The Riverside Musical Theatre Company return to the stage with a Sparkle Jolly Twinkle Jingley Christmas Showstopper!
Featuring songs from the world of musical theatre, White Christmas, Elf, and The Grinch.
Classic Christmas films, Home Alone and The Wizard of Oz. Plus all time favourites, Bethlehem, Hallelujah and Carol Of The Bells plus much much more!!
A sprinkling from the world of animation, then all wrapped up with a very special Jingle Bells. It's sure to get you in the toe tapping Christmas Spirit!
This winter, join in the fun and enjoy your favourite Christmas show in the cinema for the first time ever!
The much anticipated annual CBeebies Christmas Show is coming to the big screen for a family-friendly cinema experience. The makers of Alice in Wonderland, A Christmas Carol and Snow Queen will delight audiences this year with the classic tale of Thumbelina.
This CBeebies Christmas Show recreates on the big screen the live Thumbelina performance and includes an exclusive, additional show made for cinema audiences only starring the much-loved Justin Fletcher (Something Special) in "Justin’s Countdown to Christmas". This holiday season, laugh and sing along with your favourite CBeebies Stars and be part of a fabulous interactive show for all the family.
Adults £10 each
All Children £8 each
The Peninsula Poppy Project presents a new film by Tim Curtis (Life on the Deben), documenting World War One through the lives of two very different Suffolk families. A new film to commemorate the Centenary of the Armistice - STANLEY'S WAR - SUFFOLK'S WORLD WAR ONE REMEMBERED -
Set in contemporary Chicago, amidst a time of turmoil, four women with nothing in common accept a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
Singers Bob Wallace (Bing Crosby) and Phil Davis (Danny Kaye) join sister act Betty (Rosemary Clooney) and Judy Haynes (Vera-Ellen) to perform a Christmas show in rural Vermont. There, they run into Gen. Waverly (Dean Jagger), the boys' commander in World War II, who, they learn, is having financial difficulties; his quaint country inn is failing. So what's the foursome to do but plan a yuletide miracle: a fun-filled musical extravaganza that's sure to put Waverly and his business in the black!
All Clara wants is a key - a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at godfather Drosselmeyer's annual holiday party, leads her to the coveted key-which promptly disappears into a strange and mysterious parallel world. It's there that Clara encounters a soldier named Phillip, a gang of mice and the regents who preside over three Realms: Land of Snowflakes, Land of Flowers, and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger, to retrieve Clara's key and hopefully return harmony to the unstable world.
Taking place six years after saving the arcade from Turbo's vengeance, the Sugar Rush arcade cabinet has broken, forcing Ralph and Vanellope to travel to the Internet via the newly-installed Wi-Fi router in Litwak's Arcade to retrieve the piece capable of saving the game.
The mysterious Mary Poppins returns to Depression-era London to visit Jane and her brother Michael, now a father of three, and helps them rediscover the joy they knew as children.
Bohemian Rhapsody is a foot-stomping celebration of Queen, their music and their extraordinary lead singer Freddie Mercury. Freddie defied stereotypes and shattered convention to become one of the most beloved entertainers on the planet. The film traces the meteoric rise of the band through their iconic songs and revolutionary sound. They reach unparalleled success, but in an unexpected turn Freddie, surrounded by darker influences, shuns Queen in pursuit of his solo career. Having suffered greatly without the collaboration of Queen, Freddie manages to reunite with his bandmates just in time for Live Aid. While bravely facing a recent AIDS diagnosis, Freddie leads the band in one of the greatest performances in the history of rock music. Queen cements a legacy that continues to inspire outsiders, dreamers and music lovers to this day
The multi-award winning and critically acclaimed Lincoln Center Theater’s production of Rodgers and Hammerstein’s The King And I comes to cinemas in this unmissable event recorded live from London’s iconic Palladium.
Reprising her Tony Award-winning role, ‘Broadway musical’s undisputed Queen’ (The Sunday Times) Kelli O’Hara (Anna) takes to the stage alongside Tony and Oscar nominee Ken Watanabe (The King) in a "powerhouse" (The Times) performance. Also returning to her Tony Award winning role as Lady Thiang is Ruthie Ann Miles.
Set in 1860s Bangkok, the musical tells the story of the unconventional and tempestuous relationship that develops between the King of Siam and Anna, a British schoolteacher whom the modernist King, in an imperialistic world, brings to Siam to teach his many wives and children.
With one of the finest scores ever written including; Whistle a Happy Tune, Getting to Know You, and Shall We Dance, and featuring a company of over 50 world-class performers, The King and I is a testament to the lavish heritage of gloriously romantic musical theatre – it is the greatest musical from the golden age of musicals.
“Five stars for a sumptuous King and I. Book Now. It’s a hit” - The Times
“We left the London Palladium on a bright cloud of music - joyous!” - Daily Mail
“Looks and sounds ravishing. Complete rapture” - The Telegraph
1954 film - In the lonely Deadwood, Dakota, territory, sharpshooter Calamity Jane (Doris Day) falls for cavalry Lt. Danny Gilmartin (Philip Carey) when she is forced to rescue him from the Indians. Recognizing that the women-starved townsmen long for a "real" woman, Calamity journeys to Chicago to bring back famous singer Adelaid Adams, but mistakenly brings her maid Katie instead. Heartbroken when Danny falls for Katie, Calamity all but ignores her jovial friend Wild Bill Hickok (Howard Keel).
Peter Rabbit and his three sisters -- Flopsy, Mopsy and Cotton-Tail -- enjoy spending their days in Mr. McGregor's vegetable garden. When one of McGregor's relatives suddenly moves in, he's less than thrilled to discover a family of rabbits in his new home. A battle of wills soon breaks out as the new owner hatches scheme after scheme to get rid of Peter -- a resourceful rabbit who proves to be a worthy and wily opponent.
King. The male ruler of an independent state; one who inherits the position by right of birth.
King of the castle. A children’s game in which each child attempts to stand alone on a mound, or sandcastle, by pushing other children off it.
Simon Russell Beale plays King Richard II in a visceral new production about the limits of power, directed by Joe Hill-Gibbins (Little Revolution, Absolute Hell).
Life on the Deben is a major new documentary film that was made in association with Woodbridge Riverside Trust ands first released in December 2017.
Presented by author and journalist John McCarthy, the film explores the Deben’s incredible history, geography, environment and the influence it has had over the people who have lived by its banks.
The film traces the entire length of the Deben, from the secret upper reaches near Debenham to the boatyards of Woodbridge and down to the sea at Bawdsey and Felixstowe Ferry.
The film has been shot over 2 years by Director and Cameraman Tim Curtis (Video East), Produced by Malcolm Hodd.
The penniless soldier Gherman has fallen in love with Liza, even though she is engaged to his friend Yeletsky. Gherman learns that Liza's guardian the Countess knows a winning three-card formula. Gherman determines to wrest the secret from the Countess, gain a fortune through gambling and marry Liza.
Gherman and Liza admit they love each other, and Gherman persuades Liza to let him into the Countess's room. But when he tries to wrest the Countess's secret from her, she dies of fright. The following evening, the Countess's ghost appears to Gherman. She commands him to marry Liza and tells him the 'secret of the three cards'. But will this help Gherman satisfy his desires or drive him further towards madness?
Olivier award-winner Eve Best (A Moon for the Misbegotten and Hedda Gabler) and BAFTA-nominated actress Anne Reid (Last Tango in Halifax) star in this new classically staged production of Oscar Wilde’s comedy directed by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe. The first play from the Classic Spring Theatre Company’s Oscar Wilde Season, A Woman of No Importance was broadcast live to cinemas from the Vaudeville Theatre in London’s West End on 28th November 2017.
An earnest young American woman, a louche English lord, and an innocent young chap join a house party of fin de siècle fools and grotesques. Nearby a woman lives, cradling a long-buried secret. First performed in 1893, Oscar Wilde’s marriage of glittering wit and Ibsenite drama satirised the socially conservative world of the Victorian upper-class, creating a vivid new theatrical voice which still resonates today.
‘One can survive everything nowadays, except death, and live down anything except a good reputation.’ Oscar Wilde
1946 film - British Air Force pilot Peter Carter (David Niven) is on his way home to England from a World War II bombing mission in a badly damaged aircraft. Before he bails out of the plane into the ocean, he contacts June (Kim Hunter), an Allied radio operator with whom he shares what he believes to be his final moments on Earth. But Peter survives, finds June and they fall in love. A problem arises when a divine messenger (Marius Goring) arrives to escort Peter to heaven to rectify his wrongful survival.
Alfredo Germont and the courtesan Violetta Valéry fall in love at a party in Violetta's Paris salon. Alfredo is determined to cure Violetta of her tuberculosis, and the couple leave Paris and begin a contented life in the country. But Violetta's happiness is destroyed when Alfredo's father Giorgio Germont pays her a visit.
Violetta’s scandalous relationship with Alfredo is jeopardizing Giorgio Germont’s daughter’s engagement, and Germont persuades Violetta to leave his son. Heartbroken, Violetta promises not to tell Alfredo why. Alfredo is stunned when Violetta disappears, and decides she must have left him from self-interest. He confronts her at a Paris party and leaves her. Only when Violetta is dying does he learn the truth.
I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
Hare was recently described by The Washington Post as ‘the premiere political dramatist writing in English’. His other work includes Pravda and Skylight, broadcast by National Theatre Live in 2014.
1940 film - Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter (Laurence Olivier). She must also deal with the jealous, obsessed Mrs. Danvers (Judith Anderson), the housekeeper, who will not accept her as the mistress of the house.
Pablo Picasso is one of the greatest artists of all time – and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years – the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place?
Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements. Three cities play a key role: Malaga, Barcelona and Paris. Young Picasso visits each and explores their influence on Picasso, focusing on specific artworks from these early years.
The film thus explains how this young artist acquired his craft. Looking carefully at two key early periods – the so-called Blue Period and Rose Period – the film takes us all the way to 1907 and the creation of a critical painting in the history of art – Les Demoiselles d’Avignon. It was a painting that shocked the art world but changed it irrevocably. Picasso was only 25 years old. Working closely with all three Picasso Museums in Malaga, Barcelona and Paris this film explains how he rose to great heights.
Don Quixote and his servant Sancho Panza set out to have a chivalrous adventure. They meet Kitri and Basilio, a young couple who cannot marry because Kitri's father is determined to marry her off to the wealthy Gamache. Don Quixote decides to intervene.
With Don Quixote's help, Kitri and Basilio convince her father to let them marry. Don Quixote also persuades Gamache that he would prefer to marry the barmaid anyway. Kitri and Basilio celebrate, and everyone cheers Don Quixote on his way.
A new production of Oscar Wilde’s social comedy, Lady Windermere’s Fan, directed by award-winning writer, actor and director Kathy Burke, was broadcast live to cinemas from the Vaudeville Theatre in London’s West End and is now available as a recorded programme. Kathy Burke brings together a talented comedic cast including the Olivier Award-winning actress Samantha Spiro as Mrs Erlynne, Kevin Bishop as Lord Darlington, and guest starring Jennifer Saunders as the Duchess of Berwick, marking her return to the West End stage for the first time in over twenty years. This is the second play from the Oscar Wilde Season, a year-long celebration of the brilliant Victorian playwright being staged by Classic Spring, a new theatre company led by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe.
The day of Lady Windermere’s birthday party, and all is perfectly in order. Until her friend Lord Darlington plants a seed of suspicion. Is her husband having an affair? And will the other woman really attend the party? First performed in 1892, Lady Windermere’s Fan explores the ambiguity of upper class morality and the fragile position of women in society in the late Victorian era in one of Wilde’s most popular and witty plays.
Samantha Spiro (Mrs Erlynne)
Kevin Bishop (Lord Darlington)
Jennifer Saunders Duchess of Berwick
Joseph Marcell (Lord Lorton)
Joshua James (Lord Windermere)
Grace Molony (Lady Windermere)
1963 film - Scout Finch (Mary Badham), 6,and her older brother, Jem (Phillip Alford), live in sleepy Maycomb, Ala., spending much of their time with their friend Dill (John Megna) and spying on their reclusive and mysterious neighbor, Boo Radley (Robert Duvall). When Atticus (Gregory Peck), their widowed father and a respected lawyer, defends a black man named Tom Robinson (Brock Peters) against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.
1955 film - Mrs. Wilberforce (Katie Johnson) likes to report suspicious behavior to the police. Unaware of her reputation, the dapper thief Professor Marcus (Alec Guinness) rents rooms in the elderly widow's home for himself and his band of cohorts. Posing as a string quintet, the thieves pull off a bank robbery, but slip up in front of the old woman as they try to escape. Agreed that they need to murder her, the bumbling crooks wind up double-crossing each other and slowly killing themselves off.
Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously.
1981 film - In the class-obsessed and religiously divided United Kingdom of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell (Ian Charleson), a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams (Ben Cross) overcomes anti-Semitism and class bias, but neglects his beloved sweetheart Sybil (Alice Krige) in his single-minded quest.
Christof Loy directs a star-studded cast of singers, including Anna Netrebko, Jonas Kaufmann and Christopher Maltman, in Verdi's epic opera, conducted by Antonio Pappano.
La forza del destino is one of Verdi's most ambitious scores. Its overture - which introduces us to the sinister motif signifying Fate - is one of his most memorable. The opera also contains some of Verdi’s most brilliant choral writing, including Act III’s stirring ‘Rataplan’ chorus, and several beautiful and intimate arias such as Leonora's ardent Act IV 'Pace, pace mio Dio!'. There's comedy too with the scenes for the greedy monk Fra Melitone. Christof Loy's colourful and spectacular production reflects the kaleidoscopic nature of Verdi's opera, where intense personal dramas play out against a background of war, and in which religion plays an ambiguous role.
Verdi and his librettist and friend Francesco Maria Piave based La forza del destino on Ángel de Saavedra's highly dramatic play Don Alvaro, o la fuerzo del sino, and also incorporated material from Schiller's Wallenstein's Camp for Act III's military scenes. Following Forza's 1862 St Petersburg premiere, Verdi made extensive revisions to the score. The most substantial of these were a new overture, and a less melodramatic ending, in which Don Alvaro remained alive rather than committing suicide. The revised Forza, the version best known today, had its premiere on 27 February 1869 at La Scala, Milan.
Every Rembrandt exhibition is eagerly anticipated but this major show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other.
Given privileged access to both galleries the film documents this landmark exhibition, whilst interweaving Rembrandt’s life story, with behind-the-scenes preparations at these world famous institutions. Exploring many of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians, this EXHIBITION ON SCREEN favourite makes a welcome return to the big screen.
For many, Rembrandt is the greatest artist that ever lived and this deeply moving film seeks to explore the truth about the man behind the legend.
DISCOUNTED TICKET OFFER!!
If all four 'Exhibition On Screen' broadcasts are booked together you can buy them at the discounted rate of £10 per ticket!
Speak to the riverside staff for more details. Offer can only be deemed over a phone booking or in person at the box office.
Gounod's most popular opera returns in David McVicar's stunning Parisian production, with singers including Michael Fabiano, Diana Damrau and Erwin Schrott.
Gounod's Faust (1859) was one of the world's most popular operas from the 1860s to World War II, and remains a core repertory work. The story, adapted by Gounod's librettists Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, is based on Part I of Goethe's epic poem Faust, which was a major inspiration for many composers during the 19th century and beyond. Gounod added a ballet to Act V when Faust received its first Paris Opéra staging in 1869.
David McVicar's wonderfully theatrical production draws insightful parallels between Faust and Gounod, a composer torn between piety and worldly and romantic success. Sets and costumes by Charles Edwards and Brigitte Reiffenstuel pay tribute to the art and architecture of 1870s Paris, and include a colourful Cabaret d'Enfer, a run-down tenement block and re-creations of a box from the Paris Opéra and the organ loft of Notre-Dame. The variety of settings mirrors the variety in Gounod's score, highlights of which include Méphistophélès's demonic aria 'Le veau d'or', Marguerite's dazzling coloratura Jewel Song, the Act IV Soldiers' Chorus and Act V's impassioned trio as Marguerite struggles to achieve salvation.
A new production of one of the funniest plays in English, Oscar Wilde’s The Importance of Being Earnest, will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. Wilde’s much-loved masterpiece throws love, logic and language into the air to make one of theatre’s most dazzling firework displays. Jack, Algy, Gwendolyn and Cecily discover how unsmooth runs the course of true love, while Lady Bracknell keeps a baleful eye on the mayhem of manners. This is the fourth and final play from the Oscar Wilde Season, a year-long celebration of the brilliant Victorian playwright being staged by the Classic Spring Theatre Company.
Arthur Miller’s blistering classic drama will star Academy Award-winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (While You Were Sleeping, Independence Day) and will be directed by Jeremy Herrin (previously directed National Theatre productions of This House and People, Places and Things).
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. But nothing lasts forever as long buried truths are forced to the surface and the price of their American dream is laid bare.
Christopher Wheeldon created Within the Golden Hour for San Francisco Ballet in 2008, as part of their New Works Festival in celebration of the company's 75th anniversary. Italian minimalist composer Ezio Bosso created the original score for strings, incorporating music by Vivaldi. It was first performed by The Royal Ballet in 2016.
Within the Golden Hour is structured into sections, accentuated by Martin Pakledinaz's simple designs. The dancers are costumed in muted hues of greens, browns, blues and purples, creating a sense of the bright orange light of the 'golden hour' before the sun sets. Around three central pas de deux, the ballet exhibits Wheeldon's characteristic complex handling of ensembles, in the process creating intricate lattice works that shift and mutate in this reflection on the beauty of movement.
Seven couples dance in shifting groups. They separate for three central pas de deux each highly characterized: light, sensual, confrontational. All the dancers come together for a thrilling ending.
In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see the profound influence of Japan on the artist and his work. After leaving Paris for the south of France - to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh's art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
Kenneth MacMillan's passionate choreography for Romeo and Juliet shows The Royal Ballet at its dramatic finest. Sergey Prokofiev's iconic score provides the basis for the ballet's romantic pas de deux and vibrant crowd scenes, while 16th-century Verona is created by Nicholas Georgiadis's magnificent designs.
In 1965, MacMillan's Romeo and Juliet was given its premiere at Covent Garden by The Royal Ballet and was an immediate success: the first night was met with rapturous applause, which lasted for 40 minutes, and an incredible 43 curtain calls. The title roles were danced by Rudolf Nureyev and Margot Fonteyn, although the ballet had been created on Christopher Gable and Lynn Seymour. It has been performed by The Royal Ballet more than four hundred times since, as well as touring the world, and has become a true classic of the 20th-century ballet repertory.