’s completely oblivious to the reality it’s living in. Carpenter’s score here may not rank amongst his finest compositions but it still works.

Coming to the performances, the cast is led by noted WWF icon “Rowdy” Roddy Piper and features Keith David & Meg Foster in supporting roles. Piper is surprisingly low-key here, compared to his volatile in-ring persona, and chips in with a measured input that aptly articulates his character’s emotions & confusion. David delivers a sturdy performance that stands neck to neck with Piper’s, while Foster’s work has an enigmatic quality to it.

On an overall scale, They Live is a brilliantly directed, deftly scripted, exquisitely witted, skilfully photographed, expertly edited, splendidly performed & finely scored example of its genre(s) that paints an unsettling portrait of the world we live in, and is another underrated gem from Carpenter that’s well deserving of its cult following. Smart, subversive & stimulating, this political satire has aged like wine and will continue to resonate strongly & more deeply as the years roll on.

Under the oppressive heat of the Spanish sun, the fiercely independent Carmen attracts the attention of Don José. She warns him not to fall in love with her, but his obsession knows no bounds. Damiano Michieletto’s searing production returns, casting scorching light on the lust, violence and destructive desire of Bizet’s ever-popular opera.

An all-star cast brings this white-hot drama to life, with Ginger Costa-Jackson in the fiery title role, alongside Russell Thomas as the jealous and despairing Don José. Following his 2023 Royal Opera debut, Sesto Quatrini returns to conduct Bizet’s electrifying and sensual score.

Come and enjoy a fantastic evening of entertainment jam-packed with non-stop hits, big-screen action, expert narrative and lots of fun.

You will be taken on a journey through several decades of pop as we celebrate the music of Jeff Lynne’s ELO, Roy Orbison, Bob Dylan, Tom Petty & The Heartbreakers and The Beatles’ George Harrison, as well as the collective genius that was The Traveling Wilburys.

Although the Wilburys never toured, here you have the chance to experience what it might have been like to see them live, as we explore their many collaborative hits.

Now in its ninth year of successful touring this popular show is an up-tempo feel-good celebration of classics such as Pretty Woman, Mr Blue Sky, Please Please Me, End of The Line, Handle With Care, Free Falling, Blowin’ in the Wind, Tweeter and the Monkey Man, Heading for the Light, Only the Lonely and many more.

RMTC are back this autumn with “Stepping Out”

Written by Richard Harris in 1984, “Stepping Out” was produced in the West End, London, where it received the Evening Standard Comedy of the Year Award, and on Broadway, New York.

A warm and extremely funny play, it follows the lives, laughs and loves of a group of women (and one man) from disparate backgrounds who attend a weekly tap-dance class in a dingy North London church hall.

Ex-professional dancer Mavis who runs the class is joined by cheerfully overweight Sylvia; Andy, a plain do-gooder with no confidence; snobby but well-meaning Vera; timid Dorothy who works in Social Security; Maxine who is attractive, sharp and very shrewd; fat, plain Lynne; Rose, who is just here for a good time, and Geoffrey, the lone male of the group. Watch as these once complex characters, navigate the challenges and triumphs of their journey, as they head towards a grand public, charity show performance, transformed into triumphant tappers, worthy of any chorus line.

Tap your troubles away with this fabulous story that is testament to the power of community, friendship, and the transformative experience of dance and has been praised for its witty dialogue, memorable characters, and the uplifting message it conveys about the courage and resilience of ordinary people.

20th & 21st November

7.30pm

All Tickets £20.00

This amateur production of “Stepping Out” is presented by arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd. www.concordtheatricals.co.uk

GIANT, filmed live at London’s Harold Pinter Theatre !

The play is currently playing on Broadway and has been nominated for 4 Tony Awards including Best Play and Leading Actor for John Lithgow.

A world-famous children’s author under threat, a battle of wills in the wake of scandal and one chance to make amends, GIANT tells the story of Roald Dahl and the true scandal that shook his legacy. GIANT stars Tony, Golden Globe, and Olivier Award-winner John Lithgow (Conclave, The Crown) as author Roald Dahl; Aya Cash (The Boys, The Franchise, You’re the Worst) as US Publisher Jessie Stone; Olivier Award-winner Elliot Levey (Cold War, Patriots, Good) as Tom Maschler, Dahl’s British Jewish Publisher; Olivier Award-nominee Rachael Stirling (The Divine Mrs S) as Felicity Crosland, Roald Dahl’s fiancée; Tessa Bonham Jones (Dune: Prophecy, The Young Woman and the Sea) as Hallie; and Richard Hope (Hijack) as Wally Saunders, Dahl’s handyman.

It’s the summer of 1983, The Witches is about to hit the shelves and Roald Dahl is making last-minute edits. But the outcry at his recent, explicitly antisemitic article won’t die down. Across a single afternoon at his family home, and rocked by an unexpectedly explosive confrontation, Dahl is forced to choose: make a public apology or risk his name and reputation.

Inspired by real events, GIANT explores with dark humour the difference between considered opinion and dangerous rhetoric offering a complicated portrait of a fiendishly charismatic icon.

John Lithgow says: ‘I play the central character of Roald Dahl, a man of dizzying complexity, on a day of crisis in his life. The story takes place forty years ago, but it resonates powerfully with events of our present day. No play I’ve ever been in has had such an impact on audiences.'

 ★★★★★ 'John Lithgow is mesmerising as Roald Dahl' THE TELEGRAPH

★★★★★ 'GIANT is all that theatre should be' DAILY MAIL

★★★★★ 'The most thought-provoking play of the decade' THE TIMES

Critic’s Pick 'As Roald Dahl, John Lithgow is a study in monstrosity' THE NEW YORK TIMES

TICKETS ON SALE - 9TH JULY

At a cosy Christmas party, young Clara meets the mysterious magician Drosselmeyer, who gives her a nutcracker doll. When the guests have departed and the house is asleep, Clara sneaks downstairs in search of the doll. Instead, she finds Drosselmeyer, who whisks her away on a journey into a whole world of enchantment: fantastical landscapes of flurried snow and glittering confection where toys come alive and the magic never stops.

Peter Wright’s production of this festive family favourite sparkles to the wondrous swell of Tchaikovsky’s orchestral score, alongside the glow and grandeur of Julia Trevelyan Oman’s period designs.

Andrea Arnold’s highly acclaimed film, winner of top prizes at Cannes and the BFI London Film Festival, is a haunting drama about a woman confronting past demons.

Jackie (Kate Dickie) is a CCTV operator and gets a perverse satisfaction from observing the lives of other; until one day a man from her past appears on her monitors - one whom she never wanted to see again. Now she has no alternative but to confront both the man, and the demons inside herself.

Andrea Arnold's (Fish Tank, Wuthering Heights) superb debut feature was the first in a planned trilogy of Scotland-set films produced by Lars Von Trier’s Zentropa company. The winners of numerous awards including major prizes at Cannes and the BFI London Film Festival, it was also voted one of the best British films of the last 25 years in a poll conducted by The Observer’s Film Quarterly.

The Garfunkels are back at the Riverside!

After their sold out show in January 2026, The Garfunkels are super excited to be back for another show this December at the Riverside.

A bit about The Garfunkels:

“There was one small problem - neither of us wanted to be Paul Simon. To make it work, one of us was going to have to get a hair cut. And that simply wasn’t going to happen”

Not many 20 year old lads think of starting a Simon & Garfunkel tribute act - but Suffolk-based musicians Tom Mumford and Angelo Littler did exactly that.

The Garfunkels’ set is a celebration of Simon & Garfunkel’s  music and story. With rich harmonies and engaging storytelling, you can expect to hear the most iconic songs over the years - from the debut album Wednesday Morning 3AM’ to bestselling, award wining ‘Bridge Over Troubled Water’.

Doors Open: 7pm

On Stage: 7:30pm

Interval: 8:15pm

On Stage: 8:30pm

Ends: 9:15pm

Robert Redford and director Sydney Pollack teamed up for their third collaboration on Three Days of the Condor, a sinuous tale of deceit and corruption, as well as one of Hollywood’s finest conspiracy thrillers of the 1970s.

Redford stars as Joe Turner, a junior analyst in the C.I.A., scrutinising published texts from around the world for coded messages. But once he discovers an unusual anomaly, his own existence comes crashing down, with every error carrying fatal consequences.

Taught and engrossing, with astonishing modern-day relevance, and fabulous supporting turns from Faye Dunaway, Cliff Robertson, John Houseman and the great Max von Sydow.

An earth in ruin. The twilight of the Gods.

Deception leads to treachery, then devastation, when Siegfried is tricked into betraying Brünnhilde. Learning the truth of her beloved’s innocence, Brünnhilde at last returns the ring to the Rhinemaidens, before ordering that Valhalla be swallowed in flames. For the long-awaited finale of Wagner’s epic saga, director Barrie Kosky situates the rich apocalyptic drama in a contemporary world of dream-like turmoil. Antonio Pappano, Conductor Laureate of The Royal Opera, returns to take on the impassioned, otherworldly music – including Siegfried’s transporting Funeral March and Brünnhilde’s electrifying Immolation Scene. The brilliant cast is led by Elisabet Strid, Andreas Schager and Mika Kares, who together with the full forces of the Orchestra of the Royal Opera House and the Royal Opera Chorus bring opera’s greatest journey to its shattering end.

Spurred on by a bet, two young men hatch a plan to test the fidelity of their girlfriends. What follows is a slippery game of seduction and power, the four lovers plunging into a dizzying world of shifting reality, where truth becomes increasingly unstable.

Così fan tutte has lost none of its sting since it first scandalised audiences in 1790. In her Main Stage debut, Netia Jones, Associate Director of The Royal Opera, reimagines Mozart’s comedy of manners through a sharp contemporary lens, where 18th-century romantic trickery meets deeply satirical high-tech deceit. Taking on the roles of the lovers is an exciting young cast led by Louise Alder, Simone McIntosh, Mingjie Lei and Huw Montague Rendall, with Gerald Finley as their manipulative game-master Don Alfonso and Emily Pogorelc as Despina. Thomas Hengelbrock conducts, bringing out the exquisite melodies that underpin the provocative, and resolutely modern, themes at the heart of the opera.

At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole, events become curiouser and curiouser…As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts.

Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. The result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment and ingenious music and design.

Princess Odette is bound by a curse, turned into a swan by the evil sorcerer Von Rothbart. The spell can only be broken by a pledge of eternal love. When she meets Prince Siegfried, he is immediately enamoured by her fragile beauty and pledges to free her. But freedom is not promised for Odette as Von Rothbart conspires to thwart the lovers’ plans.

Liam Scarlett’s production for The Royal Ballet brings together Tchaikovsky’s towering score and John Macfarlane’s picturesque designs to create an enduring ballet spectacle of love, treachery and forgiveness.

Floria Tosca and Mario Cavaradossi live for each other and for their art. But when Cavaradossi helps an escaped prisoner, the lovers make a deadly enemy in the form of Baron Scarpia, Chief of Police. At the mercy of Scarpia’s twisted desires, Tosca is forced to make a horrific bargain: sleeping with the man she hates, in order to save the man she loves. Can she find a way out?

Oliver Mears’s acclaimed production returns, setting Puccini’s operatic thriller in a contemporary, war-torn Rome. Daniel Oren conducts Aleksandra Kurzak, who returns to the title role, joined by Saimir Pirgu as Cavaradossi and Christopher Maltman as Baron Scarpia.

To celebrate Tate Britain’s blockbuster Monet and Time exhibition, Exhibition on Screen is delighted to bring the iconic story of Claude Monet to cinema screens in May 2027.

Undeniably one of the world’s favourite artists and the figurehead of the Impressionist movement prepare to be dazzled by his spectacular and revolutionary use of light and colour and step into one the most famous gardens in art history.

Immerse yourself in iconic masterpieces and discover the incredible story of passion and rebellion in this exciting documentary on the man who named the world’s favourite art movement.

Further details to come.

The Capulets and Montagues are sworn enemies. Yet it is love at first sight for Romeo Montague and Juliet Capulet when they meet each other at the Capulet ball, into which Romeo has snuck. The two fall in love and they profess their devotion to each other at Juliet’s balcony. They secretly get married.

The stakes are raised for the young couple when Romeo avenges the death of his friend Mercutio who has been killed by Tybalt, Juliet’s cousin. For this, Romeo is exiled from Verona. Meanwhile, Juliet’s parents are forcing her to marry another suitor. In order to be together, Romeo and Juliet must risk it all.