Oscar-nominated Rosamund Pike (Gone Girl, Saltburn) is Jessica in the much-anticipated next play from the team behind Prima Facie.

Jessica Parks is a smart Crown Court Judge at the top of her career. Behind the robe, she is a karaoke fiend, a loving wife and a supportive parent. When an event threatens to throw her life completely off balance, can she hold her family upright?

Writer Suzie Miller and director Justin Martin reunite following their global phenomenon Prima Facie, with this searing examination of modern motherhood and masculinity.

Luca Guadagnino’s gripping psychological drama features an all-star cast and a career-best performance from Julia Roberts, playing a college professor whose life begins to unravel.

Beloved by colleagues and students, Alma Olsson is caught in the middle of a scandal when a star pupil makes an accusation of sexual assault against another professor. Forced to confront dark secrets from her past, as well as where her loyalties lie, Alma wrestles with the gravity of the situation and the impact it will have on her world.

Set in a gorgeously photographed Technicolor England and a monochrome heaven, A Matter of Life and Death took the imaginative daring of jointly credited writer-producer-directors Michael Powell and Emeric Pressburger to new heights.

David Niven plays a British airman who survives a plane crash and falls in love with an American radio operator (Kim Hunter), only to be summoned to the afterlife by a heavenly ‘Conductor’ (Marius Goring). But is heaven just a hallucination brought on by brain injury?

Powell and Pressburger layer breathtaking visual tricks on top of this whimsical premise, such as a celebrated point-of-view shot in which our hero’s eyelid closes over the camera lens. The film also works as a sly satire on Anglo-American relations at the end of WWII.

“There are more stunning ideas in this one film, concerning a mistake made in heaven about a WWII pilot who should be dead but isn’t, than the whole of British cinema can usually muster in a decade.” Nick James

“A most peculiar and potent cocktail of romance, theology, global bridge-building and national tub-thumping, this thoughtful drama about one pilot’s deferred mortality remains, if nothing else, a definitive monument to the power of Technicolor. The vivid imagery and the cineliterate style(s) deployed by a creative team at the top of their game express the film’s intricate worldview. It searingly conveys a world grappling with uncharted new places, trying to pick up the pieces after unimaginable calamity.” James Healy

Screening as part of our Around the World in Technicolor Season

DEPECHE MODE: M is a cinematic journey into the heart of Mexican culture's relationship with death, framed by the iconic performances of Depeche Mode during their 2023 Memento Mori tour. Conceived and directed by award-winning Mexican filmmaker Fernando Frías, the film captures the band's three sold-out shows in Mexico City, attended by over 200,000 fans, blending concert footage with interpretive interstitials and archival material. DEPECHE MODE: M celebrates the band's global influence while delving into the profound connection between music, mortality, and Mexican tradition — a sacred meeting point where pain, memory, joy, and dance dissolve into one another, blurring into something profoundly and beautifully human

1 85-year-old Man, 5 Countries, 16 Cities, 23 shows, 6 weeks.

Will he make it home … or is this the end of the road?

One of the most recognisable figures in British comedy, John Cleese’s career spans six decades - from his early days with the Cambridge Footlights to co-founding Monty Python, co-creating Fawlty Towers, and writing and starring in the Oscar-nominated “A Fish Called Wanda”. His unique brand of black humour has made him a global icon and intergalactic treasure.

At the age of eighty five, John Cleese sets off on what might be his final European tour - five countries, sixteen cities, twenty-three shows, and retaining just two original body parts. “John Cleese Packs It In” is a wry, behind-the-scenes portrait of a comedy legend on the road, battling various ailments, chaotic travel, and his own stubborn refusal to stop.

Spanning six weeks on the road, the film captures Cleese unfiltered and on the move - riffing on life, fame, and the absurdity of getting old in front of thousands of fans. As he reflects on a stage career that began in 1963, the question lingers: is this the end of the road?

With unique and intimate access and showing unexpected tenderness, this is a documentary about legacy, laughter, and

the dignity of bowing out… however reluctantly.

Ralph Fiennes leads an excellent ensemble of new and established talent in this funny and moving First World War drama by beloved writer Alan Bennett.

A Yorkshire village’s choral society finds its ranks depleted as men head off to war. With the annual performance looming, the society is forced to change its entry rules to enlist some unlikely teens and the musically gifted but socially scandalous Dr. Guthrie. Brimming with humour and hope, Bennett and Nicholas Hytner’s (The Madness of King George, The Lady in the Van) latest triumph celebrates the power of community in the darkest of days.

Five years in production, this is the most extensive film ever made about one of the greatest artists of all time – Caravaggio. Featuring masterpiece after masterpiece and with first-hand testimony from the artist himself on the eve of his mysterious death, this beautiful new film reveals Caravaggio as never before.

Multi-award-winning film makers Phil Grabsky and David Bickerstaff delve into the hidden narratives of Caravaggio’s life, piecing together clues embedded within his incredible art. The intriguing self- depictions within his works – sometimes disguised, sometimes in plain sight – offer a rare window into his psyche and personal struggles.

Caravaggio’s masterpieces are some of art’s most instantly recognisable. No one else uses his signature blend of dramatic light, intense naturalism and bold, striking figures. His incredible paintings have captivated audiences for centuries. But there lies a deeper mystery – one that still beckons us to explore. What do these masterpieces reveal about the man behind the brush? Join us as we explore the many clues that help us to finally understand the life – and death – of this remarkable man.

Screening as part of our short Melodrama season.

With the idiosyncratic American fable Harold and Maude, countercultural director Hal Ashby fashioned what would become the cult classic of its era. Working from a script by Colin Higgins, Ashby tells the story of the emotional and romantic bond between a death-obsessed young man (Bud Cort) from a wealthy family and a devil-may-care, bohemian octogenarian (Ruth Gordon). Equal parts gallows humor and romantic innocence, Harold and Maude dissolves the line between darkness and light along with the ones that separate people by class, gender, and age, and it features indelible performances and a remarkable soundtrack by Cat Stevens.

Screening as part of our short Melodrama season and courtesy of funding by the National Lottery and BFI FAN.

Two artists in Walthamstow set out to take their street off the grid, kickstarting a solar-powered energy revolution.

Inspired by lockdown mutual aid initiatives, artist-activists Hilary Powell and Dan Edelstyn (Bank Job) decided to turn their street into an energy-generating powerhouse – a prototype for a new way of living, with the hope of galvanising a wider push towards sustainable alternatives.

Directed by the duo, Power Station charts their turbulent journey, from pitching the idea to their neighbours and sleeping on the roof of their home to raising finance and launching a bid for a Christmas number one single.

By turns funny and heartwarming, Powell and Edelstyn’s film is a vibrant portrait of their local neighbourhood, and a charming testament to the power of art in changing minds about what could be possible.

The filmmaker Dan Edelstyn will be joining us for a panel discussion after the film along with Deben Climate Centre chaired by Eamonn O'Nolan.

On September 25th 2025 the Riverside was 110 years old.

Our technical assistant, William Caley, has made a new film which looks back through the Riverside archive to when the cinema was built in 1915 and traces our 110 year history, and features a few recently newly filmed interviews with Pat Betts, Stuart Saunders and Tina Wiseman.

Our current manager, Neil, and Technical assistant, Will, have for the past few years been working on researching the cinema’s history and collecting all the material together to make a book (now available from the box office!), and this new documentary film.

Come along and celebrate our exciting and fascinating history for our 110th birthday.

Funny, heartfelt and emphatically moving, I Swear dramatises the true story of Tourette syndrome campaigner John Davidson and his quest to live normally in a world that insisted on calling him different.

Diagnosed aged 15, John’s Tourette’s made him the target of huge misunderstanding in 1980s Britain, and he faced hostility, bullying and occasionally outright violence for much of his youth. Aged 16, he was the subject of BBC TV documentary John’s Not Mad (a Q.E.D. episode that’s still ranked one of the 50 best British docs in national polls) and subsequently became one of the UK’s most passionate advocates for greater awareness and acceptance of Tourette’s, for which work he received an MBE in 2019.

Stuck at home and put to work by her spoiled Step-Sisters, Cinderella’s life is dreary and dull. Everything changes when she helps a mysterious woman out...With a little bit of magic, she is transported into an ethereal new world – one where fairies bring the gifts of the seasons, where pumpkins turn into carriages, and where true love awaits.

This enchanting ballet by The Royal Ballet’s Founding Choreographer Frederick Ashton is a theatrical experience for all the family and will transport you into an ethereal world where a sprinkling of fairy dust makes dreams come true.

Cast:  

Cinderella FUMI KANEKO

The Prince WILLIAM BRACEWELL

Cinderella’s Step-Sisters BENNET GARTSIDE, JAMES HAY

Cinderella’s Father THOMAS WHITEHEAD

The Fairy Godmother MAYARA MAGRI

The Fairy Spring ISABELLA GASPARINI

The Fairy Summer MARIKO SASAKI

The Fairy Autumn MEAGHAN GRACE HINKIS

The Fairy Winter CLAIRE CALVERT

The Jester DAICHI IKARASHI

Creatives:

Choreography FREDERICK ASHTON

Music SERGEY PROKOFIEV

Conductor JONATHAN LO

Set Designer TOM PYE

Costume Designer ALEXANDRA BYRNE

Lighting Designer DAVID FINN

Video Designer FINN ROSS

Illusions CHRIS FISHER

Conductor JONATHAN LO

Olivier Award-winner Jack Lowden (Slow Horses, Dunkirk) is joined by Emmy and BAFTA-winner Martin Freeman (The Hobbit, The Responder) in the critically acclaimed and subversively funny new play by David Ireland.

After years in the 12-step programme of Alcoholics Anonymous, James becomes a sponsor to newcomer Luka. The pair bond over black coffee, trade stories and build a fragile friendship out of their shared experiences. But as Luka approaches step five – the moment of confession – dangerous truths emerge, threatening the trust on which both of their recoveries depend.

Finn den Hertog directs the provocative and entertaining production filmed live from @sohoplace on London’s West End.

SUFFOLK SHORTS FILM FESTIVAL

Suffolk Shorts film festival returns to The Riverside for its 4th year with one day packed with 38 shortlisted short films from all over the world, and a special showcase for local filmmakers. The 4 award winners will be announced on the day.

New Voices: all genres of short films were considered for this category, with the focus being on storytelling in new ways. The shortlist of 9 films features a very hard hitting UK military drama, a short wistful animation, and a multinational imagining of a world where traditional cinema is extinct. New stories from new voices.

SUFFOLK SHORTS FILM FESTIVAL

Suffolk Shorts film festival returns to The Riverside for its 4th year with one day packed with 38 shortlisted short films from all over the world, and a special showcase for local filmmakers. The 4 award winners will be announced on the day.

Unique perspectives: films on the fringe from a diverse range of perspectives. Each film offers a fresh lens on the world, flipping the script on reality. Dance, ice skating, a deep dive into the otherworldly bog biome, moody lo-fi music and clay modelling, and a reconstruction of memories on 16mm Kodak film. This program dares you to see the world differently.

SUFFOLK SHORTS

Suffolk Shorts film festival returns to The Riverside for its 4th year with one day packed with 38 shortlisted short films from all over the world, and a special showcase for local filmmakers. The 4 award winners will be announced on the day.

Narrative Shorts: Whether it’s unspeakable comedy, gripping drama, or something entirely original that defies genre, these short films deliver unforgettable stories. Featuring the 2025 BAFTA winner based on a true story, a window into the world of precocious French poet, Arthur Rimbaud, and a graphic imagining of a hidden threat to a surgeon on her last day in theatre. These are the storytellers of the future.

SUFFOLK SHORTS FILM FESTIVAL

Suffolk Shorts film festival returns to The Riverside for its 4th year with one day packed with 38 shortlisted short films from all over the world, and a special showcase for local filmmakers. The 4 award winners will be announced on the day.

East Anglian showcase: We champion local filmmaking. For this category we have discovered short films that tell East Anglian Stories, films made by East Anglian filmmakers and films that have been made in East Anglia. The screening will be followed by a Q&A with the filmmakers hosted by actor/director Joshua Dickinson.

Screening in tribute to the late Robert Redford who sadly passed away on the 16th September 2025.

“Immensely enjoyable to watch – glowingly photographed, wittily scripted, and with superbly confident performances from Paul Newman and Robert Redford.” David Wilson, Monthly Film Bulletin, April 1970 “Most of what follows is true,” announces the opening caption, setting the playful tone for this tale of bank-robbing outlaws who find the Old West getting too hot for them, before heading for new pastures in Bolivia. As that caption suggests, writer William Goldman and director George Roy Hill are less interested in authentic historical atmosphere – or a conclusive answer to the mystery of the real Butch and Sundance’s ultimate fate – than in having fun, with Paul Newman and Robert Redford making a wonderfully relaxed double act. The laidback 1969 vibe is further enhanced by the hints of ménage à trois with moll Etta Place (Katharine Ross) and music by Burt Bacharach, including the hit song ‘Raindrops Keep Fallin’ on My Head’.

Screening in tribute to the late Robert Redford who sadly passed away on 16th September 2025.

Two green reporters and rivals working for the Washington Post, Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman), research the botched 1972 burglary of the Democratic Party Headquarters at the Watergate apartment complex. With the help of a mysterious source, code-named Deep Throat (Hal Holbrook), the two reporters make a connection between the burglars and a White House staffer. Despite dire warnings about their safety, the duo follows the money all the way to the top.

In the immediate aftermath of the Second World War, as the world grapples with the unveiled horrors of the Holocaust, U.S. Army psychiatrist Lt. Col. Douglas Kelley (Rami Malek) is assigned the extraordinary task of assessing the mental state of Hermann Göring (Russell Crowe), the notorious former Reichsmarschall and Hitler’s second in command, along with other high ranking Nazi officials. As the Allies – led by the unyielding chief U.S. prosecutor, Supreme Court Justice Robert H. Jackson (Michael Shannon) alongside Sgt. Howie Triest (Leo Woodall), David Maxwell-Fyfe (Richard E. Grant), Gustave Gilbert (Colin Hanks), Col. John Amen (Mark O’Brien) and Burton C. Andrus (John Slattery) – navigate the monumental task of creating an unprecedented international tribunal to ensure the Nazi regime answers for its atrocities, Kelley gets to know his ‘patients’. But he soon finds himself locked in a psychological duel with Göring, whose charisma and cunning reveal a sobering truth: that ordinary men can commit extraordinary evil.

Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here

Cléo (an exceptional performance by six-year-old Louise Mauroy-Panzani) loves her nanny Gloria (Ilça Moreno Zego) more than anything. When Gloria suddenly has to return home to Cape Verde to look after her own children, Gloria invites Cléo to visit her and the two have to make the most of their last summer together. Marie Amachoukeli’s outstanding feature was the opening film of Cannes Critics’ Week 2023 and has been an audience favourite at film festivals across Europe including London and Dublin. It is produced by Céline Sciamma’s regular producer Bénédicte Couvreur (Petite Maman, Portrait of a Lady on Fire, Girlhood).

Life on the Deben is a documentary film that was made in association with Woodbridge Riverside Trust and first released in December 2017.

Presented by author and journalist John McCarthy, the film explores the Deben’s incredible history, geography, environment and the influence it has had over the people who have lived by its banks.

The film traces the entire length of the Deben, from the secret upper reaches near Debenham to the boatyards of Woodbridge and down to the sea at Bawdsey and Felixstowe Ferry. The film was shot over 2 years by Director and Cameraman Tim Curtis (Video East), Produced by Malcolm Hodd.

The film will screen alongside a rare 1965 film entitled "The Deben Valley" with broadcaster Robert Dougall venturing around Suffolk with his wife, tracing the pathway of the River Deben. He visits Ufford, Debenham, Woodbridge and Ramsholt along the way.

The Deben Valley runs for 29mins and is from the collection of James Cecil of JCB Films.

Following the screenings there will be an on stage discussion with James Cecil, Tim Curtis and our manager, Neil.

It looks like she's lived a charmed life - a loving upbringing, marrying a superstar rock singer, children, strong friendships, and lately a successful career in television.

But in her new book ‘Someone Like Me’, Penny Lancaster reveals how she was bullied at school, struggled with her studies because of undiagnosed dyslexia and, as she made her way for herself as a model, experienced a harrowing sexual assault.

Determined, though, always to see the positive in life, Penny cultivated skills and talents to enable her to achieve and maintain her independence, training as a fitness instructor and then a photographer, and she’s used her struggles to inform and help others.

What’s more, since marrying and making a family with Rod Stewart, Penny has embraced every opportunity offered to her. She's competed on 'Strictly Come Dancing', 'Celebrity MasterChef', 'Who Wants to be a Millionaire'. And she is a guest panellist on 'Loose Women'.

Using this profile she is a campaigner and ambassador for a multitude of charities, speaks widely and passionately about menopause issues and volunteers as a Special Constable with the City of London Police.

She is a warm, engaging and inspiring speaker and we're thrilled that she's joining us at The Riverside in Woodbridge for this special evening event. She will be in conversation with Catherine Larner and signing copies of her book.

Tickets are £20 to include a signed copy of her book 'Someone Like Me' (RRP £20). One further ticket can be purchased for £12 (without the book).

Please book at The Riverside in person or on the website www.theriverside.co.uk and be sure to include your name with your booking so that we can allocate your book on the night.

Photography credit to Robert Wilson.

The lyricist Lorenz Hart’s collaborations with composer Richard Rodgers are the stuff of legend. Yet, in 1943, only months before he died from pneumonia, Hart’s partnership with Rodgers was on the rocks. Rodgers had first paired up with Oscar Hammerstein II, and their musical Oklahoma! had reinvigorated and reinvented narrative musical theatre.

Richard Linklater’s luminous, erudite drama imagines a loquacious Hart (an astonishing tour de force by Ethan Hawke) on the night of Oklahoma!’s premiere, holed up at Sardi’s and moving through various stages of grief and acceptance when faced with Broadway’s new world order. Also featuring stellar supporting work from Andrew Scott, Margaret Qualley and Bobby Cannavale, Blue Moon is a surprising yet entirely fitting addition to the Linklater canon: a film about the inevitable passage of time and the feeling of being left behind by those stuck in its folds.

osh O’Connor is superb as a rudderless everyman out of step with his immediate environs and the country at large, in Kelly Reichardt’s funny, shaggy heist film.

1970s America has witnessed a generational chasm and a society torn apart by Vietnam. But JB is oblivious to these cultural changes as he bumbles towards a major art heist. Reichardt’s (First Cow, Wendy and Lucy) smartly crafted drama offers a sensitive political critique of our times, and a quietly thoughtful examination of what we owe ourselves, as well as our familial and social tribes. With its jazzy score, period detailing and nuanced performances, it’s a cinematic joy from the get-go.

It is Christmas time and the McCallister family is preparing for a vacation in Paris, France. But the youngest in the family named Kevin got into a scuffle with his older brother Buzz and was sent to his room which is on the third floor of his house. Then, the next morning, while the rest of the family was in a rush to make it to the airport on time, they completely forgot about Kevin who now has the house all to himself. Being home alone was fun for Kevin, having a pizza all to himself, jumping on his parents’ bed, and making a mess. Then, Kevin discovers about two burglars, Harry and Marv, about to rob his house on Christmas Eve. Kevin acts quickly by wiring his own house with makeshift booby traps to stop the burglars and to bring them to justice.

Screening as part of our 6 for £6.00 each Christmas Films Season

This holiday season, the magic begins on the big screen. Join André Rieu for his 2025 Christmas Concert – “Merry Christmas” and experience joyful carols, beautiful waltzes, and plenty of surprises – it’s the ultimate Christmas cinema event!

With his fabulous Johann Strauss Orchestra, and special guests including the sensational Emma Kok and over 400 brass players bringing the majestic sound of Christmas, André’s concert is bursting with warmth, laughter, and holiday cheer.

Christmas is André’s favourite time of year - and he can’t wait to share this spectacular concert with you, only in cinemas!

The magician Herr Drosselmeyer needs to save his nephew. Hans-Peter has been transformed into a Nutcracker; the only way to save him is for the Nutcracker to defeat the Mouse King and find a girl to love and care for him. A flicker of hope comes in the form of the young Clara, whom Drosselmeyer meets at a Christmas party. With some magic, a cosy Christmas gathering turns into a marvellous adventure.

Peter Wright’s The Nutcracker has enchanted audiences since its 1984 premiere by the Company. Featuring Tchaikovsky’s most familiar melodies and brought to life by Julia Trevelyan Oman’s exquisite designs, The Nutcracker is sure to be a festive firecracker for all ages.

Cast:  

To be confirmed

Creatives:

Choreography PETER WRIGHT after LEV IVANOV

Music PYOTR IL’YICH TCHAIKOVSKY

Conductor KOEN KESSELS

Original Scenario MARIUS PETIPA after E.T.A. HOFFMANN

Production and Scenario PETER WRIGHT

Designer JULIA TREVELYAN OMAN

Lighting Designer MARK HENDERSON

Production Consultant ROLAND JOHN WILEY

A new documentary by Suffolk-based filmmaker Tim Curtis delves into one of Britain's most enduring Second World War mysteries.

Backed by decades of research from James Hayward and Ron Clayton, the film examines rumours of a foiled German invasion attempt, burning seas, and bodies on the beach along the wartime Suffolk coast.

The film also features former East Anglian Daily Times reporter Henry Creagh, who recounts a 1992 call from a source claiming to have seen secret MOD files describing a deadly friendly fire incident. This gripping documentary takes viewers deep into Suffolk's wartime history, and attempts to unravel a mystery that refuses to fade.

Following the screenings there will be an on stage discussion with director Tim Curtis, former East Anglian Daily Times Reporter Henry Creagh and our manager, Neil.

Friend of The Riverside, Edgar Wright, and star Glen Powell team up for a spirited take on Stephen King’s dystopian life-or-death gameshow thriller.

Edgar Wright’s film is a high-octane, fast-paced and thrilling adaptation of Stephen King’s dystopian take on future TV entertainment. The Running Man is a top-rated show, attracting an audience of millions, who watch the spectacle of contestants running for their lives as they’re hunted down. Blue-collar worker Ben Richards signs on, hoping to raise the money for his sick daughter’s treatment, but it soon becomes clear the game is rigged and he must do all he can to survive.

A young boy is at the age where he's beginning to doubt the existence of Santa Claus. However, one Christmas Eve he hears a thunderous noise outside and, on investigating, finds it's being made by a huge train - the Polar Express. A kindly conductor asks him aboard and soon he and some other children are on a rollercoaster ride north to see the big man himself. Director Robert Zemeckis honed the use of "motion capture" technology when filming The Polar Express, and the technique perfectly suits this charming, fantastical nature of a film about the magic of Christmas.

Screening as part of our "Six for £6 Christmas Films Season"

Benedict Cumberbatch gives a magnificent performance in the highly anticipated screen adaptation of Max Porter’s award-winning Grief Is the Thing with Feathers.

A mother dies, leaving two primary school-aged children and ‘Sad Dad’. Before long, ‘Crow’ emerges from the pages of the book Sad Dad is writing, to peck at the open wounds and shepherd them through their grief, in the only way it knows how. Dylan Southern employs great visual flair to soulfully explore the chaos, pain and redemption of our most-feared emotion.

Todd Haynes’ homage to Douglas Sirk’s style of social critique by way of melodrama, masterfully tells the story of a well-to-do suburban couple in 1950s America, straitjacketed by convention, yet desperate to lead lives they are seemingly denied. In the autumn of 1957 in the affluent small town of Hartford, Connecticut, Cathy Whitaker (Julianne Moore) is a beautiful but sober mother of two, married to Frank (Dennis Quaid), a ruggedly handsome, former naval officer, now go-ahead executive at a television company. It is a blissfully happy family scene into which drama and tragedy have yet to intrude. It’s shattered when Cathy surprises Frank at work and finds him in the arms of another man. Unable to tell anyone in her social circle, she finds solace in their African-American gardener, Raymond (Dennis Haysbert). However, when they are seen alone together by Cathy's best friend - a social taboo in that era - the gossip begins, threatening to reveal all of the Whitaker's secret life.

The final film in our Melodrama Season.

Joe Dante's hilariously overblown comedy horror cheerfully pits man against beast in a cosy suburban setting. Zach Galligan is the hapless teenager who receives the oh-so-loveable Mogwai, Gizmo, for Christmas, completely disregards the instructions not to get it wet or feed it after midnight, and watches, along with his girlfriend Phoebe Cates, the mayhem unfold when the goggle-eyed cutie starts birthing evil sprites as a result. Played almost totally for laughs (even Cates' monologue on how she found out there's no Santa Claus has a vein of pitch black humour in it), this serves as a delightfully offbeat reminder of how inventive and witty blockbusters seemed when you were a kid.

Dante’s critters-run-amok-in-snowbound-Spielberg-suburbia satire takes the Christmas milieu of It’s A Wonderful Life (Screening as part of this season on 18th December) and splatters it with cartoony carnage, anarchic comedy and a stripe of gleeful subversion a mile wide.

Screening as part of our 6 for £6 each Christmas Films Season

Stanley's War (2018, Dir. Tim Curtis) dramatises stories of love, loss and sacrifice, following the lives of Suffolk people during WW1.The film recounts the true life-changing experiences at the Western Front of Stanley Banyard, a farm hand from Ramsholt, and how he saved the lives of his comrades lost in no-man's-land by using skills he learnt as a boy from a Suffolk gamekeeper. In contrast, the Pretty family of Ipswich (later of Sutton Hoo fame) suffer family tragedy.

The War Just Outside Ipswich (2020, Dir. Tim Curtis) For nearly two decades, Akenham’s purpose-built trench system has drawn filmmakers seeking to recreate the chaos of the First World War, from Downton Abbey and Journey’s End to Private Peaceful and the iconic Sainsbury’s Christmas advert. This fascinating behind-the-scenes documentary explores Suffolk’s own cinematic battlefield, where mud, history, and movie magic collide. 

Tim Curtis joined forces with manager Neil to make the film during Covid, and it has been updated in 2025. 

Following the screening there will be an on stage discussion with war historian Taff Gillingham of Khaki Devil and our manager, Neil.

Last year’s global cinematic cultural sensation, which became the most successful Broadway film adaptation of all time, now reaches its epic, electrifying, emotional conclusion in Wicked: For Good. 

Directed once again by award-winning director Jon M. Chu and starring the spectacular returning cast, led by Academy Award® nominated superstars Cynthia Erivo and Ariana Grande, the final chapter of the untold story of the witches of Oz begins with Elphaba and Glinda estranged and living with the consequences of their choices. 

Elphaba (Cynthia Erivo), now demonized as The Wicked Witch of the West, lives in exile, hidden within the Ozian forest while continuing her fight for the freedom of Oz’s silenced Animals and desperately trying to expose the truth she knows about The Wizard (Jeff Goldblum). Glinda, meanwhile, has become the glamorous symbol of Goodness for all of Oz, living at the palace in Emerald City and reveling in the perks of fame and popularity.

As an angry mob rises against the Wicked Witch, Glinda and Elphaba will need to come together one final time. With their singular friendship now the fulcrum of their futures, they will need to truly see each other, with honesty and empathy, if they are to change themselves, and all of Oz, for good.

Fire Over Shingle Street—Fact, Fiction, or Propaganda?

A new documentary by Suffolk-based filmmaker Tim Curtis (Life on the Deben, Stanley's War) delves into one of Britain’s most persistent Second World War mysteries, asking: Has this enduring enigma been fully accounted for, or are there still unanswered questions?

For decades the Shingle Street ‘Mystery’ has divided the views of locals, journalists and historians alike with incredible and unexplained stories of the sea being set on fire, dead soldiers bodies on the beach and strange happenings in the night.

Was this remote stretch of Suffolk’s coast the site of a German invasion attempt? Did British forces set fire to the sea with petroleum weapons to repel the enemy? Or could it have been part of an elaborate wartime deception, designed to maintain national morale?

The film examines how the Suffolk coast was a hub of military secrecy—home to radar development and experimental weapons testing. Did these classified operations (with some still under wraps) combined with wartime propaganda help create the perfect conditions for rumours to fuel a wartime mystery?

The Shingle Street ‘Mystery’ gained renewed attention in the 1990s when the East Anglian Daily Times was contacted by an ‘MOD Whistleblower’ claiming to have a file—soon to be destroyed—detailing a horrific accident in which British soldiers had been killed in a training exercise.

The ensuing media frenzy led to the early release of classified documents from the National Archives at Kew. However, the files revealed little, sparking claims of a cover-up.

This gripping documentary takes viewers deep into Suffolk’s wartime history, and attempts to unravel a mystery that refuses to fade.

The Muppets perform the classic Christmas tale by Charles Dickens, the iconic Michael Caine playing Ebenezer Scrooge, with Kermit the Frog playing Bob Cratchit. Miss Piggy, Gonzo and Fozzie Bear take up supporting roles as Scrooge receives visits from the spirits of Christmas past, Christmas present and Christmas future. The Spirits do everything in their power to show him the error of his ways and to help him find redemption and lasting happiness.

Screening as part of our 6 for £6 each Christmas Films Season

There have been many contenders over the past twenty years, but ELF is clearly the first and best classic Christmas movie of the 21st century.  Buddy, a human orphan raised by Santa’s elves at the North Pole, learns that his father is still alive and on the naughty list. Determined to save his father from such a fate, Buddy travels to New York City to meet him for the first time and inspire some Christmas spirit, but the Big Apple is very different from the North Pole. Can Buddy save his father from the naughty list, but more importantly, figure out where Buddy truly belongs?

Screening as part of our 6 for £6 Christmas Season

Federico Fellini returned to the provincial landscape of his childhood with this carnivalesque reminiscence, recreating his hometown of Rimini in Cinecittà’s studios and rendering its daily life as a circus of social rituals, adolescent desires, male fantasies, and political subterfuge. Sketching a gallery of warmly observed comic caricatures, Fellini affectionately evokes a vanished world haloed with the glow of memory, even as he sends up authority figures representing church and state, satirizing a country stultified by Fascism. Winner of Fellini’s fourth Academy Award for best foreign-language film, Amarcord remains one of the director’s best-loved creations, beautifully weaving together Giuseppe Rottuno’s colourful Technicolor cinematography, Danilo Donati’s extravagant costumes and sets, and Nino Rota’s nostalgia-tinged score.

Screening as part of our Around the World in Technicolor Season

Basel Adra, a young Palestinian activist from Masafer Yatta, has been fighting his community's mass expulsion by the Israeli occupation since childhood. Basel documents the gradual erasure of Masafer Yatta, as soldiers destroy the homes of families - the largest single act of forced transfer ever carried out in the occupied West Bank. He crosses paths with Yuval, an Israeli journalist, and for over half a decade they fight against the expulsion while growing closer.

This film, by a Palestinian-Israeli collective of four young activists, was co-created during the darkest, most terrifying times in the region, as an act of creative resistance to Apartheid and a search for a path towards equality and justice.

????? "Powerful Israel-Palestine documentary is essential viewing" - The Guardian

Berlinale Documentary Award and Panorama Audience Award for Best Documentary Film

Spanning three decades, MERRILY WE ROLL ALONG charts the turbulent relationship between composer Franklin Shepard and his two lifelong friends — writer Mary and lyricist & playwright Charley. Originally produced on Broadway in 1981, then becoming an inventive cult-classic ahead of its time, the musical features some of Stephen Sondheim’s most celebrated and personal songs.

The 2023-2024 Broadway production, directed by Maria Friedman, redefined the show for a new era,

bringing Stephen Sondheim’s intricate score and George Furth’s book to vivid life with extraordinary

depth and clarity. MERRILY WE ROLL ALONG shattered the Hudson Theatre’s house record on Broadway, solidifying its place as a landmark event in Broadway history. The critically acclaimed production wonthe 2024 Tony Awards for Best Revival of a Musical, Best Performance by an Actor in a Leading Role in a Musical, Best Performance by an Actor in a Featured Role in a Musical and Best Orchestrations.

Additionally, in London, MERRILY WE ROLL ALONG garnered the most five-star reviews in West-End

history.

MERRILY WE ROLL ALONG is produced by Sonia Friedman, David Babani, Patrick Catullo, F. Richard

Pappas, RadicalMedia’s Jon Kamen, and Dave Sirulnick. Executive Producers include Meredith Bennett, No Guarantees Productions, Scott Abrams, Jonathan Corr, Mary Maggio, Jeff Romley, Tony Yurgaitis, Andrew Cohen, Amanda Lipitz, Henry Tisch alongside Co-executive producer Stephanie P. McClelland. Karla Zambrano and Alec Sash serve as Supervising Producers

Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here

Last Swim follows Ziba (Deba Hekmat) as she holds her breath on A-level results day. Desperate to study astrophysics at university, she’s equally determined to make the first day of her adult life a day to remember. But when her tight-knit group of friends are joined in a cross-London all-day party by newcomer Malcolm (Denzel Baidoo), she must reckon with a darker truth that none of her friends have been brought into.

Last Swim’s plot has plenty of high-stakes elements, but it never strays into melodrama, aided by an impressive young cast – many of them new faces – who bring improvisational and lived-in quality to the performances. At the centre of this group is the wonderful Deba Hekmat, in a performance that makes her one to watch. As in her terrific supporting role as tearaway best friend in Luna Carmoon’s Hoard, Hekmat conveys a world of grand and petty frustrations in a single look. Giving specificity to Ziba’s Iranian-British roots (as well as crafting a genuine friendship group to surround her), first-time director Sasha Nathwani captures a day that will live on in nostalgia; at once quotidian and human-sized, but tinged with emotions that scream with galactic significance for those on the edge of adulthood.

Five-time Olivier Award winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw’s incendiary moral classic.

Vivie Warren is a woman ahead of her time. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune – but at what cost?

Filmed live from the West End, this new production reunites Staunton with director Dominic Cooke (Follies, Good), exploring the clash between morality and independence, traditions and progress.

At one of her lavish parties, celebrated Parisan courtesan Violetta is introduced to Alfredo Germont. The two fall madly in love, and though hesitant to leave behind her life of luxury and freedom, Violetta follows her heart. But the young couple’s happiness is short-lived, as the harsh realities of life soon come knocking.

As intimate as it is sumptuous, La traviata features some of opera’s most famous melodies, and is a star vehicle for its leading soprano role sung by Ermonela Jaho. In director Richard Eyre’s world of seductive grandeur, the tender and devastating beauty at the centre of Verdi’s opera shines bright.

Cast:  

Violetta Valéry ERMONELA JAHO

Alfredo Germont GIOVANNI SALA

Giorgio Germont ALEKSEI ISAEV

Annina VEENA AKAMA-MAKIA

Doctor Grenvil BARNABY REA

Flora Bervoix ELLEN PEARSON

Baron Douphol SAM HIRD

Gastone de Letorières GIORGI GULIASHVILI

Marquis d’Obigny OSSIAN HUSKINSON

Creatives:

Music GIUSEPPE VERDI

Conductor ANTONELLO MANACORDA

Director RICHARD EYRE

Designer BOB CROWLEY

Lighting Designer JEAN KALMAN

Director of Movement JANE GIBSON

“There was one small problem - neither of us wanted to be Paul Simon. To make it work one of us was going to have to get a hair cut. And that simply wasn’t going to happen. The novel solution…we decided to call ourselves The Garfunkels.”

Not many 20-year-old lads think of starting a Simon & Garfunkel tribute act — but Suffolk-based musicians Tom Mumford and Angelo Littler did exactly that.

The Garfunkels’ set is a celebration of Simon & Garfunkel’s music and story. With rich harmonies and engaging storytelling you can expect to hear the most iconic songs over the years - from their first album Wednesday Morning 3AM through to the  bestselling, award winning Bridge Over Troubled Water.  

This January, The Garfunkels are very excited to bring their show to The Riverside stage in their hometown of Woodbridge.

Doors Open: 7pm

On Stage: 7:30pm

Interval: 8:15pm

On Stage: 8:30pm

Ends: 9:15pm

Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare’s famous tragedy.

Trapped between duty and doubt, surrounded by power and privilege, young Prince Hamlet dares to ask the ultimate question – you know the one.

National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky’s Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining.

Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here

Wind, Tide & Oar is a compelling exploration of engineless sailing, shot on 16mm film over three years. The film delves into the experiences of those who travel solely by harnessing the natural elements alone, following a diverse array of traditional boats and uncovering the unique rhythms and motivations of engineless navigation.

Journeying through rivers, coastlines, and open seas, spanning the UK, the Netherlands, and France, Wind, Tide & Oar creates a contemplative space, addressing themes of ecology, heritage, traditional skills, and maritime history. Using a 1960s hand-wound camera, Wahl offers a poetic and intimate perspective on a millennia-old craft, upended by the invention of mechanised power.

Through the film’s reveries, sailing becomes a means to explore our interaction with and responsibility to the environment. It invites deep reflection on our relationship with nature, our understanding of and commitment to sustainability, and our care for the world around us.

The film is shot around Suffolk, Cornwall and Essex.

Silents Synced pairs classic silent movies with epic rock music to bring audiences a unique big screen experience. Buster Keaton’s 1924 comedy classic is reimagined with R.E.M. 's alt-rock masterpieces Monster (1994) and New Adventures in Hi-Fi (1996).

In this sublime comedy teetering between reality and illusion, Buster Keaton stars as a film projectionist who dreams of becoming a detective. He uses his limited skills when he is framed by a rival for stealing his girlfriend’s father’s pocket watch. Keaton reportedly broke his neck performing one of the many dangerous practical stunts in the film.

Whether you’re a movie lover or a rock music fan this is an experience you won’t want to miss!!

This event will now begin with a 22 minute Buster Keaton short, The Balloonatic (1923), which has music composed by renowned Brazilian electronic artist, Amon Tobin.

This will then be followed by a 3 minute intro by Josh Frank (creator of Silent Synced), before the R.E.M x Sherlock Jr. feature.

Join us for an afternoon of fast moving, hard hitting, toe tapping contemporary jazz from a spectacular 18 piece big band that features soloists and ensemble players from around East Anglia.

Horn Factory perform an impressive and extensive range of contemporary big band jazz by composers such as Buddy Rich, Bob Mintzer, Quincy Jones, Oliver Nelson, Maynard Ferguson, James Morrison, Bobby Shew, Sammy Nestico and Gordon Goodwin, plus arrangements of music normally associated with smaller groups, including Thelonious Monk, Joe Henderson, Chuck Mangione, Chick Corea and Horace Silver.

“There is nothing quite like the sound of a Big Band up close . Not to be missed!”

Virginia Woolf defied literary conventions to depict rich inner worlds – her heightened, startling and poignant reality. Resident Choreographer Wayne McGregor leads a luminous artistic team to evoke Woolf’s signature stream of consciousness writing style in this immense work that rejects traditional narrative structures. Woolf Works is a collage of themes from Mrs Dalloway, Orlando, The Waves and Woolf’s other writings. Created in 2015 for The Royal Ballet, this Olivier-award winning ballet triptych captures the heart of Woolf’s uniquely artistic spirit.

Cast: 

To be confirmed

Creatives: 

Direction and Choreography WAYNE MCGREGOR

Music MAX RICHTER

Conductor KOEN KESSELS

Designer CIGUË, WE NOT I, WAYNE MCGREGOR

Costume Designer MORITZ JUNGE

Lighting Designer LUCY CARTER

Film Designer RAVI DEEPRES

Sound System Designer CHRIS EKERS

Make-up Designer KABUKI

Dramaturgy UZMA HAMEED

Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here

The lives of three women intersect and overlap in a haunting drama that sees the city of Mumbai play a central role. Prabha, Anu and Parvaty are employees at a hospital in Mumbai. They grapple daily with the opportunities and hardships of existence in the city. Balancing an immersive verité style with a touch of the surreal, Payal Kapadia’s Cannes Grand Prix-winning drama captures the many shades of working-class life in Mumbai. The result is a profound and deeply humanist meditation on urban migration and dislocation.

The peasant girl Giselle has fallen in love with Albrecht. When she discovers that he is actually a nobleman promised to another, she kills herself in despair. Her spirit joins the Wilis: the vengeful ghosts of women hell-bent on killing any man who crosses their path in a dance to the death. Wracked with guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and Giselle’s ghost.

Peter Wright’s 1985 production of this quintessential Romantic ballet is a classic of The Royal Ballet repertory. Set to Adolphe Adam’s evocative score and with atmospheric designs by John Macfarlane, Giselle conjures up the earthly and otherworldly realms in a tale of love, betrayal and redemption.

Cast:  

To be confirmed

Creatives:

Choreography MARIUS PETIPA after JEAN CORALLI and JULES PERROT

Music ADOLPHE ADAM Edited by LARS PAYNE

Conductor VELLO PAHN

Scenario THÉOPHILE GAUTIER after HEINRICH HEINE

Production and Additional Choreography PETER WRIGHT

Designer JOHN MACFARLANE

Original Lighting JENNIFER TIPTON Re-created by DAVID FINN

Two of Britain’s greatest painters, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other, both used landscape painting to reflect the changing world around them.

Tate Britain is bringing these two greats together for a groundbreaking exhibition, in London from November 2025 to April 2026, and Exhibition on Screen once again has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen in March 2026 so that both can be enjoyed together. Don’t miss this opportunity to see these greats side-by-side, as they so often were in life, on the big screen for the first time.

Turner’s blazing sunsets and sublime scenes from his travels and Constable’s idealised depictions of beloved places from home whipped the public of the time into a frenzy of enthusiasm. Critics compared their starkly different styles to a clash of ‘fire and water’. Marking 250 years since their births, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies alongside the groundbreaking Tate exhibition. Discover unexpected sides to both artists with intimate views of sketchbooks and personal items and insights from leading experts. This is not to be missed.

Raised by a scheming dwarf and unaware of his true family origins, a young man embarks on an epic journey. Soon, destiny brings him face-to-face with a shattered sword, a fearsome dragon and the cursed ring it guards, and a Valkyrie forced into enchanted slumber...  

Moments of transcendent beauty and heroic triumph sparkle in the third chapter of Wagner’s Ring cycle, brought to life under Barrie Kosky’s inspired eye following his spectacular Das Rheingold (2023) and Die Walküre (2025). Andreas Schager, in his much-anticipated debut with The Royal Opera, stars as Siegfried’s titular hero, alongside Christopher Maltman’s towering Wanderer, Peter Hoare’s treacherous Mime and Elisabet Strid’s radiant Brünnhilde. Antonio Pappano conducts, drawing out the unspoken tensions and ethereal mysticism of Wagner’s dynamic score.

Cast:  

Siegfried ANDREAS SCHAGER

Mime PETER HOARE

Der Wanderer CHRISTOPHER MALTMAN

Brünnhilde ELISABET STRID

Alberich CHRISTOPHER PURVES

Fafner SOLOMAN HOWARD

Erda WIEBKE LEHMKUHL

Woodbird SARAH DUFRESNE

Creatives:

Music RICHARD WAGNER

Conductor ANTONIO PAPPANO

Director BARRIE KOSKY

Set Designer RUFUS DIDWISZUS

Costume Designer VICTORIA BEHR

Lighting Designer ALESSANDRO CARLETTI

Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here

In rural France, 18-year-old Totone must face reality and take responsibility for his younger sister. His solution, to make the best Comté cheese in the region and bag the prize money.

Living a typical, wild life in the Jura region of South Eastern France, Totone deals with rural boredom and frustration, focusing on honing his craft to escape this pent-up isolation.

Working with local non-professionals and embedding herself in this often distrustful community, Holy Cow gives us a raw, unfiltered look at this world. Lead actor Clément Faveau is a poultry farmer in real life and gives a fantastically irate performance.

Winning the Un Certain Regard Youth Award at the 2024 Cannes Film Festival, Louise Courvoisier balances her time as a director with working on her family farm. Her lived experience creates this rough, but golden hearted story about rural hooligans and marginalised community.

Princess Pamina has been captured. Her mother, the Queen of the Night, tasks the young Prince Tamino with her daughter’s rescue. But when Tamino and his friendly sidekick, Papageno, embark on their adventure, they soon learn that when it comes to the quest for love, nothing is as it really seems. Guided by a magic flute, they encounter monsters, villains, and a mysterious brotherhood of men – but help, it turns out, comes when you least expect it.

Mozart’s fantastical opera glitters in David McVicar’s enchanting production. A star cast including Julia Bullock as Pamina, Amitai Pati as Tamino, Huw Montague Rendall as Papageno, Kathryn Lewek as the Queen of the Night, and Soloman Howard as Sarastro, led by French conductor Marie Jacquot in her Covent Garden debut.

Cast: 

Pamina JULIA BULLOCK

Tamino AMITAI PATI

Papageno HUW MONTAGUE RENDALL

Queen of the Night KATHRYN LEWEK

Sarastro SOLOMAN HOWARD

Monostatos GERHARD SIEGEL

Creatives:

Music WOLFGANG AMADEUS MOZART

Conductor MARIE JACQUOT

Director DAVID MCVICAR

Designer JOHN MACFARLANE

Lighting Designer PAULE CONSTABLE

Movement Director LEAH HAUSMAN

Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here

It is 1985 in the run-up to Christmas in a small town in County Wexford, Ireland. Bill Furlong (Oppenheimer's Cillian Murphy) toils as a coal merchant to support himself, his wife and his five daughters. Early one morning while out delivering coal at the local convent, he makes a discovery that forces him to confront his past and the complicit silence of a town controlled by the Catholic Church.

Based on the acclaimed novel of the same name by Claire Keegan.

Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realizes his affection for her all too late. The Met’s evocative production, directed by Tony Award–winner Deborah Warner, “offers a beautifully detailed reading of … Tchaikovsky’s lyrical romance” (The Telegraph).

Cast:  

Tatiana ASMIK GRIGORIAN

Olga MARIA BARAKOVA

Filippyevna STEPHANIE BLYTHE

Lenski STANISLAS DE BARBEYRAC

Eugene Onegin IGOR GOLOVATENKO

Prince Gremin ALEXANDER TSYMBALYUK

Creatives:

Music PYOTR ILYICH TCHAIKOVSKY

Conductor TIMUR ZANGIEV

Director DEBORAH WARNER

Set Designer TOM PYE

Costume Designer CHLOE OBOLENSKY

Lighting Designer JEAN KALMAN

Projection Designer IAN WILLIAM GALLOWAY and FINN ROSS

Choreographer KIM BRANDSTRUP

Who was Frida Kahlo? Everyone knows her, but who was the woman behind the bright colours, the big brows, and the floral crowns? Take a journey through the life of a true icon, discover her art, and uncover the truth behind her often turbulent life.

Making use of the latest technology, we take an indepth look at key works throughout her career. Using letter Kahlo wrote to guide us, this definitive film reveals her deepest emotions and unlocks the secrets and symbolism contained within her art.

Exhibition on Screen's trademark combination of interviews, commentary, and a detailed exploration of her art delivers a treasure trove of colour and a feast of vibrancy. This personal and intimate film offers privileged access to her works, and highlights the source of her feverish creativity, her resilience, and her unmatched lust for life, politics, men, and women.

Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here

The impressive directorial feature debut of Laura Carreira is a powerful account of the gig economy and the loneliness of working-class immigrants caught up in it. Portuguese worker Aurora is employed by a Scottish fulfilment warehouse, endlessly pacing down aisles and pulling items from shelves to be shipped out to online shoppers. While her shifts are long and her productivity is constantly monitored, her wages are minimal and she can barely afford to eat. Her gruelling days are punctuated by a few precious moments of connection, especially when her busy lodgings welcomes a new Polish flatmate. Carreira’s skilfully directed and heartbreaking portrait of an isolated woman on the cusp of unravelling is gripping. With shades of Chantal Akerman’s Jeanne Dielman and the indelible spirit of Ken Loach, On Falling is a rage against the capitalist machine, and a very worthy winner of the Sutherland Award for Best First Feature at the 2024 BFI London Film Festival.

Please note that this is a private screening for members of Woodbridge Film Society and not open to the public. If you wish to join the Film Society then please visit their page here

Etero, a 48-year-old woman living in a small village in Georgia, never wanted a husband. She cherishes her freedom as much as her cakes. But her choice to live alone is the cause of much gossip among her fellow villagers. Unexpectedly, she finds herself passionately falling for a man, and is suddenly faced with the decision to pursue a relationship or continue a life of independence. Etero must grapple with her feelings and decide how to find her own path to happiness.